Bodrum Castle (Turkish: Bodrum Kalesi) is a historical fortification located in southwest Turkey in the port city of Bodrum, built from 1402 onwards, by the Knights of St John (Knights Hospitaller) as the Castle of St. Peter or Petronium. A transnational effort, it has four towers known as the English, French, German, and Italian towers, bearing the names of the nations responsible for their construction. The chapel was built around 1407 and the first walls completed in 1437. The castle started reconstruction in the late 15th century, only to be taken over by the Islamic Ottoman Empire in 1523. The chapel was converted to a mosque, and a minaret was added. The castle remained under the empire for almost 400 years. After remaining empty following World War I, in the early 1960s, the castle became the home for the Bodrum Museum of Underwater Archaeology. In 2016 it was inscribed in the UNESCO Tentative list of World Heritage Sites in Turkey.
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👉 Bodrum Museum of Underwater Archaeology in the context of Pottery of ancient Greece
Pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum), it has exerted a disproportionately large influence on our understanding of Greek society. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout the Mediterranean, such as the Etruscans in Italy. There were a multitude of specific regional varieties, such as the South Italian ancient Greek pottery.
Throughout these places, various types and shapes of vases were used. Not all were purely utilitarian; large Geometric amphorae were used as grave markers, kraters in Apulia served as tomb offerings and Panathenaic Amphorae seem to have been looked on partly as objets d'art, as were later terracotta figurines. Some were highly decorative and meant for elite consumption and domestic beautification as much as serving a storage or other function, such as the krater with its usual use in diluting wine.
- ⭐ Core Definition: Bodrum Museum of Underwater Archaeology
- 👉 Bodrum Museum of Underwater Archaeology in the context of Pottery of ancient Greece
- Bodrum Museum of Underwater Archaeology in the context of Ancient Greek vase painting
- Bodrum Museum of Underwater Archaeology in the context of Attic vase painting
Bodrum Museum of Underwater Archaeology in the context of Ancient Greek vase painting
Pottery, due to its relative durability, comprises a large part of the archaeological record of [[ancient Greece]. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout the Mediterranean, such as the Etruscans in Italy. There were a multitude of specific regional varieties, such as the South Italian ancient Greek pottery.
Throughout these places, various types and shapes of vases were used. Not all were purely utilitarian; large Geometric amphorae were used as grave markers, kraters in Apulia served as tomb offerings and Panathenaic Amphorae seem to have been looked on partly as objets d'art, as were later terracotta figurines. Some were highly decorative and meant for elite consumption and domestic beautification as much as serving a storage or other function, such as the krater with its usual use in diluting wine.
Bodrum Museum of Underwater Archaeology in the context of Attic vase painting
Pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout the Mediterranean, such as the Etruscans in Italy. There were a multitude of specific regional varieties, such as the South Italian ancient Greek pottery.
Throughout these places, various types and shapes of vases were used. Not all were purely utilitarian; large Geometric amphorae were used as grave markers, kraters in Apulia served as tomb offerings and Panathenaic Amphorae seem to have been looked on partly as objets d'art, as were later terracotta figurines. Some were highly decorative and meant for elite consumption and domestic beautification as much as serving a storage or other function, such as the krater with its usual use in diluting wine.