Antoni Gaudí in the context of "Eclecticism in architecture"

⭐ In the context of Eclecticism in architecture, Antoni Gaudí is considered…




⭐ Core Definition: Antoni Gaudí

Antoni Gaudí i Cornet (/ɡˈdi/ gow-DEE, /ˈɡdi/ GOW-dee; Catalan: [ənˈtɔni ɣəwˈði]; 25 June 1852 – 10 June 1926) was a Catalan architect and designer from Spain, widely known as the greatest exponent of Catalan Modernisme. Gaudí's works have a sui generis style, with most located in Barcelona, including his main work, the Sagrada Família church.

Gaudí's work was influenced by his passions in life: architecture, nature, and religion. He considered every detail of his creations and combined crafts such as ceramics, stained glass, wrought ironwork forging, and carpentry. He introduced new techniques in the treatment of materials, such as trencadís which used waste ceramic pieces.

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👉 Antoni Gaudí in the context of Eclecticism in architecture

Eclecticism in architecture is a 19th and 20th century architectural style in which a single piece of work incorporates eclecticism, a mixture of elements from previous historical styles to create something that is new and original. In architecture and interior design, these elements may include structural features, furniture, decorative motives, distinct historical ornament, traditional cultural motifs or styles from other countries, with the mixture usually chosen based on its suitability to the project and overall aesthetic value.

The term is also used of the many architects of the 19th and early 20th centuries who designed buildings in a variety of styles according to the wishes of their clients, or their own. The styles were typically revivalist, and each building might be mostly or entirely consistent within the style selected, or itself an eclectic mixture. Gothic Revival architecture, especially in churches, was most likely to strive for a relatively "pure" revival style from a particular medieval period and region, while other revived styles such as Neoclassical, Baroque, Palazzo style, Jacobethan, Romanesque and many others were likely to be treated more freely.

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Antoni Gaudí in the context of Architecture of cathedrals and great churches

Cathedrals, collegiate churches, and monastic churches like those of abbeys and priories, often have certain complex structural forms that are found less often in parish churches. They also tend to display a higher level of contemporary architectural style and the work of accomplished craftsmen, and occupy a status both ecclesiastical and social that an ordinary parish church rarely has. Such churches are generally among the finest buildings locally and a source of regional pride. Many are among the world's most renowned works of architecture. These include St Peter's Basilica, Notre-Dame de Paris, Cologne Cathedral, Salisbury Cathedral, Antwerp Cathedral, Prague Cathedral, Lincoln Cathedral, the Basilica of Saint-Denis, Santa Maria Maggiore, the Basilica of San Vitale, St Mark's Basilica, Westminster Abbey, Saint Basil's Cathedral, Antoni Gaudí's incomplete Sagrada Família and the ancient cathedral of Hagia Sophia in Istanbul, now a mosque.

The earliest large churches date from Late Antiquity. As Christianity and the construction of churches spread across the world, their manner of building was dependent upon local materials and local techniques. Different styles of architecture developed and their fashion spread, carried by the establishment of monastic orders, by the posting of bishops from one region to another and by the travelling of master stonemasons who served as architects. The successive styles of the great church buildings of Europe are known as Early Christian, Byzantine, Romanesque, Gothic, Renaissance, Baroque, Rococo, Neoclassical, and various Revival styles of the late 18th to early 20th centuries, and then Modern. Underlying each of the academic styles are the regional characteristics. Some of these characteristics are so typical of a particular country or region that they appear, regardless of style, in the architecture of churches designed many centuries apart.

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Antoni Gaudí in the context of Eugène Viollet-le-Duc

Eugène Emmanuel Viollet-le-Duc (French: [øʒɛn vjɔlɛ dyk]; 27 January 1814 – 17 September 1879) was a French architect and author, famous for his restoration of the most prominent medieval landmarks in France. His major restoration projects included Notre-Dame de Paris, the Basilica of Saint Denis, Mont Saint-Michel, Sainte-Chapelle, the medieval walls of the city of Carcassonne, and Château de Roquetaillade in the Bordeaux region.

His writings on decoration and on the relationship between form and function in architecture had a fundamental influence on a whole new generation of architects, including all the major Art Nouveau artists: Antoni Gaudí, Victor Horta, Hector Guimard, Henry van de Velde, Henri Sauvage and the École de Nancy, Paul Hankar, Otto Wagner, Eugène Grasset, Émile Gallé, and Hendrik Petrus Berlage. He also influenced the first modern architects, Frank Lloyd Wright, Mies van der Rohe, Auguste Perret, Louis Sullivan, and Le Corbusier, who considered Viollet-le-Duc as the father of modern architecture. English architect William Burges claimed that "We all cribbed on Viollet-le-Duc even though no one could read French".

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Antoni Gaudí in the context of Sagrada Família

Basílica i Temple Expiatori de la Sagrada Família (short form Sagrada Família), is a church under construction in the Eixample district of Barcelona, Catalonia, Spain. It is the largest unfinished Catholic church in the world. Designed by the Catalan architect Antoni Gaudí, in 2005 his work on Sagrada Família was added to an existing (1984) UNESCO World Heritage Site, "Works of Antoni Gaudí". On 7 November 2010, Pope Benedict XVI consecrated the church and proclaimed it a minor basilica.

On 19 March 1882, construction of Sagrada Família began under architect Francisco de Paula del Villar. In 1883, when Villar resigned, Gaudí took over as chief architect, transforming the project with his architectural and engineering style, combining Gothic and curvilinear Art Nouveau forms. Gaudí devoted the remainder of his life to the project, and he is buried in the church's crypt. At the time of his death in 1926, less than a quarter of the project was complete.

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Antoni Gaudí in the context of Momir Korunović

Momir Korunović (Serbian Cyrillic: Момир Коруновић), was a Serbian architect associated with Serbo-Byzantine Revival. He was sometimes called the 'Serbian Gaudi'. Although he designed many buildings in Belgrade and Yugoslavia between the two World Wars, he is largely forgotten today. Many of his works were destroyed or substantially altered during World War II and the communist period.

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Antoni Gaudí in the context of Comillas

Comillas is a small township and municipality in the northern reaches of Spain, in the autonomous community of Cantabria. The Marquessate of Comillas, a fiefdom of Spanish nobility, holds ceremonial office in the seat of power at a small castle which overlooks the town. The Comillas Pontifical University was housed here before it moved to Madrid, and the old university buildings are among the finest examples of architecture in the town. Besides this, there are many notable medieval and baroque buildings.

From the second half of the 19th century, the Spanish royal family started spending their summers in Comillas, and so did a large part of the Spanish nobility, whose many descendants still frequent the town every summer. As a result, Comillas left an imprint of architectural relics such as palaces and monuments designed by renowned Catalan artists in particular, i.e. Gaudí or Doménech i Montaner. From the second half of the 20th century however, southern Spain and the islands became more popular due to an increasing inclination towards sunnier destinations, and so places like Marbella, Sotogrande or Mallorca became attractive prospects for the rich and famous. Although the town has seen an upsurge in the last years, it still maintains its character as "the haven for the decadent and discreet aristocracy".

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Antoni Gaudí in the context of Park Güell

Park Güell (Catalan: Parc Güell [ˈpaɾɡ ˈɡweʎ]; Spanish: Parque Güell) is a complex of parks and gardens in Barcelona with architectural elements, located in the La Salut neighborhood of the Gràcia district in Barcelona, Catalonia, Spain. It is situated on the southern slope of the Turó del Carmel hill, part of the Collserola mountain range, overlooking the city. The separate Parc del Carmel lies on the northern side of the same hill.

In the context of Barcelona's late 19th and early 20th-century urban expansion, Catalan industrialist and art patron Eusebi Güell commissioned architect Antoni Gaudí, a leading figure of the aesthetic movement in Catalan modernism, to design a park.

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