Bellfounding in the context of "Carillon"

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⭐ Core Definition: Bellfounding

Bellfounding is the casting and tuning of large bronze bells in a foundry for use such as in churches, clock towers and public buildings, either to signify the time or an event, or as a musical carillon or chime. Large bells are made by casting bell metal in moulds designed for their intended musical pitches. Further fine tuning is then performed using a lathe to shave metal from the bell to produce a distinctive bell tone by sounding the correct musical harmonics.

Bellfounding in East Asia dates from about 2000 BCE and in Europe from the 4th or 5th century CE. In Britain, archaeological excavations have revealed traces of furnaces, showing that bells were often cast on site in pits in a church or its grounds. Centralised foundries became common when railways allowed easy transportation of bells, leading to the dominance of founders such as the Whitechapel Bell Foundry and John Taylor & Co of Loughborough.

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👉 Bellfounding in the context of Carillon

A carillon (US: /ˈkærəlɒn/ KARR-ə-lon, UK: /kəˈrɪljən/ kə-RIL-yən) is a pitched percussion instrument that is played with a keyboard and consists of at least 23 bells. The bells are cast in bronze, hung in fixed suspension, and tuned in chromatic order so that they can be sounded harmoniously together. They are struck with clappers connected to a keyboard of wooden batons played with the hands and pedals played with the feet. Often housed in bell towers, carillons are usually owned by churches, universities, or municipalities. They can include an automatic system through which the time is announced and simple tunes are played throughout the day.

Carillons come in many designs, weights, sizes, and sounds. They are among the world's heaviest instruments, and the heaviest carillon weighs over 91 metric tons (100 short tons). Most weigh between 4.5 and 15 metric tons (5.0 and 16.5 short tons). To be considered a carillon, a minimum of 23 bells is needed; otherwise, it is called a chime. Standard-sized instruments have about 50, and the world's largest has 77 bells. The appearance of carillons depends on the number and weight of the bells and the tower in which they are housed. They may be found in towers that are free-standing or connected to a building. The bells of a carillon may be directly exposed to the elements or hidden inside the structure of their towers.

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Bellfounding in the context of Liberty Bell

The Liberty Bell, previously called the State House Bell or Old State House Bell, is an iconic symbol of American independence located in Philadelphia. Originally placed in the steeple of Pennsylvania State House, now known as Independence Hall, the Liberty Bell today is located across the street from Independence Hall in the Liberty Bell Center in Independence National Historical Park.

The bell was commissioned in 1752 by the Pennsylvania Provincial Assembly from the London-based firm Lester and Pack, later renamed the Whitechapel Bell Foundry, and was cast with the lettering "Proclaim LIBERTY Throughout all the Land unto all the Inhabitants Thereof". The bell first cracked when rung after its arrival in Philadelphia, and was twice recast by local workmen John Pass and John Stow, whose surnames appear on the bell. In its early years, the bell was used to summon lawmakers to legislative sessions and to alert citizens to public meetings and proclamations. It is likely that the Liberty Bell was among the bells in Philadelphia to ring on July 8, 1776, when the Declaration of Independence was first read to the public, although no contemporary account of the ringing exists.

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Bellfounding in the context of Geert van Wou

Geert van Wou (1440, Hintham—December 1527, Kampen) was a well-known Dutch bellfounder. He is best known today for the Maria Gloriosa (1497) of Erfurt Cathedral. The son of a bellfounder, he is considered one of the most important bellfounders of the Middle Ages, though records suggest he participated in other casting.

The most famous bells for the cathedrals include those in Erfurt (Maria Gloriosa, e, 1497), Braunschweig (1502), Naumburg (1502), Utrecht (7 bells on F, 1505/06), and the St. Michael's Church in Kampen (1493/96) and that of today's new tower in Kampen (1481–83). A Van Wou bell also hangs in Zeerijp (1500) and another there by him was recast in 1955 by van Bergen because of a crack in the bell foundry. He cast two other bells (of 1493) hanging in the Lamberti Church in Munster. In Eernewoude also a Van Wou-bell from the year 1500. For St. Michaelis and St. Nicolai in Lüneburg he also poured bells (two in St. Michaelis, one in St. Nicolai, 1491) and for St. Mary in Stendal and the St. Mary's Cathedral in Hamburg (1487, the bell "Celsa", which since 1804 is now in the St. Nicholas Church (Hamburg- Altengamme depends)). Another bell hangs in the minster Mildam roads in the church of St. Gudula. Cast in 1492, the Regina Bell of Osnabrück Cathedral, already cast in 1485, is now in the tower of Holy Cross Church at Osnabrück. The Grote Kerk, Haarlem in Haarlem houses another van Wou bell, the Roelant cast in 1503, weighing in at almost 5000 kg.

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