Béroul in the context of "Tristan"

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👉 Béroul in the context of Tristan

Tristan (Latin/BrythonicDrustanus; Welsh: Trystan; Italian: Tristano, Portuguese: Tristão; Spanish: Tristán), also known as Tristran or Tristram and similar names, is the folk hero of the legend of Tristan and Iseult. While escorting the Irish princess Iseult to wed Tristan's uncle, King Mark of Cornwall, Tristan and Iseult accidentally drink a love potion during the journey and fall in love, beginning an adulterous relationship that eventually leads to Tristan's banishment and death.

The character's first recorded appearance is in the 12th-century poetic tellings initiated by Béroul and Thomas of Britain, which were eventually vastly expanded in the later tradition from the vast Prose Tristan. In later versions of his story he is featured in Arthurian legend, including the seminal compilation Le Morte d'Arthur, as a great Knight of the Round Table and friend of Lancelot.

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Béroul in the context of Tristan and Iseult

Tristan and Iseult, also known as Tristan and Isolde and other names, is a medieval chivalric romance told in numerous variations since the 12th century. Of disputed source, usually assumed to be primarily Celtic, the tale is a tragedy about the illicit love between the Cornish knight Tristan and the Irish princess Iseult in the days of King Arthur. During Tristan's mission to escort Iseult from Ireland to marry his uncle, King Mark of Cornwall, Tristan and Iseult ingest a love potion, instigating a forbidden love affair between them.

The legend has had a lasting impact on Western culture. Its different versions exist in many European texts in various languages from the Middle Ages. The earliest instances take two primary forms: the so-called courtly and common branches, respectively associated with the 12th-century poems of Thomas of Britain and Béroul, the latter believed to reflect a now-lost original tale. A subsequent version emerged in the 13th century in the wake of the greatly expanded Prose Tristan, merging Tristan's romance more thoroughly with the Arthurian legend. Finally, after the revived interest in the medieval era in the 19th century under the influence of Romantic nationalism, the story has continued to be popular in the modern era, notably Wagner's operatic adaptation.

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