Charles Dickens in the context of "Christ in the House of His Parents"

⭐ In the context of *Christ in the House of His Parents*, Charles Dickens is considered…

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⭐ Core Definition: Charles Dickens

Charles John Huffam Dickens (/ˈdɪkɪnz/ ; 7 February 1812 – 9 June 1870) was an English novelist, journalist, short story writer and social critic. He created some of literature's best-known fictional characters, and is regarded by many as the greatest novelist of the Victorian era. His works enjoyed unprecedented popularity during his lifetime and, by the 20th century, critics and scholars had recognised him as a literary genius. His novels and short stories are widely read today.

Born in Portsmouth, Dickens left school at age 12 to work in a boot-blacking factory when his father John was incarcerated in a debtors' prison. After three years, he returned to school before beginning his literary career as a journalist. Dickens edited a weekly journal for 20 years; wrote 15 novels, five novellas, hundreds of short stories and nonfiction articles; lectured and performed readings extensively; was a tireless letter writer; and campaigned vigorously for children's rights, education and other social reforms.

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👉 Charles Dickens in the context of Christ in the House of His Parents

Christ in the House of His Parents (1849–50) is a painting by John Everett Millais depicting the Holy Family in Saint Joseph's carpentry workshop. The painting was extremely controversial when first exhibited, prompting many negative reviews, most notably one written by Charles Dickens. It catapulted the previously obscure Pre-Raphaelite Brotherhood to notoriety and was a major contributor to the debate about Realism in the arts. It is now in Tate Britain in London.

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Charles Dickens in the context of George Cruikshank

George Cruikshank or Cruickshank (/ˈkrʊkʃæŋk/ KRUUK-shank; 27 September 1792 – 1 February 1878) was a British caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend Charles Dickens, and many other authors, reached an international audience.

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Charles Dickens in the context of Serial (literature)

In literature, a serial is a printing or publishing format by which a single larger work, often a work of narrative fiction, is published in smaller, sequential instalments. The instalments are also known as numbers, parts, fascicules or fascicles, and may be released either as separate publications or within sequential issues of a periodical publication, such as a magazine or newspaper.

Serialisation can also begin with a single short story that is subsequently turned into a series. Historically, such series have been published in periodicals. Popular short-story series are often published together in book form as collections.

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Charles Dickens in the context of Victorian literature

Victorian literature is English literature during the reign of Queen Victoria (1837–1901). In the Victorian era, the novel became the leading literary genre in English. English writing from this era reflects the major transformations in most aspects of English life, from scientific, economic, and technological advances to changes in class structures and the role of religion in society. The number of new novels published each year increased from 100 at the start of the period to 1000 by the end of it. Famous novelists from this period include Charles Dickens, William Makepeace Thackeray, the three Brontë sisters (Charlotte, Emily, and Anne Brontë), Elizabeth Gaskell, George Eliot (Mary Ann Evans), Thomas Hardy, and Rudyard Kipling.

The Romantic period was a time of abstract expression and inward focus; during the Victorian era, writers focused on social issues. Writers such as Thomas Carlyle called attention to the dehumanizing effects of the Industrial Revolution and what Carlyle called the "Mechanical Age". This awareness inspired the subject matter of other authors, like poet Elizabeth Barrett Browning and novelists Charles Dickens and Thomas Hardy. Barrett's works on child labor cemented her success in a male-dominated world where women writers often had to use masculine pseudonyms. Dickens employed humor and an approachable tone while addressing social problems such as wealth disparity. Hardy used his novels to question religion and social structures.

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Charles Dickens in the context of Nicholas Nickleby

Nicholas Nickleby, or The Life and Adventures of Nicholas Nickleby, is the third novel by English author Charles Dickens, originally published as a serial from 1838 to 1839. The character of Nickleby is a young man who must support his mother and sister after his father dies.

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Charles Dickens in the context of George Eliot

Mary Ann Evans (22 November 1819 – 22 December 1880; alternatively Mary Anne or Marian), known by her pen name George Eliot, was an English novelist, poet, journalist, translator, and one of the leading writers of the Victorian era. She wrote seven novels: Adam Bede (1859), The Mill on the Floss (1860), Silas Marner (1861), Romola (1862–1863), Felix Holt, the Radical (1866), Middlemarch (1871–1872) and Daniel Deronda (1876). Like Charles Dickens and Thomas Hardy, she emerged from provincial England; most of her works are set there. Her works are known for their realism, psychological insight, sense of place, and detailed depiction of the countryside. Middlemarch was described by the novelist Virginia Woolf as "one of the few English novels written for grown-up people" and by Martin Amis and Julian Barnes as the greatest novel in the English language.

Scandalously and unconventionally for the era, she lived with the married George Henry Lewes as his conjugal partner, from 1854 to 1878, and called him her husband. He remained married to his wife, Agnes Jervis, and supported their children, even after Jervis left him to live with another man and have children with him. In May 1880, 18 months after Lewes's death, Eliot married her longtime friend John Cross, a man much younger than her, and changed her name to Mary Ann Cross.

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Charles Dickens in the context of Stefan Zweig

Stefan Zweig (/zwɡ, swɡ/ ZWYGHE, SWYGHE; German: [ˈʃtɛfan t͡svaɪ̯k] or Austrian German: [t͡svaɪ̯g]; 28 November 1881 – 22 February 1942) was an Austrian writer. At the height of his literary career in the 1920s and 1930s, he was one of the most widely translated and popular writers in the world.

Born into a Jewish family, Zweig was raised in Vienna, Austria-Hungary. He wrote historical studies of famous literary figures, such as Honoré de Balzac, Charles Dickens, and Fyodor Dostoevsky in Drei Meister (1920; Three Masters), and decisive historical events in Decisive Moments in History (1927). He wrote biographies of Joseph Fouché (1929), Mary Stuart (1935) and Marie Antoinette (Marie Antoinette: The Portrait of an Average Woman, 1932), among others. Zweig's best-known fiction includes Letter from an Unknown Woman (1922), Amok (1922), Fear (1925), Confusion of Feelings (1927), Twenty-Four Hours in the Life of a Woman (1927), the psychological novel Ungeduld des Herzens (Beware of Pity, 1939), and The Royal Game (1941).

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Charles Dickens in the context of Ebenezer Scrooge

Ebenezer Scrooge (/ˌɛ.bɪ.ˈn.zər ˈskr/) is a fictional character and the protagonist of Charles Dickens's 1843 novella A Christmas Carol. Initially a cold-hearted miser who despises Christmas, his redemption by visits from the ghost of Jacob Marley and the Ghosts of Christmas Past, Present, and Yet to Come has become a defining tale of the Christmas holiday in the English-speaking world.

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