Architect

Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and constructing buildings or other structures. The term comes from Latin architectura; from Ancient Greek ἀρχιτέκτων (arkhitéktōn) 'architect'; from ἀρχι- (arkhi-) 'chief' and τέκτων (téktōn) 'creator'. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements.

The practice, which began in the prehistoric era, has been used as a way of expressing culture by civilizations on all seven continents. For this reason, architecture is considered to be a form of art. Texts on architecture have been written since ancient times. The earliest surviving text on architectural theories is the 1st century BC treatise De architectura by the Roman architect Vitruvius, according to whom a good building embodies firmitas, utilitas, and venustas (durability, utility, and beauty). Centuries later, Leon Battista Alberti developed his ideas further, seeing beauty as an objective quality of buildings to be found in their proportions. In the 19th century, Louis Sullivan declared that "form follows function". "Function" began to replace the classical "utility" and was understood to include not only practical but also aesthetic, psychological, and cultural dimensions. The idea of sustainable architecture was introduced in the late 20th century.

Eugène Emmanuel Viollet-le-Duc (French: [øʒɛn vjɔlɛ lə dyk]; 27 January 1814 – 17 September 1879) was a French architect and author, famous for his restoration of the most prominent medieval landmarks in France. His major restoration projects included Notre-Dame de Paris, the Basilica of Saint Denis, Mont Saint-Michel, Sainte-Chapelle, the medieval walls of the city of Carcassonne, and Château de Roquetaillade in the Bordeaux region.

His writings on decoration and on the relationship between form and function in architecture had a fundamental influence on a whole new generation of architects, including all the major Art Nouveau artists: Antoni Gaudí, Victor Horta, Hector Guimard, Henry van de Velde, Henri Sauvage and the École de Nancy, Paul Hankar, Otto Wagner, Eugène Grasset, Émile Gallé, and Hendrik Petrus Berlage. He also influenced the first modern architects, Frank Lloyd Wright, Mies van der Rohe, Auguste Perret, Louis Sullivan, and Le Corbusier, who considered Viollet-le-Duc as the father of modern architecture. English architect William Burges claimed that "We all cribbed on Viollet-le-Duc even though no one could read French".

Ludwig Mies van der Rohe (/miːs ... roʊ/ MEESS-...-ROH; German: [ˈluːtvɪç ˈmiːs fan deːɐ̯ ˈʁoːə]; born Maria Ludwig Michael Mies; March 27, 1886 – August 17, 1969) was a German and American architect, academic, and interior designer. He was commonly referred to as Mies, his surname. He is regarded as one of the pioneers of modern architecture.

In the 1930s, Mies was the last director of the Bauhaus, a ground-breaking school of modernist art, design and architecture in Germany. After Nazism's rise to power, due to its strong opposition to modernism, he emigrated to the United States in 1937 or 1938. He accepted the position to head the architecture school at what is today the Illinois Institute of Technology (IIT).

"In his explicit turn back to an ancient model in search of knowledge and wisdom, Leonardo follows early humanist practice. What he finds in Vitruvius is a mathematical formula for the proportions of all parts of the human body, which results in its idealized representation as the true microcosmic measure of all things. [...]The perfection of this ideal human form corresponds visually to the early humanist belief in the unique central placement of human beings within the divine universal order and their consequent human grandeur and dignity, expressed in the philosopher Pico della Mirandola's Oration on the Dignity of Man (1486), known as the manifesto of the Renaissance."

Renaissance humanism is a worldview centered on the nature and importance of humanity that emerged from the study of Classical antiquity.

Renaissance humanists sought to create a citizenry able to speak and write with eloquence and clarity, and thus capable of engaging in the civic life of their communities and persuading others to virtuous and prudent actions. Humanism, while set up by a small elite who had access to books and education, was intended as a cultural movement to influence all of society. It was a program to revive the cultural heritage, literary legacy, and moral philosophy of the Greco-Roman civilization.

The Chicago School refers to two architectural styles derived from the architecture of Chicago. In the history of architecture, the first Chicago School was a school of architects active in Chicago in the late 19th, and at the turn of the 20th century. They were among the first to promote the new technologies of steel-frame construction in commercial buildings, and developed a spatial esthetic which co-evolved with, and then came to influence, parallel developments in European Modernism. Much of its early work is also known as Commercial Style.

A "Second Chicago School" with a modernist esthetic emerged in the 1940s through 1970s, which pioneered new building technologies and structural systems, such as the tube-frame structure.

Frank Lloyd Wright Sr. (June 8, 1867 – April 9, 1959) was an American architect, designer, writer, and educator. He designed more than 1,000 structures over a creative period of 70 years. Wright played a key role in the architectural movements of the twentieth century, influencing architects worldwide through his works and mentoring hundreds of apprentices in his Taliesin Fellowship. Wright believed in designing in harmony with humanity and the environment, a philosophy he called organic architecture. This philosophy was exemplified in Fallingwater (1935), which has been called "the best all-time work of American architecture".

Wright was a pioneer of what came to be called the Prairie School movement of architecture and also developed the concept of the Usonian home within Broadacre City, his vision for urban planning in the United States. Wright also designed original and innovative offices, churches, schools, skyscrapers, hotels, museums, and other commercial projects. Wright-designed interior elements (including leaded glass windows, floors, furniture and even tableware) were integrated into these structures. He wrote several books and numerous articles and was a popular lecturer in the United States and in Europe. Wright was recognized in 1991 by the American Institute of Architects as "the greatest American architect of all time". In 2019, a selection of his work became a listed World Heritage Site under the name The 20th-Century Architecture of Frank Lloyd Wright.

A technical pen is a specialized instrument used by an engineer, architect, or drafter to make lines of constant width for architectural, engineering, or technical drawings. Technical pens may use either a refillable ink reservoir or a replaceable ink cartridge.

Vernacular architecture (also folk architecture) is building done outside any academic tradition, and without professional guidance. It is not a particular architectural movement or style but rather a broad category, encompassing a wide range and variety of building types; with differing methods of construction from around the world, including historical and extant and classical and modern. Vernacular architecture constitutes 95% of the world's built environment, as estimated in 1995 by Amos Rapoport, as measured against the small percentage of new buildings every year designed by architects and built by engineers. Vernacular architecture directly influences traditional architecture, a professional and academic practice deliberately and explicitly referencing and continuing local historical traditions and vernacular.

Vernacular architecture usually serves immediate, local needs, is constrained by the materials available in its particular region, and reflects local traditions and cultural practices. The study of vernacular architecture does not examine formally schooled architects, but instead that of the design skills and tradition of local builders, who were rarely given any attribution for the work. More recently, vernacular architecture has been examined by designers and the building industry in an effort to be more energy conscious with contemporary design and construction—part of a broader interest in sustainable design.

Theban Tomb TT71 is located in the Theban Necropolis, on the west bank of the Nile, opposite to Luxor. It was the tomb chapel of Senenmut, who was the steward and architect of Hatshepsut. The chapel is located in the necropolis area around Sheikh Abd el-Qurna. Previously (for about 100 years) the tomb was accessible and for most of this time the target of numerous investigations and intrusions, although early on already heavily destroyed. The tomb was visited already early. In the first half of the nineteenth century, John Gardner Wilkinson, Robert Hay and J. Wild copied scenes, although the decoration was already badly destroyed. Richard Lepsius (1842–45) took the false door to Berlin and copied some inscribed bricks. Only in 1906 Kurt Sethe copied all inscriptions. In 1930–31 Herbert Winlock cleared the whole tomb. Winlock found the fragments of a smashed sarcophagus.

Today the tomb chapel's decoration is almost totally gone. With its dimensions it is one of the biggest Theban chapels of the 18th Dynasty. The facade is about 30 meter wide. In the middle there is the entrance and on either side there are four niches with windows. The inner of the chapel has an (upside-down) T-shaped plan. The transverse hall is about 26 m long and supported by eight columns. At the back there are several small niches. In the hall appears the oldest depictions of Minoans in Egypt so far known. There are also remains of soldiers under a Hathor frieze and a biographical inscription. After the transverse hall follows a long passage with a niche at the end. Only few remains of the decoration survived, such as an offering list and a banquet scene, where Senenmut is once shown with his mother and once with his father. A special feature only known from this tomb are several rock cut stelae providing the name and titles of Senenmut.

De architectura (On architecture, published as Ten Books on Architecture) is a treatise on architecture written by the Roman architect and military engineer Marcus Vitruvius Pollio and dedicated to his patron, the emperor Caesar Augustus, as a guide for building projects. As the only treatise on architecture to survive from antiquity, it has been regarded since the Renaissance as the first known book on architectural theory, as well as a major source on the canon of classical architecture.

It contains a variety of information on Greek and Roman buildings, as well as prescriptions for the planning and design of military camps, cities, and structures both large (aqueducts, buildings, baths, harbours) and small (machines, measuring devices, instruments). Since Vitruvius wrote early in the Roman architectural revolution that saw the full development of cross vaulting, domes, concrete, and other innovations associated with Imperial Roman architecture, his ten books give little information on these distinctive innovations of Roman building design and technology.