Autochrome Lumière in the context of Suzanne Karpelès


Autochrome Lumière in the context of Suzanne Karpelès

⭐ Core Definition: Autochrome Lumière

The Autochrome Lumière was an early colour photography process patented in 1903 by the Lumière brothers in France and first marketed in 1907. Autochrome was an additive color "mosaic screen plate" process. It was one of the principal colour photography processes in use before the advent of subtractive color film in the mid-1930s. A competing process was the three-colour principle of the Russian Sergey Prokudin-Gorsky.

Prior to the Lumière brothers, Louis Ducos du Hauron utilized the separation technique to create colour images on paper with screen plates, producing natural colours through superimposition, which would become the foundation of all commercial colour photography. Descendants of photographer Antoine Lumière, inventors Louis and Auguste Lumière utilized Du Hauron's (1869) technique, which had already been improved upon by other inventors such as John Joly (1894) and James William McDonough (1896), making it possible to print photographic images in colour. One of the most broadly used forms of colour photography in the early twentieth century, autochrome was recognized for its aesthetic appeal.

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Autochrome Lumière in the context of Aviation in World War I

World War I was the first major conflict involving the use of aircraft. Tethered observation balloons had already been employed in several wars and would be used extensively for artillery spotting. Germany employed Zeppelins for reconnaissance over the North Sea and Baltic and also for strategic bombing raids over Britain and the Eastern Front.

Airplanes were just coming into military use at the outset of the war. Initially, they were used mostly for reconnaissance. Pilots and engineers learned from experience, leading to the development of many specialized types, including fighters, bombers, and trench strafers.

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