Book shrine in the context of "Carpet page"

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⭐ Core Definition: Book shrine

A cumdach (Old Irish pronunciation: [ˈkuβ̃d̪ax], in Irish "cover") or book shrine is an elaborate ornamented metal reliquary box or case used to hold Early Medieval Irish manuscripts or relics. They are typically later than the book they contain, often by several centuries. In most surviving examples, the book comes from the peak age of Irish monasticism before 800, and the extant cumdachs date from after 1000, although it is clear the form dates from considerably earlier. The majority are of Irish origin, with most surviving examples held by the National Museum of Ireland (NMI).

The usual form is a design based on a cross on the main face, with the use of large gems of rock crystal or other semi-precious stones, leaving the spaces between the arms of the cross for more varied decoration. Several were carried on a metal chain or leather cord, often worn off the belt, or suspended around the neck, placing them next to the heart and thus offering spiritual and perhaps medical benefits (the same was done with the St Cuthbert Gospel in a leather bag in medieval Durham). They were also used to bring healing to the sick or dying, or more formally, as witness contracts. Many had hereditary laykeepers from among the chiefly families who had formed links with monasteries.

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👉 Book shrine in the context of Carpet page

A carpet page is a full page in an illuminated manuscript containing intricate, non-figurative, patterned designs. They are a characteristic feature of Insular manuscripts, and typically placed at the beginning of a Gospel Book. Carpet pages are characterised by mainly geometrical ornamentation which may include repeated animal forms. They are distinct from pages devoted to highly decorated historiated initials, though the style of decoration may be very similar.

Carpet pages are characterised by ornamentation with brilliant colors, active lines and complex patterns of interlace. They are normally symmetrical, or very nearly so, about both a horizontal and vertical axis, though for example the pictured page from the Lindisfarne Gospels is only symmetrical about a vertical axis. Some art historians find their origin in similar Coptic decorative book pages, and they also clearly borrow from contemporary metalwork decoration. Oriental carpets, or other textiles, may themselves have been influences. The tooled leather book binding of the St Cuthbert Gospel represents a simple carpet page in another medium, and the few surviving treasure bindings – metalwork book covers or book shrines – from the same period, such as that on the Lindau Gospels, are also close parallels. Roman floor mosaics seen in post-Roman Britain, are also cited as a possible source. The Hebrew Codex Cairensis, from 9th century Galilee, also contains a similar type of page, but stylistically very different.

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