Archbishop of Dublin (Church of Ireland) in the context of "Charles Cobbe"

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⭐ Core Definition: Archbishop of Dublin (Church of Ireland)

The Archbishop of Dublin is a senior bishop in the Church of Ireland, second only to the Archbishop of Armagh. The archbishop is the diocesan bishop of the United Dioceses of Dublin and Glendalough and the metropolitan bishop of the Province of Dublin, which covers the southern half of Ireland, and he is styled Primate of Ireland (the Archbishop of Armagh is the "Primate of All Ireland").

The archbishop's throne (cathedra) is in Christ Church Cathedral in central Dublin. The incumbent, from 11 May 2011, is Michael Jackson who signs as +Michael DUBLIN.

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👉 Archbishop of Dublin (Church of Ireland) in the context of Charles Cobbe

Charles Cobbe (1686 in Swarraton – 1765) was Archbishop of Dublin from 1743 to 1765, and as such was Primate of Ireland.

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Archbishop of Dublin (Church of Ireland) in the context of Richard Whately

Richard Whately (1 February 1787 – 8 October 1863) was an English academic, rhetorician, logician, philosopher, economist, and theologian who also served as a reforming Church of Ireland Archbishop of Dublin. He was a leading Broad Churchman, a prolific and combative author over a wide range of topics, a flamboyant character, and one of the first reviewers to recognise the talents of Jane Austen.

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Archbishop of Dublin (Church of Ireland) in the context of Cobbe portrait

The Cobbe portrait is an early Jacobean panel painting of a gentleman which has been argued to be a life portrait of William Shakespeare. It is displayed at Hatchlands Park in Surrey, a National Trust property, and the portrait is so-called because of its ownership by Charles Cobbe, Church of Ireland (Anglican) Archbishop of Dublin (1686–1765). There are numerous early copies of the painting, most of which were once identified as Shakespeare.

The Cobbe original was only identified in the collection of the Anglo-Irish Cobbe family in 2006, and had until then been completely unknown to the world. Evidence uncovered by researchers at the Shakespeare Birthplace Trust led to the claim, presented in March 2009, that the portrait is of William Shakespeare and painted from life. Many scholars dismiss this theory and have provided evidence to identify the portrait as one of Sir Thomas Overbury.

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