Apocalypse in the context of "The Battle of Alexander at Issus"

The Book of Daniel is a 2nd-century BC biblical apocalypse with a 6th-century BC setting. It is ostensibly a narrative detailing the experiences and prophetic visions of Daniel, a Jewish exile in Babylon. The text features prophecy rooted in Jewish history as well as a portrayal of the end times that is cosmic in scope and political in its focus. The message of the text intended for the original audience was that just as the God of Israel saves Daniel from his enemies, so too he would save the Israelites in their present oppression.

The Hebrew Bible includes Daniel as one of the Ketuvim ("Writings"), while Christian biblical canons group the work with the major prophets. It divides into two parts: a set of six court tales in chapters 1–6, written mostly in Biblical Aramaic, and four apocalyptic visions in chapters 7–12, written mainly in Late Biblical Hebrew; the Septuagint contains three additional sections in Koine Greek: the Prayer of Azariah and Song of the Three Holy Children, Susanna, and Bel and the Dragon.

Apocalyptic literature is a genre of prophetical writing that developed in post-Exilic Jewish culture and was popular among millennialist early Christians. Apocalypse (Ancient Greek: ἀποκάλυψις, romanized: apokálupsis) is a Greek word meaning "revelation", "an unveiling or unfolding of things not previously known and which could not be known apart from the unveiling".

As a genre, apocalyptic literature details the authors' visions of the end times/end of the age as revealed by an angel or other heavenly messenger. The apocalyptic literature of Judaism and Christianity embraces a considerable period, from the centuries following the Babylonian exile down to the close of the Middle Ages.

When Prophecy Fails: A Social and Psychological Study of a Modern Group That Predicted the Destruction of the World is a classic work of social psychology by Leon Festinger, Henry Riecken, and Stanley Schachter, published in 1956, detailing a study of a small UFO religion in Chicago called the Seekers that believed in an imminent apocalypse. The authors took a particular interest in the members' coping mechanisms after the event did not occur, focusing on the cognitive dissonance between the members' beliefs and actual events, and the psychological consequences of these disconfirmed expectations.

The Olivet Discourse or Olivet prophecy is a biblical passage found in the Synoptic Gospels in Matthew 24 and 25, Mark 13, and Luke 21. It is also known as the Little Apocalypse because it includes the use of apocalyptic language, and it includes Jesus's warning to his followers that they will suffer tribulation and persecution before the ultimate triumph of the Kingdom of God. The Olivet discourse is the last of the Five Discourses of Matthew and occurs just before the narrative of Jesus's passion beginning with the anointing of Jesus.

In all three synoptic Gospels this episode includes the Parable of the Budding Fig Tree.

A medieval pageant is a form of procession traditionally associated with both secular and religious rituals, often with a narrative structure. Pageantry was an important aspect of medieval European seasonal festivals, in particular around the celebration of Corpus Christi, which began after the thirteenth century. This festival reenacted the entire history of the world, in processional performance, from the Bible's Genesis to the Apocalypse, employing hundreds of performers and mobile scenic elements. Plays were performed on mobile stages, called waggons, that traveled through towns so plays could be watched consecutively. Each waggon was sponsored by a guild who wrote, designed, and acted in the plays.

Block books or blockbooks, also called xylographica, are short books of up to 50 leaves, block printed in Europe in the second half of the 15th century as woodcuts with blocks carved to include both text (usually) and illustrations. The content of the books was nearly always religious, aimed at a popular audience, and a few titles were often reprinted in several editions using new woodcuts. Although many had believed that block books preceded Gutenberg's invention of movable type in the first part of the 1450s, it now is accepted that most of the surviving block books were printed in the 1460s or later, and that the earliest surviving examples may date to about 1451.

They seem to have functioned as a cheap popular alternative to the typeset book, which was still very expensive at this stage. Single-leaf woodcuts from the preceding decades often included passages of text with prayers, indulgences and other material; the block book was an extension of this form. Block books are very rare, some editions surviving only in fragments, and many probably not surviving at all.

Apocalyptic and post-apocalyptic fiction are subgenres of science fiction in which the Earth's (or another place's) civilization is collapsing or has collapsed. The apocalypse event may be climatic, such as runaway climate change; astronomical, an impact event; destructive, nuclear holocaust or resource depletion; medical, a pandemic, whether natural or human-caused; end time, such as the Last Judgment, Second Coming or Ragnarök; or any other scenario in which the outcome is apocalyptic, such as a zombie apocalypse, AI takeover, technological singularity, dysgenics/eugenics, natural disasters, or alien invasions.

The story may involve attempts to prevent an apocalypse event, deal with the impact and consequences of the event itself, or it may be post-apocalyptic, set after the event. The time may be directly after the catastrophe, focusing on the psychology of survivors, the way to keep the human race alive and together as one, or considerably later, often including that the existence of pre-catastrophe civilization has been mythologized. Post-apocalyptic stories often take place in a non-technological future world or a world where only scattered elements of society and technology remain.

The Apocalypse Tapestry is a large medieval set of tapestries commissioned by Louis I, Duke of Anjou, and woven in Paris between 1377 and 1382. It depicts the story of the Apocalypse from the Book of Revelation by Saint John the Divine in colourful images, spread over six tapestries that originally totalled 90 scenes, and were about six metres high, and 140 metres long in total.

It is the most significant, and almost the only, survival from the first decades of the great period of tapestry, when the industry developed large workshops and represented the most effective art form for exhibiting the magnificence of royal patrons, not least because large tapestries were hugely expensive. The period began in about 1350, and lasted until at least the 17th century, as tapestry was gradually overtaken in importance by paintings. At this early point relatively few tapestries were made to designs specified by the patron, which seems clearly to have been the case here.