Ancient Greek tragedy in the context of "Algernon Charles Swinburne"

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⭐ Core Definition: Ancient Greek tragedy

Greek tragedy (Ancient Greek: τραγῳδία, romanizedtragōidía) is one of the three principal theatrical genres from Ancient Greece and Greek-inhabited Anatolia, along with comedy and the satyr play. It reached its most significant form in Athens in the 5th century BC, the works of which are sometimes called Attic tragedy.

Greek tragedy is widely believed to be an extension of the ancient rites carried out in honor of Dionysus, the god of wine and theatre, and it greatly influenced the theatre of Ancient Rome and the Renaissance. Tragic plots were most often based upon myths from the oral traditions of archaic epics. In tragic theatre, however, these narratives were presented by actors. The most acclaimed Greek tragedians are Aeschylus, Sophocles, and Euripides. These tragedians often explored many themes of human nature, mainly as a way of connecting with the audience but also as way of bringing the audience into the play.

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👉 Ancient Greek tragedy in the context of Algernon Charles Swinburne

Algernon Charles Swinburne (5 April 1837 – 10 April 1909) was an English poet, playwright, novelist, and critic. He was a major contributor to the Pre-Raphaelite movement in poetry, along with Dante Gabriel Rossetti and William Morris. His greatest works are the verse drama Atalanta in Calydon (1865), written in the form of an Ancient Greek tragedy, and his Pre-Raphaelite Poems and Ballads (1866).

In his poetry, Swinburne rebelled against the Christian morality of the Victorian era, drawing from classical, medieval, and Renaissance sources to explore atheism in "Hymn to Proserpine," suicide in "The Triumph of Time," lesbian desire in "Anactoria," and sadomasochism in "Dolores." While Swinburne's work attracted considerable scandal, it had prominent Victorian defenders, including John Ruskin.

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Ancient Greek tragedy in the context of Strophe

A strophe (/ˈstrf/) is a poetic term originally referring to the first part of the ode in Ancient Greek tragedy, followed by the antistrophe and epode. The term has been extended to also mean a structural division of a poem containing stanzas of varying line length. Strophic poetry is to be contrasted with poems composed line-by-line non-stanzaically, such as Greek epic poems or English blank verse, to which the term stichic applies.

In its original Greek setting, "strophe, antistrophe and epode were a kind of stanza framed only for the music", as John Milton wrote in the preface to Samson Agonistes, with the strophe chanted by a Greek chorus as it moved from right to left across the scene.

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