Bhattiprolu in the context of "Amaravati art"

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👉 Bhattiprolu in the context of Amaravati art

Amaravati school of art is an ancient Indian art style that evolved in the region of Amaravati (then known as Dhānyakaṭaka) in the modern-day Andhra Pradesh from 2nd century BCE to the end of the 3rd century CE. It is also called the Andhra School or Vengi School. Art historians regard the art of Amaravati as one of the three major styles or schools of ancient Indian art, the other two being the Mathura style, and the Gandharan style.

In addition to the ruins at Amarāvati, the style is also seen in the stupa remains at Bhattiprolu, Jaggayyapeta, Nagarjunakonda, Ghantasala, and Goli, in Andhra Pradesh, and as far west as Ter, Maharashtra. Largely because of the maritime trading links of the East Indian coast, the Amaravati school of sculpture had great influence on art in South India, Sri Lanka (as seen at Anuradhapura) and South-East Asia.

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Bhattiprolu in the context of Early Indian epigraphy

The earliest deciphered epigraphy found in the Indian subcontinent are the Edicts of Ashoka of the 3rd century BCE, in the Brahmi script.

If epigraphy of proto-writing is included, undeciphered markings with symbol systems that may or may not contain linguistic information, there is substantially older epigraphy in the Indus script, which dates back to the mid 4th millennium BCE. Two other important archeological classes of symbols are found from the 1st millennium BCE, Megalithic graffiti symbols and symbols on punch-marked coins, though most scholars do not consider these to constitute fully linguistic scripts, and their semiotic functions are not well understood.

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