Bertrand Tavernier in the context of Romy Schneider


Bertrand Tavernier in the context of Romy Schneider

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👉 Bertrand Tavernier in the context of Romy Schneider

Rosemarie Magdalena Albach (23 September 1938 – 29 May 1982), known professionally as Romy Schneider (German: [ˈʁoːmi ˈʃnaɪdɐ, ˈʁɔmi -] ), was a German and French actress. She is regarded as one of the greatest screen actresses of all time and became a cult figure due to her role as Empress Elisabeth of Austria in the Sissi trilogy in the mid-1950s. She later reprised the role in a more mature version in Luchino Visconti's Ludwig (1973). She began her career in the German Heimatfilm genre in the early 1950s when she was 15. Schneider moved to France, where she made successful and critically acclaimed films with some of the most notable film directors of that era. Coco Chanel called Romy "the ultimate incarnation of the ideal woman". Bertrand Tavernier remarked: "Sautet is talking about Mozart with regard to Romy. Me, I want to talk of Verdi, Mahler..."

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Bertrand Tavernier in the context of Michael Powell

Michael Latham Powell (30 September 1905 – 19 February 1990) was an English filmmaker, celebrated for his partnership with Emeric Pressburger. Through their production company The Archers, they together wrote, produced and directed a series of classic British films, notably The Life and Death of Colonel Blimp (1943), A Canterbury Tale (1944), I Know Where I'm Going! (1945), A Matter of Life and Death (1946, Stairway to Heaven in the U.S.), Black Narcissus (1947), The Red Shoes (1948) and The Tales of Hoffmann (1951).

His controversial Peeping Tom (1960), which was so vilified on first release that it seriously damaged his career, is now considered a classic, and possibly the earliest "slasher movie". Many renowned filmmakers, such as Francis Ford Coppola, George A. Romero, Brian De Palma, Bertrand Tavernier and Martin Scorsese have cited Powell as an influence.

View the full Wikipedia page for Michael Powell
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