Baritone in the context of "Jean-Baptiste Faure"

A barbershop quartet is a group of four singers who sing music in the barbershop style, characterized by four-part harmony without instrumental accompaniment (a cappella). The four voices are: the lead, the vocal part which typically carries the melody; a bass, the part which provides the bass line to the melody; a tenor, the part which harmonizes above the lead; and a baritone, the part that frequently completes the chord. The baritone normally sings just below the lead singer, sometimes just above as the harmony requires. Barbershop music is typified by close harmony—the upper three voices generally remain within one octave of each other.

While the traditional barbershop quartet included only male singers, contemporary quartets can include any gender combination. All-female barbershop quartets were often called beauty shop quartets, a term that has fallen out of favor. The voice parts for women's and mixed barbershop groups use the same names as those for male groups since the roles perform similar functions in the quartet although the vocal ranges may be different.

Richard Walter Burton (/ˈbɜːrtən/; born Richard Walter Jenkins Jr.; 10 November 1925 – 5 August 1984) was a Welsh actor.

Noted for his mellifluous baritone voice, Burton established himself as a formidable Shakespearean actor in the 1950s and gave a memorable performance as Hamlet in 1964. He was called "the natural successor to Olivier" by critic Kenneth Tynan. Burton's perceived failure to live up to those expectations disappointed some critics and colleagues; his heavy drinking added to his reputation as a great performer who had wasted his talent. Nevertheless, he is widely regarded as one of the finest actors of his generation.

The euphonium (English: /juˈfoʊniːəm/ yoo-FOH-nee-əm; Italian: eufonio; Spanish: bombardino) is a tenor- and baritone-voiced valved brass instrument pitched in 9-foot (9′) B♭ an octave below the B♭ trumpet or cornet, employed chiefly in brass, military, and concert bands. The euphonium is a member of the large family of valved bugles, along with the tuba and flugelhorn, characterised by a wide conical bore. Most instruments have four valves, usually compensating piston valves, although instruments with four or five rotary valves are common in Eastern and Central Europe.

Euphonium repertoire can be notated in concert pitch in the bass clef, or in the treble clef as a transposing instrument in B♭. In British brass bands, it is typically treated as a treble-clef instrument, while in American band music, parts may be written in either treble clef or bass clef, or both. A musician who plays the euphonium is known as a euphoniumist, a euphonist, or simply a euphonium player.

Barbershop vocal harmony is a style of a cappella close harmony, or unaccompanied vocal music, characterized by consonant four-part chords for every melody note in a primarily homorhythmic texture. Each of the four parts has its own role: generally, the lead sings the melody, the tenor harmonizes above the melody, the bass sings the lowest harmonizing notes, and the baritone completes the chord, usually below the lead. The melody is not usually sung by the tenor or baritone, except for an infrequent note or two to avoid awkward voice leading, in tags or codas, or when some appropriate embellishment can be created. One characteristic feature of barbershop harmony is the use of what is known as "snakes" and "swipes". This is when a chord is altered by a change in one or more non-melodic voices. Occasional passages may be sung by fewer than four voice parts.

Barbershop music is generally performed by either a barbershop quartet, a group of four typically male singers with one on each vocal part, or a barbershop chorus, which closely resembles a choir with the notable exception of the genre of music.

The tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest-voice type. Composers typically write music for the tenor in the range from the second B below middle C, to the G above middle C (i.e. B₂ to G₄) in choral music – and from the second B-flat below middle C, to the C above middle C (B♭₂ to C₅) in operatic music – but the range can extend at either end. Subtypes of the tenor include the leggero tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor and tenor buffo (also known as the spieltenor).

Vasily Vasilyevich Smyslov (Russian: Васи́лий Васи́льевич Смысло́в, romanized: Vasíliy Vasíl'yevich Smyslóv; 24 March 1921 – 27 March 2010) was a Soviet and Russian chess grandmaster who was the seventh World Chess Champion from 1957 to 1958. He was a Candidate for the World Chess Championship on eight occasions (1948, 1950, 1953, 1956, 1959, 1965, 1983, and 1985). Smyslov twice tied for first place at the USSR Chess Championships (1949, 1955), and his total of 17 Chess Olympiad medals won is an all-time record. In five European Team Championships, Smyslov won ten gold medals.

Smyslov remained active and successful in competitive chess well over the age of sixty. Despite his failing eyesight, he remained active in the occasional composition of chess problems and studies until shortly before his death in 2010. Besides chess, he was an accomplished baritone singer.

Peter, Paul and Mary was an American folk group formed in New York City in 1961 during the American folk music revival. The trio consisted of Peter Yarrow (guitar, tenor vocals), Paul Stookey (guitar, baritone vocals), and Mary Travers (contralto vocals). The group's repertoire included songs written by Yarrow, Luis Manuel and Stookey, early songs by Bob Dylan, and covers of other folk musicians.

They were very successful in the early- and mid-1960s, with their debut album topping the charts for weeks, and helped popularize the folk music revival. Following Travers's death in 2009, Yarrow and Stookey continued to perform as a duo. Yarrow died in 2025, leaving Stookey the sole surviving member of the group.