Andy Warhol in the context of "Museum of Contemporary Art of Caracas"

Pop art is an art movement that emerged in the United Kingdom and the United States during the mid- to late 1950s. The movement presented a challenge to traditions of fine art by including imagery from popular and mass culture, such as advertising, comic books and mundane mass-produced objects. One of its aims is to use images of popular culture in art, emphasizing the banal or kitschy elements of any culture, most often through the use of irony. It is also associated with the artists' use of mechanical means of reproduction or rendering techniques. In pop art, material is sometimes visually removed from its known context, isolated, or combined with unrelated material.

Amongst the first artists that shaped the pop art movement were Eduardo Paolozzi and Richard Hamilton in Britain, and Larry Rivers, Ray Johnson, Robert Rauschenberg and Jasper Johns among others in the United States. Pop art is widely interpreted as a reaction to the then-dominant ideas of abstract expressionism, as well as an expansion of those ideas. Due to its utilization of found objects and images, it is similar to Dada. Pop art and minimalism are considered to be art movements that precede postmodern art, or are some of the earliest examples of postmodern art themselves.

Pornography (colloquially called porn or porno) is sexually suggestive material, such as a picture, video, text, or audio, intended for sexual arousal. Made for consumption by adults, pornographic depictions have evolved from cave paintings, some forty millennia ago, to modern-day virtual reality presentations. A general distinction of adults-only sexual content is made, classifying it as pornography or erotica.

The oldest artifacts considered pornographic were discovered in Germany in 2008 and are dated to be at least 35,000 years old. Human enchantment with sexual imagery representations has been a constant throughout history. However, the reception of such imagery varied according to the historical, cultural, and national contexts. The Indian Sanskrit text Kama Sutra (3rd century CE) contained prose, poetry, and illustrations regarding sexual behavior, and the book was celebrated; while the British English text Fanny Hill (1748), considered "the first original English prose pornography," has been one of the most prosecuted and banned books. In the late 19th century, a film by Thomas Edison that depicted a kiss was denounced as obscene in the United States, whereas Eugène Pirou's 1896 film Bedtime for the Bride was received very favorably in France. Starting from the mid-twentieth century on, societal attitudes towards sexuality became lenient in the Western world where legal definitions of obscenity were made limited. In 1969, Blue Movie by Andy Warhol became the first film to depict unsimulated sex that received a wide theatrical release in the United States. This was followed by the "Golden Age of Porn" (1969–1984). The introduction of home video and the World Wide Web in the late 20th century led to global growth in the pornography business. Beginning in the 21st century, greater access to the Internet and affordable smartphones made pornography more mainstream.

An art car is a vehicle that has had its appearance modified as an act of personal artistic expression. Art cars are often driven and owned by their creators, who are sometimes referred to as "Cartists".

Most car artists are ordinary people with no artistic training. Artists are largely self-taught and self funded, though some mainstream trained artists have also worked in the art car medium. Most car artists agree that creating and driving an art car daily is its own reward. Artists like Roy Lichtenstein, Andy Warhol and others have designed BMW Art Cars and their work has been reflected in racing cars like the BMW V12 LMR.

A Madonna impersonator is an entertainer who impersonates American singer-songwriter Madonna. Professional or dedicated Madonna impersonators have existed since at least the mid-1980s, and were sometimes sorted as "tribute acts". As an established artist, Madonna impersonators have seen a notable demand, many of them performing in front of thousands people and visiting several countries in their professional Madonna career as some media outlets have reported. Notable Madonna impersonators include Chris America, Denise Bella Vlasis and Venus D-Lite. Others impressionists have included Madonna in their repertoire, such as Tracey Bell, Charlie Hides and Véronic DiCaire, while Nadya Ginsburg and Alejandra Bogue dedicated Madonna-inspired monologues.

First impersonations on Madonna started with her fans, mainly young female audience when they copied and emulated her no later than 1985, and which were counted by thousands around the world. This phenomenon was later defined as the "Madonna wannabe". Prominent look-alikes contests were made and received press coverage. An example occurred in 1985 led by Macy's and had Andy Warhol and Nina Blackwood among others as judges. The winner gained nationwide briefly fame as "the best Madonna look-alike" according to MTV. Over the years, impersonations on Madonna have been documented among her fandom, through fan conventions, tours, and themed parties among other cultural manifestations, such as competitions and TV shows.

Lewis Allan Reed (March 2, 1942 – October 27, 2013) was an American musician and songwriter. He was the guitarist, singer, and principal songwriter for the rock band the Velvet Underground and had a solo career that spanned five decades. Although not commercially successful during its existence, the Velvet Underground came to be regarded as one of the most influential bands in the history of underground and alternative rock music. Reed's distinctive deadpan voice, poetic and transgressive lyrics, and experimental guitar playing were trademarks throughout his long career.

Reed, John Cale, Sterling Morrison, and Angus MacLise formed the Velvet Underground in 1965. After building a reputation in the avant garde music scene, the Velvet Underground gained the attention of Andy Warhol, who became the band's manager. The Velvet Underground became something of a fixture at The Factory, Warhol's art studio, and served as his "house band" for various projects. The band released its first album, now with drummer Moe Tucker and featuring German singer Nico, in 1967, and parted ways with Warhol shortly thereafter. Following several lineup changes and three more little-heard albums, Reed quit the band in 1970.

The Velvet Underground was an American rock band formed in New York City in 1964. The New York Times wrote that the Velvet Underground was "arguably the most influential American rock band of our time". Though their integration of rock and the avant-garde earned them little commercial success during their initial nine-year run, they are now widely regarded as one of the most influential bands in rock music, as well as underground, experimental, and alternative music. Their provocative subject matter and experimentation were instrumental in the development of punk rock, new wave and other genres.

The group performed under several names before settling on the Velvet Underground in 1965, taken from the title of a 1963 book on atypical sexual behavior. Its classic lineup consisted of singer and guitarist Lou Reed, Welsh multi-instrumentalist John Cale, guitarist Sterling Morrison, and percussionist Moe Tucker. In 1966, pop artist Andy Warhol became their official manager. They served as the house band at Warhol's studio, The Factory, and performed with his traveling multimedia show, Exploding Plastic Inevitable, from 1966 to 1967. Their debut album, The Velvet Underground & Nico, featuring the German singer and model Nico, was released in 1967 to critical indifference and poor sales, although it has since been hailed as one of the greatest albums in music history.

A splatter film is a subgenre of horror film that deliberately focuses on graphic portrayals of gore and graphic violence. These films, usually through the use of special effects, display a fascination with the vulnerability of the human body and the theatricality of its mutilation. The term "splatter cinema" was coined by George A. Romero to describe his film Dawn of the Dead, though Dawn of the Dead is generally considered by critics as possessing higher aspiration (such as social commentary) rather than simply being exploitative for its own sake.

The term was popularized by John McCarty's 1981 book Splatter Movies, subtitled: Breaking The Last Taboo: A Critical Survey of the Wildly Demented Sub Genre of the Horror Film that Is Changing the Face of Film Realism Forever. The first significant publication to attempt to define and analyse the 'splatter film', McCarty suggests that splatter is indicative of broader trends in film production. Though splatter is associated with fairly extreme horror films, and such works form the main focus of the book, a relatively diverse range of titles dating mainly from the 1960s to late 1970s are also included; examples include John Waters' Female Trouble, Ted Post's Magnum Force, Terry Gilliam's Jabberwocky, and Walter Hill's Western The Long Riders. This filmography implies that the influence of film-makers such as Sam Peckinpah or Andy Warhol, to name two, is as significant to the development of the form as Grand Guignol, Hammer Films or Herschell Gordon Lewis.

The Campbell's Company (doing business as Campbell's and formerly known as the Campbell Soup Company) is an American company, most closely associated with its flagship canned soup products. The classic red-and-white can design used by many Campbell's branded products has become an American icon, and its use in pop art was typified by American artist Andy Warhol's series of Campbell's Soup Cans prints.

Campbell's has grown to become one of the largest processed food companies in the United States through mergers and acquisitions, with a wide variety of products under its flagship Campbell's brand as well as other brands including Pepperidge Farm, Snyder's of Hanover, V8, and Swanson. With its namesake brand Campbell's produces soups and other canned foods, baked goods, beverages, and snacks. It is headquartered in Camden, New Jersey.

Commercial art is the art of creative services, referring to art created for commercial purposes, primarily advertising. Commercial art uses a variety of platforms (magazines, websites, apps, television, etc.) for viewers with the intent of promoting the sale and interest of products, services, and ideas. It relies on the iconic image (pictorial representations that are recognized easily to members of a culture) to enhance recall and favorable recognition for a product or service. An example of a product could be a magazine ad promoting a new soda through complementary colors, a catchy message, and appealing illustrative features. Another example could be promoting the prevention of global warming by encouraging people to walk or ride a bike instead of driving in an eye catching poster. It communicates something specific to an audience.

People can obtain training, certifications, and degrees that incorporate commercial arts in many exercises, activities, and programs.