Art for art's sake in the context of "Aesthetic Movement"

African art refers to works of visual art, including works of sculpture, painting, metalwork, and pottery, originating from the various peoples of the African continent and influenced by distinct, indigenous traditions of aesthetic expression.

While the various artistic traditions of such a large and diverse continent display considerable regional and cultural variety, there are consistent artistic themes, recurring motifs, and unifying elements across the broad spectrum of the African visual expression. As is the case for every artistic tradition in human history, African art was created within specific social, political, and religious contexts. Likewise, African art was often created not purely for art's sake, but rather with some practical, spiritual, and/or didactic purpose in mind. In general, African art prioritizes conceptual and symbolic representation over realism, aiming to visualize the subject's spiritual essence.

James Abbott McNeill Whistler RBA (/ˈwɪslər/; July 10, 1834 – July 17, 1903) was an American painter in oils and watercolor, and printmaker, active during the American Gilded Age and based primarily in the United Kingdom. He eschewed sentimentality and moral allusion in painting and was a leading proponent of the credo "art for art's sake".

His signature for his paintings took the shape of a stylized butterfly with an added long stinger for a tail. The symbol combined both aspects of his personality: his art is marked by a subtle delicacy, while his public persona was combative. He found a parallel between painting and music, and entitled many of his paintings "arrangements", "harmonies", and "nocturnes", emphasizing the primacy of tonal harmony. His most famous painting, Arrangement in Grey and Black No. 1 (1871), commonly known as Whistler's Mother, is a revered and often parodied portrait of motherhood. Whistler influenced the art world and the broader culture of his time with his aesthetic theories and his friendships with other leading artists and writers.

The history of Western painting represents a continuous, though disrupted, tradition from antiquity until the present time. Until the mid-19th century it was primarily concerned with representational and traditional modes of production, after which time more modern, abstract and conceptual forms gained favor.

Initially serving imperial, private, civic, and religious patronage, Western painting later found audiences in the aristocracy and the middle class. From the Middle Ages through the Renaissance painters worked for the church and a wealthy aristocracy. Beginning with the Baroque era artists received private commissions from a more educated and prosperous middle class. The idea of "art for art's sake" began to find expression in the work of the Romantic painters like Francisco de Goya, John Constable, and J. M. W. Turner. During the 19th century commercial galleries became established and continued to provide patronage in the 20th century.