Beaker culture in the context of "2nd millennium BC"

Culture-historical archaeology is an archaeological theory that emphasises defining historical societies into distinct ethnic and cultural groupings according to their material culture.

It originated in the late nineteenth century as cultural evolutionism began to fall out of favor with many antiquarians and archaeologists. It was gradually superseded in the mid-twentieth century by processual archaeology. Cultural-historical archaeology had in many cases been influenced by a nationalist political agenda, being utilised to prove a direct cultural and/or ethnic link from prehistoric and ancient peoples to modern nation-states, something that has in many respects been disproved by later research and archaeological evidence.

The Nuragic civilization, also known as the Nuragic culture, formed in the Mediterranean island of Sardinia, Italy in the Bronze Age. According to the traditional theory put forward by Giovanni Lilliu in 1966, it developed after multiple migrations from the West of people related to the Beaker culture who conquered and disrupted the local Copper Age cultures; other scholars instead hypothesize an autochthonous origin. It lasted from the 18th century BC (Middle Bronze Age), up to the Iron Age or until the Roman colonization in 238 BC. Others date the culture as lasting at least until the 2nd century AD, and in some areas, namely the Barbagia, to the 6th century AD, or possibly even to the 11th century AD.Although it must be remarked that the construction of new nuraghi had already stopped by the 12th-11th century BC, during the Final Bronze Age.

It was contemporary with, among others, the Mycenaean civilization in Greece, the Apennine and Terramare cultures of the Italian peninsula, the Thapsos culture of Sicily, and the final phase of the El Argar culture in the Iberian peninsula.

Irish art is art produced in the island of Ireland, and by artists from Ireland. The term normally includes Irish-born artists as well as expatriates settled in Ireland. Its history starts around 3200 BC with Neolithic stone carvings at the Newgrange megalithic tomb, part of the Brú na Bóinne complex which still stands today, County Meath. In early-Bronze Age Ireland there is evidence of Beaker culture and widespread metalworking. Trade-links with Britain and Northern Europe introduced La Tène culture and Celtic art to Ireland by about 300 BC, but while these styles later changed or disappeared elsewhere under Roman subjugation, Ireland was left alone to develop Celtic designs: notably Celtic crosses, spiral designs, and the intricate interlaced patterns of Celtic knotwork.

The Christianization of Ireland in the fifth century AD saw the establishment of monasteries, which acted as centres of scholarship and artistic production, and led to the flowering of the Insular art style with its highly decorative illuminated manuscripts, metalwork and stonework (High crosses). From around 1200 to 1700, however, Irish art was relatively stagnant, and Irish culture was left comparatively untouched by the influence of Renaissance art.