Bakersfield sound in the context of "Buck Owens"

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⭐ Core Definition: Bakersfield sound

The Bakersfield sound is a sub-genre of country music developed in the mid-to-late 1950s in and around Bakersfield, California. Bakersfield is defined by its influences of rock and roll and honky-tonk style country, and its heavy use of electric instrumentation and backbeats. It was also a reaction against the slickly produced, orchestra-laden Nashville sound, which was becoming popular in the late 1950s. The Bakersfield sound became one of the most popular and influential country genres of the 1960s, initiating a revival of honky-tonk music and influencing later country rock and outlaw country musicians, as well as progressive country.

Wynn Stewart pioneered the Bakersfield sound, while performing artists Buck Owens and Merle Haggard became two of the most successful artists of the original Bakersfield era while performing with the Buckaroos and the Strangers respectively.

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πŸ‘‰ Bakersfield sound in the context of Buck Owens

Alvis Edgar "Buck" Owens Jr. (August 12, 1929 – March 25, 2006) was an American musician, singer, and songwriter. He was the frontman for The Buckaroos, which had 21 No. 1 hits on the Billboard country music chart. He pioneered what came to be called the Bakersfield sound, named in honor of Bakersfield, California, Owens's adopted home and the city from which he drew inspiration for what he preferred to call "American music".

While the Buckaroos originally featured a fiddle and retained pedal steel guitar into the 1970s, their sound on records and onstage was always more stripped-down and elemental. The band's signature style was based on simple story lines, infectious choruses, a twangy electric guitar, an insistent rhythm supplied by a prominent drum track, and high, two-part vocal harmonies featuring Owens and his guitarist Don Rich.

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Bakersfield sound in the context of Neotraditional country

Neotraditional country (also known as new traditional country, hardcore country, or hard country) is a country music style and subgenre that developed in the 1980s and emphasizes the traditional country instrumental background (i.e. fiddle and pedal steel guitar) and traditional country vocals found in subgenres popularized in the 1940s-60s. Neo-traditional country draws inspiration from styles such as honky-tonk, Western swing, and the Bakersfield sound and performers such as Hank Williams, George Jones, Loretta Lynn, Buck Owens, Tammy Wynette, Kitty Wells, Bob Wills, Ernest Tubb, and Merle Haggard. as well as often dressing in the fashions of the country music scene of the 1940s-1960s.

The neotraditional country movement was ignited by artists George Strait, Ricky Skaggs, and John Anderson in the early 1980s as a reaction to the pop-country and Urban Cowboy scene of the late 1970s and early 1980s,and became popular in the mainstream country scene by the mid-1980s into the mid-1990s with artists such as Randy Travis, Clint Black, Dwight Yoakam, Alan Jackson, Highway 101, Patty Loveless, Kenny Chesney, The Judds, Brooks & Dunn, Mark Chesnutt, Toby Keith, and Keith Whitley. By the mid-to-late 1990s, the neotraditional country movement was overtaken in popularity by "stadium-sized" pop-country performers like Garth Brooks, Shania Twain, Faith Hill, Billy Ray Cyrus, LeAnn Rimes, and Tim McGraw, who integrated aspects of the neotraditional style with the musical and theatrical components of arena rock, adult contemporary music and 70s-90s pop music.

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Bakersfield sound in the context of Merle Haggard

Merle Ronald Haggard (April 6, 1937 – April 6, 2016) was an American country music singer, songwriter, guitarist, and fiddler. Widely regarded as one of the greatest and most influential figures in country music, he was a central pioneer of the Bakersfield sound. With a career spanning over five decades, Haggard had 38 number-one hits on the US country charts, several of which also made the Billboard all-genre singles chart.

Haggard overcame a troubled childhood, criminal convictions and time in prison to launch a successful country music career. He gained popularity with his songs about the working class; these occasionally contained themes contrary to the anti–Vietnam War sentiment of some popular music of the time.

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