Art in ancient Greece in the context of "Greek architecture"

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⭐ Core Definition: Art in ancient Greece

Ancient Greek art is the visual and applied arts, as well as the architecture, produced by the Hellenes or Greek peoples from the start of the Iron Age to the Hellenistic period, ending with Roman conquest of Greece at the Battle of Corinth in 146 BCE. It stands out among that of other ancient cultures for its development of naturalistic but idealized depictions of the human body, in which largely nude male figures were generally the focus of innovation. The rate of stylistic development between about 750 and 300 BC was remarkable by ancient standards, and in surviving works is best seen in sculpture. There were important innovations in painting, which have to be essentially reconstructed due to the lack of original survivals of quality, other than the distinct field of painted pottery.

Greek architecture, technically very simple, established a harmonious style with numerous detailed conventions that were largely adopted by Roman architecture and are still followed in some modern buildings. It used a vocabulary of ornament that was shared with pottery, metalwork and other media, and had an enormous influence on Eurasian art, especially after Buddhism carried it beyond the expanded Greek world created by Alexander the Great. The social context of Greek art included radical political developments and a great increase in prosperity; the equally impressive Greek achievements in philosophy, literature and other fields are well known.

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Art in ancient Greece in the context of Persephone

In ancient Greek mythology and religion, Persephone (/pərˈsɛfən/ pər-SEF-ə-nee; Greek: Περσεφόνη, romanizedPersephónē, classical pronunciation: [per.se.pʰó.nɛː]), also called Kore (/ˈkɔːr/ KOR-ee; Greek: Κόρη, romanizedKórē, lit.'the maiden') or Cora, is the daughter of Zeus and Demeter. She became the queen of the underworld after her abduction by her uncle Hades, the king of the underworld, who would later take her into marriage. The myth of her abduction, her sojourn in the underworld, and her cyclical return to the surface represents her functions as the embodiment of spring and the personification of vegetation, especially grain crops, which disappear into the earth when sown, sprout from the earth in spring, and are harvested when fully grown.

In Classical Greek art, Persephone is invariably portrayed robed, often carrying a sheaf of grain. She may appear as a mystical divinity with a sceptre and a little box, but she was mostly represented in the process of being carried off by Hades.

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Art in ancient Greece in the context of Hegias of Athens

Hegias or Hegesias of Athens (Ancient Greek: Ἡγησίας) was a famous sculptor of Athens, a member of the Late Archaic school of the generation before Pheidias. No surviving work can be securely identified as his, though Pliny mentions a Pyrrhus Supported by Pallas Athena.

Pausanias (8.42.4 and 8.42.10) mentions Hegias as the contemporary of Onatas and of Agelatus of Argos. Lucian of Samosata mentions Hegesias, in common with Kritios and Nesiotes, as belonging to the Archaic school, whose productions were constrained, harsh, stiff and rigid, though accurate in the outline. Quintilian says of Hegesias and Callon that their works were harsh and resembled the Etruscan style. (Smith). Pliny's Natural History (vol. xxxiv.8.19) places Hegias among the rivals of Phidias.

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Art in ancient Greece in the context of National Museum, Warsaw

The National Museum in Warsaw (Polish: Muzeum Narodowe w Warszawie, MNW) is a national museum in Warsaw, one of the largest museums in Poland and the largest in the capital. It comprises a rich collection of ancient art (Egyptian, Greek, Roman), counting about 11,000 pieces, an extensive gallery of Polish painting since the 16th century and a collection of foreign painting (Italian, French, Flemish, Dutch, German and Russian) including some paintings from Adolf Hitler's private collection, ceded to the museum by the American authorities in post-war Germany. The museum is also home to numismatic collections, a gallery of applied arts and a department of oriental art, with the largest collection of Chinese art in Poland, comprising some 5,000 objects.

The museum boasts the Faras Gallery with Europe's largest collection of Nubian Christian art and the Gallery of Medieval Art with artefacts from all regions historically associated with Poland, supplemented by selected works created in other regions of Europe.

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Art in ancient Greece in the context of Nudity in combat

The practice of entering combat without the use of clothing and armor has been documented on several occasions in history. The artistic convention of heroic nudity was established in the art of ancient Greece by the Archaic period.

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