Armenian architecture in the context of "Arevakhach"

Play Trivia Questions online!

or

Skip to study material about Armenian architecture in the context of "Arevakhach"





👉 Armenian architecture in the context of Arevakhach

The Armenian eternity sign (⟨֎ ֍⟩, Armenian: Հավերժության նշան, romanizedhaverzhut’yan nshan) or Arevakhach (Արեւախաչ, "Sun Cross") is an ancient Armenian national symbol and a symbol of the national identity of the Armenian people. It is one of the most common symbols in Armenian architecture, carved on khachkars and on walls of churches.

↓ Explore More Topics
In this Dossier

Armenian architecture in the context of Anatolian Seljuk architecture

Anatolian Seljuk architecture, or simply Seljuk architecture, refers to building activity that took place under the Sultanate of Rum (late 11th to 13th centuries), ruled by an offshoot of the Seljuk dynasty that emerged from the Great Seljuk Empire (11th–12th centuries) alongside various other local dynasties. The Anatolian Seljuks patronized their own tradition of architecture whose surviving examples are generally found in present-day Turkey. Anatolian Seljuk architecture was eclectic and influenced by multiple traditions including Armenian, Byzantine, Iranian, and Syrian architecture. Unlike earlier Great Seljuk architecture to the east, their buildings were generally constructed in stone and featured significant stone-carved decoration as well as tile decoration. While the Seljuk Sultanate declined and ended in the late 13th century, architecture continued to flourish and diversify under the smaller Beylik states in Anatolia, which included the early Ottomans.
Cite error: There are <ref group=lower-alpha> tags or {{efn}} templates on this page, but the references will not show without a {{reflist|group=lower-alpha}} template or {{notelist}} template (see the help page).

↑ Return to Menu

Armenian architecture in the context of Armenian culture

The culture of Armenia encompasses many elements that are based on the geography, literature, architecture, dance, and music of the Armenian people. Armenia is a majority Christian country in the Caucasus.

↑ Return to Menu

Armenian architecture in the context of Tetraconch

A tetraconch, from the Greek for "four shells", is a building, usually a church or other religious building, with four apses, one in each direction, usually of equal size. The basic ground plan of the building is therefore a Greek cross. They are most common in Byzantine, and related schools such as Armenian and Georgian architecture. It has been argued that they were developed in these areas or Syria, and the issue is a matter of contention between the two nations in the Caucasus. Apart from churches, the form is suitable for a mausoleum or baptistery. Normally, there will be a higher central dome over the central space.

↑ Return to Menu

Armenian architecture in the context of Odzun Basilica

Odzun Church (Armenian: Օձունի եկեղեցի) is an Armenian basilica constructed around the 5th–7th century in the Odzun village of the Lori Province of Armenia.

↑ Return to Menu