Aspasia in the context of "Metic"

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⭐ Core Definition: Aspasia

Aspasia (/æˈspʒ(i)ə, -ziə, -ʃə/; Ancient Greek: Ἀσπασία Greek: [aspasíaː]; c. 470 – after 428 BC) was a metic woman in Classical Athens. Born in Miletus, she moved to Athens and began a relationship with the statesman Pericles, with whom she had a son named Pericles the Younger. According to the traditional historical narrative, she worked as a courtesan and was tried for asebeia (impiety), though modern scholars have questioned the factual basis for either of these claims, which both derive from ancient comedy. Though Aspasia is one of the best-attested women from the Greco-Roman world, and the most important woman in the history of fifth-century Athens, almost nothing is certain about her life.

Aspasia was portrayed in Old Comedy as a prostitute and madam, and in ancient philosophy as a teacher and rhetorician. She has continued to be a subject of both visual and literary artists until the present. From the twentieth century, she has been portrayed as both a sexualised and sexually liberated woman, and as a feminist role model fighting for women's rights in ancient Athens.

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Aspasia in the context of Calamis (5th century BC)

Calamis (fl. 5th century BC) was a sculptor of ancient Greece. He was possibly from Boeotia, but nothing certain is known of his life although he is credited with having lived in Athens, and his sculptures are representative of Athenian sculpture. Although none of his works survives, he is known for his talent and skill in sculpting animals, especially horses, as opposed to the human body. He is known to have worked in marble, bronze, gold, and ivory, and was famed for statues of horses, which Pliny says were unrivaled.

According to Pausanias (9.16.1), Calamis produced a statue of Zeus Ammon for Pindar, and mentions a Hermes Criophorus for Tanagra (9.22.1), which was later depicted on Roman coins of the city. His statue of Apollo Alexikakos stood in front of the Temple of Apollo Patroos in Athens. He produced his most ambitious work, a 30-cubit statue of Apollo for Apollonia Pontica (on modern St. Ivan Island, Bulgaria; Pliny the Elder 4.92, 34.39, Strabo 7.6.1, p. 319). His Sosandra was praised by Lucian, and may have been copied for Aspasia, which in turn was copied by the Romans.

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