Bambi in the context of "David Hand (animator)"

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⭐ Core Definition: Bambi

Bambi is a 1942 American animated coming-of-age drama film produced by Walt Disney and released by RKO Radio Pictures, loosely based on Felix Salten's 1923 novel Bambi, a Life in the Woods. It was directed by David D. Hand, and a team of six sequence directors.

The main characters are Bambi, a white-tailed deer; his parents (the Great Prince of the forest and his unnamed mother); his friends Thumper (a pink-nosed cottontail rabbit); and Flower (a skunk); and his childhood friend and future mate, Faline. In the original book, Bambi was a roe deer, a species native to Europe; but Disney decided to base the character on a mule deer from Arrowhead, California. Illustrator Maurice "Jake" Day convinced Disney that the mule deer had large "mule-like" ears and were more common to western North America; but that the white-tail deer was more recognized throughout the United States. The film received three Academy Award nominations: Best Sound (Sam Slyfield), Best Song (for "Love Is a Song" sung by Donald Novis) and Original Music Score.

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πŸ‘‰ Bambi in the context of David Hand (animator)

David Dodd Hand (January 23, 1900 – October 11, 1986) was an American animator and animation filmmaker known for his work at Walt Disney Productions. He worked on numerous Disney shorts during the 1930s and eventually became supervising director on the animated features Snow White and the Seven Dwarfs and Bambi.

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Bambi in the context of Walt Disney

Walter Elias Disney (/ˈdΙͺzni/ DIZ-nee; December 5, 1901 – December 15, 1966) was an American animator, film producer, voice actor, and entrepreneur. A pioneer of the American animation industry, he introduced several developments in the production of cartoons. As a film producer, he holds the record for most Academy Awards won (22) and nominations (59) by an individual. He was presented with two Golden Globe Special Achievement Awards and an Emmy Award, among other honors. Several of his films are included in the National Film Registry by the Library of Congress and have also been named as some of the greatest films ever by the American Film Institute.

Born in Chicago in 1901 and raised largely in Missouri, Disney developed an early interest in drawing. He took art classes as a boy and took a job as a commercial illustrator at the age of 18. He moved to California in the early 1920s and set up the Disney Brothers Studio (now the Walt Disney Company) with his brother Roy. With Ub Iwerks, he developed the character Mickey Mouse in 1928, his first highly popular success; he also provided the voice for his creation in the early years. As the studio grew, he became more adventurous, introducing synchronized sound, full-color three-strip Technicolor, feature-length cartoons and technical developments in cameras. The results, seen in features such as Snow White and the Seven Dwarfs (1937), Pinocchio, Fantasia (both 1940), Dumbo (1941), and Bambi (1942), furthered the development of animated film. New animated and live-action films followed after World War II, including Cinderella (1950), Sleeping Beauty (1959), and Mary Poppins (1964), the last of which received five Academy Awards.

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Bambi in the context of Cinderella (1950 film)

Cinderella is a 1950 American animated musical fantasy film produced by Walt Disney Productions and released by RKO Radio Pictures. Based on Charles Perrault's 1697 fairy tale, the film follows Cinderella, the daughter of a widowed aristocrat, who is forced to become a servant of her cruel stepmother and stepsisters, until Cinderella's fairy godmother grants her the chance to attend the royal ball and meet the prince. The production was supervised by Ben Sharpsteen, and was directed by Wilfred Jackson, Hamilton Luske, and Clyde Geronimi. It features the voices of Ilene Woods, Eleanor Audley, Verna Felton, Rhoda Williams, June Foray, James MacDonald, and Luis van Rooten.

During the early 1940s, Walt Disney Productions had suffered financially after losing connections to the European film markets due to the outbreak of World War II. Because of this, the studio endured commercial failures such as Pinocchio, Fantasia (both 1940) and Bambi (1942), all of which would later become more successful with several re-releases in theaters and on home video. By 1947, the studio was over $4 million in debt and was on the verge of bankruptcy. Walt Disney and his animators returned to feature film production in 1948 after producing a string of package films with the idea of adapting Charles Perrault's Cendrillon into an animated film.

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Bambi in the context of Larry Morey

Lawrence L. Morey (March 26, 1905 – May 8, 1971) was an American lyricist and screenwriter. He co-wrote some of the most successful songs in Disney films of the 1930s and 1940s, including "Heigh-Ho", "Some Day My Prince Will Come", and "Whistle While You Work", and was also responsible for adapting Felix Salten's book Bambi, A Life in the Woods into the 1942 Disney film Bambi.

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Bambi in the context of Felix Salten

Felix Salten (German: [ˈzaltnΜ©]; 6 September 1869 – 8 October 1945) was an Austrian author and literary critic. His most famous work is Bambi, a Life in the Woods, which was adapted into an animated feature film, Bambi, by Walt Disney Productions in 1942.

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Bambi in the context of Thumper (Bambi)

Thumper is a fictional cottontail rabbit character from Disney's animated film Bambi (1942). He is known and named for his habit of thumping his left hind foot.

The character was an important influence upon the development of the movie Bambi which started production with an adult tone which seemed too serious and uncommercial. As voiced by the young actor, four-year-old Peter Behn, the vivacious character of Thumper was expanded from its original minor role and led to a focus upon the young animals in the story.

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