Georges André Malraux (/mælˈroʊ/ mal-ROH; French: [ʒɔʁʒ ɑ̃dʁe malʁo]; 3 November 1901 – 23 November 1976) was a French novelist, member of the French Resistance, art theorist, and minister of cultural affairs. Malraux's novel La Condition Humaine (Man's Fate) (1933) is set during the 1927 Shanghai uprising and won the Prix Goncourt; L'Espoir (Man's Hope, 1937) arose from his experiences during the Spanish Civil War. After the Second World War he abandoned fiction and wrote several works on art history, collected as La Psychologie de l'Art (The Voices of Silence, 1953). He was appointed by President Charles de Gaulle as information minister (1945–46) and subsequently as France's first cultural affairs minister during de Gaulle's presidency (1959–1969).
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👉 André Malraux in the context of Polychrome
Polychrome is the "practice of decorating architectural elements, sculpture, etc., in a variety of colors." The term is used to refer to certain styles of architecture, pottery, or sculpture in multiple colors.
When looking at artworks and architecture from antiquity and the European Middle Ages, people tend to believe that they were monochrome. In reality, the pre-Renaissance past was full of colour, and Greco-Roman sculptures and Gothic cathedrals, that are now white, beige, or grey, were initially painted in a variety of colours. As André Malraux stated: "Athens was never white but her statues, bereft of color, have conditioned the artistic sensibilities of Europe [...] the whole past has reached us colorless." Polychrome was and is a practice not limited only to the Western world. Non-Western artworks, like Chinese temples, Oceanian Uli figures, or Maya ceramic vases, were also decorated with colours.
- ⭐ Core Definition: André Malraux
- 👉 André Malraux in the context of Polychrome
- André Malraux in the context of The Stranger (Camus novel)
- André Malraux in the context of Prix de Rome
- André Malraux in the context of Man's Fate
- André Malraux in the context of Man's Hope
- André Malraux in the context of La Psychologie de l'Art
André Malraux in the context of The Stranger (Camus novel)
The Stranger (French: L'Étranger [letʁɑ̃ʒe], lit. 'The Foreigner'), also published in English as The Outsider, is a 1942 novella written by French author Albert Camus. The first of Camus' novels to be published, the story follows Meursault, an indifferent settler in French Algeria, who, weeks after his mother's funeral, kills an unnamed Arab man in Algiers. The story is divided into two parts, presenting Meursault's first-person narrative before and after the killing.
Camus completed the initial manuscript by May 1941, with revisions suggested by André Malraux, Jean Paulhan, and Raymond Queneau that were adopted in the final version. The original French-language first edition of the novella was published on 19 May 1942, by Gallimard, under its original title; it appeared in bookstores from that June but was restricted to an initial 4,400 copies, so few that it could not be a bestseller. Even though it was published during the Nazi occupation of France, it went on sale without censorship or omission by the Propaganda-Staffel.
André Malraux in the context of Prix de Rome
The Prix de Rome (pronounced [pʁi də ʁɔm]) or Grand Prix de Rome was a French scholarship for arts students, initially for painters and sculptors, that was established in 1663 during the reign of Louis XIV of France. Winners were awarded a bursary that allowed them to stay in Rome for three to five years at the expense of the state. The prize was extended to architecture in 1720, music in 1803 and engraving in 1804. The prestigious award was abolished in 1968 by André Malraux, then Minister of Culture, following the May 68 riots that called for cultural change.
André Malraux in the context of Man's Fate
Man's Fate (French: La Condition humaine, "The Human Condition") is a 1933 novel written by André Malraux about the failed communist insurrection and resultant massacre in Shanghai in 1927, and the existential quandaries facing a diverse group of people associated with the revolution. Along with Les Conquérants (1928 – "The Conquerors") and La Voie Royale (1930 – "The Royal Way"), it forms a trilogy on revolution in Asia.
The novel was translated into English twice, both translations appearing in 1934, one by Haakon Chevalier under the title Man's Fate, published by Harrison Smith & Robert Haas in New York and republished by Random House as part of their Modern Library from 1936 on, and the other by Alastair MacDonald under the title Storm in Shanghai, published by Methuen in London and republished, still by Methuen, in 1948 as Man's Estate, to become a Penguin pocket in 1961. Currently the Chevalier translation is the only one still in regular print.
André Malraux in the context of Man's Hope
Man's Hope (French: L'Espoir) is a 1937 novel by André Malraux based upon his experiences in the Spanish Civil War. It was translated into English and published during 1938 as Man's Hope. It deals with the Battle of Teruel, as well as the Battle of Madrid.
André Malraux in the context of La Psychologie de l'Art
La Psychologie de l'Art (The Psychology of Art) is a work of art history by André Malraux. The book offers an explication of Malraux's philosophy of art via the history of Western painting.
It was originally published in three volumes: The Imaginary Museum (1947); The Artistic Creation (1948); and Aftermath of the Absolute (1949). In 1953 a revised, single-volume edition was published as The Voices of Silence. Stuart Gilbert translated all four books into English.