Angela's Ashes (film) in the context of "Emily Watson"

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👉 Angela's Ashes (film) in the context of Emily Watson

Emily Margaret Watson (born 14 January 1967) is an English actress. She began her career on stage and joined the Royal Shakespeare Company in 1992. In 2002, she starred in productions of Twelfth Night and Uncle Vanya at the Donmar Warehouse, and was nominated for the Olivier Award for Best Actress for the latter. She was nominated for the Academy Award for Best Actress for her debut film role as a newlywed in Lars von Trier's Breaking the Waves (1996) and for her portrayal of Jacqueline du Pré in Anand Tucker's Hilary and Jackie (1998).

Watson's other films include The Boxer (1997), Angela's Ashes (1999), Gosford Park (2001), Punch-Drunk Love (2002), Red Dragon (2002), The Life and Death of Peter Sellers (2004), Corpse Bride (2005), Miss Potter (2006), Synecdoche, New York (2008), Oranges and Sunshine (2010), War Horse (2011), The Theory of Everything (2014), Kingsman: The Golden Circle (2017), God's Creatures (2022), Small Things like These (2024), and Hamnet (2025).

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Angela's Ashes (film) in the context of Alan Parker

Sir Alan William Parker CBE (14 February 1944 – 31 July 2020) was an English film director, screenwriter and producer. His early career, beginning in his late teens, was spent as a copywriter and director of television advertisements. After about ten years of filming adverts, many of which won awards for creativity, he began screenwriting and directing films.

Parker was known for using a wide range of filmmaking styles and working in differing genres. He directed musicals, including Bugsy Malone (1976), Fame (1980), Pink Floyd – The Wall (1982), The Commitments (1991) and Evita (1996); true-story dramas, including Midnight Express (1978), Mississippi Burning (1988), Come See the Paradise (1990) and Angela's Ashes (1999); family dramas, including Shoot the Moon (1982), and horrors and thrillers including Angel Heart (1987) and The Life of David Gale (2003).

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