Baudelaire in the context of "Renee Vivien"

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⭐ Core Definition: Baudelaire

Charles Pierre Baudelaire (UK: /ˈbdəlɛər/; US: /ˌbd(ə)ˈlɛər/; French: [ʃaʁl(ə) bodlɛʁ] ; 9 April 1821 – 31 August 1867) was a French poet, essayist, translator and art critic. His poems are described as exhibiting mastery of rhythm and rhyme, containing an exoticism inherited from the Romantics, and are based on observations of real life.

His most famous work, a book of lyric poetry titled Les Fleurs du mal (The Flowers of Evil), expresses the changing nature of beauty in the rapidly industrialising Paris caused by Haussmann's renovation of Paris during the mid-19th century. Baudelaire's original style of prose-poetry influenced a generation of poets including Paul Verlaine, Arthur Rimbaud and Stéphane Mallarmé. He coined the term modernity (modernité) to designate the fleeting experience of life in an urban metropolis, and the responsibility of artistic expression to capture that experience. Marshall Berman has credited Baudelaire as being the first Modernist.

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👉 Baudelaire in the context of Renee Vivien

Renée Vivien (born Pauline Mary Tarn; 11 June 1877 – 18 November 1909) was a British poet who wrote in the French language. A high-profile lesbian writer in Paris during the Belle Époque era, she is widely considered to be one of the first noteworthy lesbian poets of the twentieth century. Her work has recently received more attention due to a revival of interest in Sapphic verse. Many of her poems are autobiographical, pertaining mostly to Baudelarian themes of extreme romanticism and frequent despair. Apart from poetry, she wrote several works of prose, including L'Etre Double (inspired by Coleridge's Christabel), and an unfinished biography of Anne Boleyn, which was published posthumously. She has also been the subject of multiple biographies, most notably those by Jean-Paul Goujon, André Germain [de], and Yves-Gerard Le Dantec [d].

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Baudelaire in the context of Du Fu

Du Fu (Chinese: 杜甫; pinyin: Dù Fǔ; Wade–Giles: Tu Fu; 712–770) was a Chinese poet and politician during the Tang dynasty. Together with his elder contemporary and friend Li Bai, Du is often considered one of the greatest Chinese poets of his time. His greatest ambition was to serve his country as a successful civil servant, but Du proved unable to make the necessary accommodations. His life, like all of China, was devastated by the An Lushan rebellion of 755, and his last 15 years were a time of almost constant unrest.

Although initially he was little-known to other writers, his works came to be hugely influential in both Chinese and Japanese literary culture. Of his poetic writing, nearly fifteen hundred poems have been preserved over the ages. He has been called the "Poet-Historian" and the "Poet-Sage" by Chinese critics, while the range of his work has allowed him to be introduced to Western readers as "the Chinese Virgil, Horace, Ovid, Shakespeare, Milton, Burns, Wordsworth, Béranger, Hugo or Baudelaire".

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Baudelaire in the context of Eugène Boudin

Eugène Louis Boudin (French: [øʒɛn lwi budɛ̃]; 12 July 1824 – 8 August 1898) was one of the first French landscape painters to paint outdoors. Boudin was a marine painter, and expert in the rendering of all that goes upon the sea and along its shores. His pastels, summary and economic, garnered the splendid eulogy of Baudelaire; and Corot called him the "King of the skies".

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Baudelaire in the context of Renée Vivien

Renée Vivien (born Pauline Mary Tarn; 11 June 1877 – 18 November 1909) was a British poet who wrote in the French language. A high-profile lesbian writer in Paris during the Belle Époque era, she is widely considered to be one of the first noteworthy lesbian poets of the twentieth century. Her work has recently received more attention due to a revival of interest in Sapphic verse. Many of her poems are autobiographical, pertaining mostly to Baudelarian themes of extreme romanticism and frequent despair. Apart from poetry, she wrote several works of prose, including L'Etre Double (inspired by Coleridge's Christabel), and an unfinished biography of Anne Boleyn, which was published posthumously. She has also been the subject of multiple biographies, most notably those by Jean-Paul Goujon, André Germain [de], and Yves-Gerard Le Dantec [wd].

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