Historical drama in the context of "Troy (film)"

⭐ In the context of *Troy* (film), how does the historical drama adapt the source material concerning the Trojan War’s conclusion?

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⭐ Core Definition: Historical drama

A historical drama (also period drama, period piece or just period) is a dramatic work set in the past, usually used in the context of film and television, which presents historical events and characters with varying degrees of fiction such as creative dialogue or scenes which compress separate events. The biographical film is a type of historical drama which generally focuses on a single individual or well-defined group. Historical dramas can include romances, adventure films, and swashbucklers.

Historical drama differs from historical fiction, which generally presents fictional characters and events during historical events. A period piece may be set during a vast era such as the Middle Ages, or a specific period such as the Roaring Twenties, or the recent past.

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👉 Historical drama in the context of Troy (film)

Troy is a 2004 epic historical action film directed by Wolfgang Petersen and written by David Benioff. Produced by units in Malta, Mexico and Britain's Shepperton Studios, the film features an ensemble cast led by Brad Pitt, Eric Bana, Sean Bean, Diane Kruger, Brian Cox, Brendan Gleeson, Rose Byrne, Saffron Burrows and Orlando Bloom. It is loosely based on Homer's Iliad in its narration of the entire story of the decade-long Trojan War—condensed into little more than a couple of weeks, rather than just the quarrel between Achilles and Agamemnon in the ninth year. Achilles leads his Myrmidons along with the rest of the Greek army invading the historical city of Troy, defended by Hector's Trojan army. The end of the film (the sack of Troy) is not taken from the Iliad, but rather from Quintus Smyrnaeus's Posthomerica, as the Iliad concludes with Hector's death and funeral.

Troy made over $497 million worldwide, making it the 60th highest-grossing film at the time of its release and Petersen's highest-grossing film. However, it received mixed reviews, with critics praising its entertainment value and the performances of Pitt and Bana while criticizing its story, which was deemed unfaithful to the Iliad. It received a nomination for Best Costume Design at the 77th Academy Awards and was the eighth highest-grossing film of 2004.

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In this Dossier

Historical drama in the context of Master Olof

Master Olof (Swedish: Mäster Olof) is a historical drama in five acts by the Swedish playwright August Strindberg. The story is about the reformer Olaus Petri's struggle against the Roman Catholic Church in the 16th century. First written in 1872, Strindberg rewrote it many times in both prose and verse.

Ludvig Josephson (the new artistic director of Stockholm's New Theatre) agreed to stage Master Olof, eventually opting for the prose version—the five-hour-long première opened on 30 December 1881 under the direction of August Lindberg to favourable reviews. This production represented Strindberg's breakthrough in the theatre.

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Historical drama in the context of Biographical film

A biographical film or biopic (/ˈbˌpɪk/) is a film that dramatizes the life of a real person or sometimes a group of people. Such films show the life of the person and the central character’s real name is used. They differ from docudrama films and historical drama films in that they attempt to comprehensively tell a single person's life story or at least the most historically important years of their lives.

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Historical drama in the context of The Color Purple (1985 film)

The Color Purple is a 1985 American epic period drama film, directed by Steven Spielberg and written by Menno Meyjes, based on the 1982 novel by Alice Walker. Spielberg's eighth film as a director, it marked a turning point in his career as it was a departure from the summer blockbusters for which he had become known. It is the first film directed by Spielberg for which John Williams did not compose the score, which was done by Quincy Jones instead. Jones also produced the film alongside Spielberg, Kathleen Kennedy and Frank Marshall. The film stars Whoopi Goldberg in her breakthrough role, along with Danny Glover, Oprah Winfrey (in her film debut), Margaret Avery, and Adolph Caesar.

Filmed in Anson and Union counties in North Carolina, The Color Purple tells the coming-of-age story of a young African-American girl named Celie Harris and the brutal experiences she endured including domestic violence, incest, child sexual abuse, poverty, racism, and sexism.

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Historical drama in the context of Les Misérables (1909 film)

Les Misérables is a 1909 American silent historical drama proto-feature film (four short films that can be seen separately as a series, but when combined resemble a full-length feature film). The proto-feature movie is based on the 1862 French novel of the same name by Victor Hugo, and stars Maurice Costello and William V. Ranous. It was directed by J. Stuart Blackton.

Distributed by the Vitagraph Company of America, the film consists of four reels. The reels were released over the course of three months, from September 4 to November 27, 1909.

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Historical drama in the context of Cleopatra (1912 film)

Cleopatra is a 1912 American silent historical drama film starring Helen Gardner in the title role and directed by Charles L. Gaskill, based on the 1890 play written by Victorien Sardou. It was the first film to be produced by The Helen Gardner Picture Players.

Cleopatra is one of the early six-reel feature films produced in the United States. Promoted as "The most beautiful motion picture ever made", it was the first to offer a feature-length depiction of Cleopatra, although there had been a short film about Antony and Cleopatra two years earlier.

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Historical drama in the context of War film

War film is a film genre concerned with warfare, typically about naval, air, or land battles, with combat scenes central to the drama. It has been strongly associated with the 20th century. The fateful nature of battle scenes means that war films often end with them. Themes explored include combat, survival and escape, camaraderie between soldiers, sacrifice, the futility and inhumanity of battle, the effects of war on society, and the moral and human issues raised by war. War films are often categorized by their milieu, such as the Korean War; the most popular subjects are the Second World War and the American Civil War. The stories told may be fiction, historical drama, or biographical. Critics have noted similarities between the Western and the war film.

Nations such as China, Indonesia, Japan, and Russia have their own traditions of war film, centred on their own revolutionary wars but taking varied forms, from action and historical drama to wartime romance.

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Historical drama in the context of Drama (film and television)

In film and television, drama is a category or genre of narrative fiction (or semi-fiction) intended to be more serious than humorous in tone. The drama of this kind is usually qualified with additional terms that specify its particular super-genre, macro-genre, or micro-genre, such as soap opera, police crime drama, political drama, legal drama, historical drama, domestic drama, teen drama, and comedy drama (dramedy). These terms tend to indicate a particular setting or subject matter, or they combine a drama's otherwise serious tone with elements that encourage a broader range of moods. To these ends, a primary element in a drama is the occurrence of conflict—emotional, social, or otherwise—and its resolution in the course of the storyline.

All forms of cinema or television that involve fictional stories are forms of drama in the broader sense if their storytelling is achieved by means of actors who represent (mimesis) characters. In this broader sense, drama is a mode distinct from novels, short stories, and narrative poetry or songs. In the modern era, before the birth of cinema or television, "drama" within theatre was a type of play that was neither a comedy nor a tragedy. It is this narrower sense that the film and television industries, along with film studies, adopted. "Radio drama" has been used in both senses—originally transmitted in a live performance, it has also been used to describe the more high-brow and serious end of the dramatic output of radio.

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Historical drama in the context of Kate Winslet

Kate Elizabeth Winslet (/ˈwɪnzlət/ ; born 5 October 1975) is an English actress. Primarily known for her roles as headstrong and complicated women in independent films, particularly period dramas, she has received numerous accolades, including an Academy Award, two Primetime Emmy Awards, five BAFTA Awards and five Golden Globe Awards. Time magazine named Winslet one of the 100 most influential people in the world in 2009 and 2021. She was appointed Commander of the Order of the British Empire (CBE) in 2012.

Winslet studied drama at the Redroofs Theatre School. Her first screen appearance, at age fifteen, was in the British television series Dark Season (1991). She made her film debut playing a teenage murderess in Heavenly Creatures (1994), and went on to win a BAFTA Award for playing Marianne Dashwood in Sense and Sensibility (1995). Global stardom followed with her leading role in James Cameron's epic romance Titanic (1997), which was the highest-grossing film at the time. Winslet then eschewed parts in blockbusters in favour of critically acclaimed period pieces, including Quills (2000) and Iris (2001).

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