BBC in the context of "Tinga Tinga Tales"

The V-2 rocket (German: Vergeltungswaffe 2, lit. 'Vengeance Weapon 2'), with the development name Aggregat-4 (A4), was the world's first long-range guided ballistic missile. The missile, powered by a liquid-propellant rocket engine, was developed during the Second World War in Nazi Germany as a "vengeance weapon" and assigned to attack Allied cities as retaliation for the Allied bombings of German cities. The V2 rocket also became the first artificial object to travel into space by crossing the Kármán line (edge of space) with the vertical launch of MW 18014 on 20 June 1944.

Research of military use of long-range rockets began when the graduate studies of Wernher von Braun were noticed by the German Army. A series of prototypes culminated in the A4, which went to war as the V2. Beginning in September 1944, more than 3,000 V2s were launched by the Wehrmacht against Allied targets, first London and later Antwerp and Liège. According to a 2011 BBC documentary, the attacks from V-2s resulted in the deaths of an estimated 9,000 civilians and military personnel, while a further 12,000 laborers and concentration camp prisoners died as a result of their forced participation in the production of the weapons.

A constitutional referendum regarding the Prince's powers was held in Liechtenstein on 14 March 2003. The referendum had two questions: a "Princely Initiative" and a "Constitution Peace Initiative". The first question passed with 64.32% in favour and the second question was rejected by 83.44% of voters.

The Princely Initiative asked voters whether to approve an extension of the power of the Prince to dismiss the government, nominate judges and veto legislation. The Constitution Peace Initiative asked voters whether to approve or disapprove of constitutional modifications, including modifications which would have restricted the Prince's powers. The BBC stated that the referendum in effect made Liechtenstein into an "absolute monarchy". In December 2002 the Venice commission of the Council of Europe published a comprehensive report analysing the amendments, opining that they were not compatible with the European standard of democracy. Prince Hans-Adam II had threatened to leave the country and live in exile in Vienna, Austria if the voters had chosen to restrict his powers.

Brave New World is a dystopian novel by English author Aldous Huxley, written in 1931, and published in 1932. Largely set in a futuristic World State, whose citizens are environmentally engineered into an intelligence-based social hierarchy, the novel anticipates huge scientific advancements in reproductive technology, sleep-learning, psychological manipulation and classical conditioning that are combined to make a dystopian society which is challenged by the story's protagonist. Huxley followed this book with a reassessment in essay form, Brave New World Revisited (1958), and with his final novel, Island (1962), the utopian counterpart. This novel is often used as a companion piece, or inversion counterpart to George Orwell's Nineteen Eighty-Four (1949).

In 1998 and 1999, the Modern Library ranked Brave New World at number 5 on its list of the 100 Best Novels in English of the 20th century. In 2003, Robert McCrum, writing for The Observer, included Brave New World chronologically at number 53 in "the top 100 greatest novels of all time", and the novel was listed at number 87 on The Big Read survey by the BBC. Brave New World has frequently been banned and challenged since its original publication. It has landed on the American Library Association list of top 100 banned and challenged books of the decade since the association began the list in 1990.

The culture of France has been shaped by geography, by historical events, and by foreign and internal forces and groups. France, and in particular Paris, has played an important role as a center of high culture since the 17th century and from the 19th century on, worldwide. France and in particular Paris was viewed during the 19th and early 20th century as the capital of Western art and culture. From the late 19th century, France has also played an important role in cinema, fashion, cuisine, literature, technology, the social sciences, and mathematics. The importance of French culture has waxed and waned over the centuries, depending on its economic, political and military importance. French culture today is marked both by great regional and socioeconomic differences and strong unifying tendencies. A global opinion poll for the BBC saw France ranked as the country with the fourth most positive influence in the world (behind Germany, Canada and the UK) in 2014.

London is a major international communications centre with a virtually unrivalled number of media outlets. Almost all of the major media organisations in the UK are based in London. Much of the British media is concentrated in London and is sometimes accused of having a "London bias". All the major television networks are headquartered in London including the BBC, which remains one of the world's most influential media organisations, and the largest broadcaster in the world. Partly to counter complaints about London bias, the BBC announced in June 2004 that some departments are to be relocated to Manchester. Other networks headquartered in London include ITV, Channel 4, Channel 5, CNN International and Sky UK. Like the BBC, these produce some programs elsewhere in the UK, but London is their main production centre. Local programming, including news, is provided by the regional services of the main networks: e.g. BBC London News on BBC One and ITV London on ITV.

There is a huge choice of radio stations available in London. Local citywide stations include music-based stations such as Absolute Radio, Capital London, Smooth London, Kiss, Magic Radio, Heart London, Radio X and Greatest Hits Radio London. Popular news/talk stations include BBC Radio London, LBC and LBC News.

Terrestrial television, or over-the-air television (OTA) is a type of television broadcasting in which the content is transmitted via radio waves from the terrestrial (Earth-based) transmitter of a TV station to a TV receiver having an antenna. The term terrestrial is more common in Europe and Latin America, while in Canada and the United States it is called over-the-air or simply broadcast. This type of TV broadcast is distinguished from newer technologies, such as satellite television (direct broadcast satellite or DBS television), in which the signal is transmitted to the receiver from an overhead satellite; cable television, in which the signal is carried to the receiver through a cable; and Internet Protocol television, in which the signal is received over an Internet stream or on a network utilizing the Internet Protocol. Terrestrial television stations broadcast on television channels with frequencies between about 52 and 600 MHz in the VHF and UHF bands. Since radio waves in these bands travel by line of sight, reception is generally limited by the visual horizon to distances of 64–97 kilometres (40–60 miles), although under better conditions and with tropospheric ducting, signals can sometimes be received hundreds of kilometers distant.

Terrestrial television was the first technology used for television broadcasting. The BBC began broadcasting in 1929 and by 1930 many radio stations had a regular schedule of experimental television programmes. However, these early experimental systems had insufficient picture quality to attract the public, due to their mechanical scan technology, and television did not become widespread until after World War II with the advent of electronic scan television technology. The television broadcasting business followed the model of radio networks, with local television stations in cities and towns affiliated with television networks, either commercial (in the US) or government-controlled (in Europe), which provided content. Television broadcasts were in greyscale (called black and white) until the transition to color television in the 1960s.

Television broadcasts in the United Kingdom began in 1932, however, regular broadcasts would only begin four years later. Television began as a public service which was free of advertising, which followed the first demonstration of a transmitted moving image in 1926. Currently, the United Kingdom has a collection of free-to-air, free-to-view and subscription services over a variety of distribution media, through which there are over 480 channels for consumers as well as on-demand content. There are six main TV channel owners who are responsible for most material viewed.

There are 27,000 hours of domestic content produced a year, at a cost of £2.6 billion. Since 24 October 2012, all television broadcasts in the United Kingdom have been in a digital format, following the end of analogue transmissions in Northern Ireland. Digital content is delivered via terrestrial, satellite and cable, as well as over IP. As of 2003, 53.2% of households watch through terrestrial, 31.3% through satellite, and 15.6% through cable.

Appeasement, in an international context, is a diplomatic negotiation policy of making political, material, or territorial concessions to an aggressive power with intention to avoid conflict. The term is most often applied to the foreign policy between 1935 and 1939 of the British governments of Prime Ministers Ramsay MacDonald, Stanley Baldwin and most notably Neville Chamberlain towards Nazi Germany and Fascist Italy. Under British pressure, appeasement of Nazism and Fascism also played a role in French foreign policy of the period but was always much less popular there than in the United Kingdom.

In the early 1930s, appeasing concessions were widely seen as desirable because of the anti-war reaction to the trauma of World War I (1914–1918), second thoughts about the perceived vindictive treatment by some of Germany in the 1919 Treaty of Versailles, and a perception that fascism was a useful form of anti-communism. However, by the time of the Munich Agreement, which was concluded on 30 September 1938 between Germany, the United Kingdom, France, and Italy, the policy was opposed by the Labour Party and by a few Conservative dissenters such as future Prime Minister Winston Churchill, Secretary of State for War Duff Cooper, and future Prime Minister Anthony Eden. Appeasement was strongly supported by the British upper class, including royalty, big business (based in the City of London), the House of Lords, and media such as the BBC and The Times. However, it would be mistaken to say that the policy was not similarly supported amongst the working and middle classes as well, who were not enthusiastic about another war until popular opinion changed following events like Kristallnacht and Hitler’s invasion of rump Czechoslovakia on 15 March 1939, and that at the time of Munich elite endorsement rang in concordance with popular opinion.

The Doctor, sometimes known as Doctor Who, is the protagonist of the long-running BBC science fiction television series Doctor Who. An extraterrestrial Time Lord, the Doctor travels the universe in a time travelling spaceship called the TARDIS, often with companions. Since the show's inception in 1963, the character has been portrayed by fourteen lead actors. The transition to each succeeding actor is explained within the show's narrative through the plot device of regeneration, a biological function of Time Lords that allows a change of cellular structure and appearance with recovery following a mortal injury.

A number of other actors have played the character in stage and audio plays, as well as in various film and television productions. The Doctor has also been featured in films and a vast range of spin-off novels, audio dramas and comic strips.

Doctor Who is a British science fiction television series broadcast by the BBC since 1963. The series, created by Sydney Newman, C. E. Webber and Donald Wilson, depicts the adventures of an extraterrestrial being called the Doctor, part of a humanoid species called Time Lords. The Doctor travels in the universe and in time using a time travelling spaceship called the TARDIS, which externally appears as a British police box. While travelling, the Doctor works to save lives and liberate oppressed peoples by combating foes. The Doctor usually travels with companions.

Beginning with William Hartnell, fourteen actors have headlined the series as the Doctor; the most recent being Ncuti Gatwa, who portrayed the Fifteenth Doctor from 2023 to 2025. The transition between actors is written into the plot of the series with the concept of regeneration into a new incarnation, a plot device in which, when a Time Lord is fatally injured or weakened from old age, their cells regenerate and they are reincarnated into a different body with new mannerisms and behaviour but the same memories. This explains each actor's distinct portrayal, as they all represent different stages in the Doctor's life and, together, form a single lifetime with a single narrative. The time-travelling nature of the plot means that different incarnations of the Doctor occasionally meet. The Doctor can change ethnic appearance or gender; in 2017, Jodie Whittaker became the first woman cast in the lead role, and in 2023, Gatwa became the first black actor to lead the series. The different incarnations wear distinctive costumes; designers include Alexandra Tynan and Barbara Lane.