Art objects in the context of "Photograph"

The performing arts are arts such as music, dance, and drama which are performed for an audience. They are different from the visual arts, which involve the use of paint, canvas or various materials to create physical or static art objects. Performing arts include a range of disciplines which are performed in front of a live audience, including theatre, music, and dance.

Theatre, music, gymnastics, object manipulation, and other kinds of performances are present in all human cultures. The history of music and dance date to pre-historic times whereas circus skills date to at least Ancient Egypt. Many performing arts are performed professionally. Performance can be in purpose-built buildings, such as theatres and opera houses; on open air stages at festivals; on stages in tents, as in circuses; or on the street.

An art exhibition is traditionally the space in which art objects (in the most general sense) meet an audience. The exhibit is universally understood to be for some temporary period unless, as is occasionally true, it is stated to be a "permanent exhibition". In American English, they may be called "exhibit", "exposition" (the French word) or "show". In UK English, they are always called "exhibitions" or "shows", and an individual item in the show is an "exhibit".

Such expositions may present pictures, drawings, video, sound, installation, performance, interactive art, new media art or sculptures by individual artists, groups of artists or collections of a specific form of art.

The Anglo-Japanese style developed in the United Kingdom through the Victorian era and early Edwardian era from approximately 1851 to the 1910s, when a new appreciation for Japanese design and culture influenced how designers and craftspeople made British art, especially the decorative arts and architecture of England, covering a vast array of art objects including ceramics, furniture and interior design. Important centres for design included London and Glasgow. The style was part of the wider European movement known as Japonisme.

The first use of the term "Anglo-Japanese" occurs in 1851, and developed due to the keen interest in Japan, which due to Japanese state policy until the 1860s, had been closed to the Western markets. The style was popularised by Edward William Godwin in the 1870s in England, with many artisans working in the style drawing upon Japan as a source of inspiration and designed pieces based on Japanese Art, whilst some favoured Japan simply for its commercial viability, particularly true after the 1880s when the British interest in Eastern design and culture is regarded as a characteristic of the Aesthetic Movement. By the 1890s–1910s further education occurred, and with the advent of bilateral trade and diplomatic relations, two-way channels between the UK and Japan occurred and the style morphed into one of cultural exchange and early modernism, diverging into the Modern Style, Liberty style and anticipated the minimalism of 20th-century modern design principles.