Bâtiments du Roi in the context of "Jean Bérain the Elder"

Play Trivia Questions online!

or

Skip to study material about Bâtiments du Roi in the context of "Jean Bérain the Elder"

Ad spacer

>>>PUT SHARE BUTTONS HERE<<<

👉 Bâtiments du Roi in the context of Jean Bérain the Elder

Jean Berain the Elder (1640 – 24 January 1711) was a draughtsman and designer, painter and engraver of ornament, the artistic force in the Royal office of the Menus-Plaisirs du Roi where all the designs originated for court spectacle, from fêtes to funerals, and many designs for furnishings not covered by the Bâtiments du Roi. The "Berainesque" style of light arabesques and playful grotesques was an essential element in the style Régence that led to the French Rocaille and European Rococo.

Born in Saint-Mihiel, Meuse, in the Spanish Netherlands, he was the son of a master gunsmith, in whose line of work engraving was a prominent technique. He spent his career in Paris. Long after his death the connoisseur Pierre-Jean Mariette wrote of him, "Nothing was done, in whatever genre that it might have been, unless it were in his manner, or where he had given designs for it." Through his engravings and those of his son, his style was highly influential beyond the court and Paris, notably in the Low Countries, Germany and London. His close friendship with Nicodemus Tessin the Younger ensured that Berain's own nuance in the Louis XIV style was transmitted to court circles in Sweden.

↓ Explore More Topics
In this Dossier

Bâtiments du Roi in the context of First Painter to the King

The Premier peintre du Roi (French pronunciation: [pʁəmje pɛ̃tʁ dy ʁwa]; 'First painter to the King') was a court painter position within the administration of the Bâtiments du Roi of the Département de la Maison du Roi in France under the Ancien Régime. Its holder occupied a similar position to that of Premier architecte du Roi (albeit a far less prestigious one). The holder was not in charge of any other court staff, and the role was often without a holder.

Unlike in other countries, the premier peintre was often, even usually, not a specialist portrait-painter, but was always a native Frenchman. The most famous holder, Nicolas Poussin, was persuaded to return to France in 1640 to take the office, but returned to Rome after a little more than a year. Despite this, he held the position for another 23 years.

↑ Return to Menu