Ancient Greek phonology in the context of "Greek diacritics"

⭐ In the context of Greek diacritics, how does the polytonic orthography relate to Ancient Greek phonology?

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⭐ Core Definition: Ancient Greek phonology

Ancient Greek phonology is the reconstructed phonology or pronunciation of Ancient Greek. This article mostly deals with the pronunciation of the standard Attic dialect of the fifth century BC, used by Plato and other Classical Greek writers, and touches on other dialects spoken at the same time or earlier. The pronunciation of Ancient Greek is not known from direct observation, but determined from other types of evidence. Some details regarding the pronunciation of Attic Greek and other Ancient Greek dialects are unknown, but it is generally agreed that Attic Greek had certain features not present in English or Modern Greek, such as a three-way distinction between voiced, voiceless, and aspirated stops (such as /b p pʰ/, as in English "bot, spot, pot"); a distinction between single and double consonants and short and long vowels in most positions in a word; and a word accent that involved pitch.

Koine Greek, the variety of Greek used after the conquests of Alexander the Great in the fourth century BC, is sometimes included in Ancient Greek, but its pronunciation is described in Koine Greek phonology. For disagreements with the reconstruction given here, see below.

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👉 Ancient Greek phonology in the context of Greek diacritics

Greek orthography has used a variety of diacritics starting in the Hellenistic period. The more complex polytonic orthography (Greek: πολυτονικὸ σύστημα γραφῆς, romanizedpolytonikò sýstīma grafī̂s), which includes five diacritics, notates Ancient Greek phonology. The simpler monotonic orthography (Greek: μονοτονικό σύστημα γραφής, romanizedmonotonikó sýstīma grafī́s), introduced in 1982, corresponds to Modern Greek phonology, and requires only two diacritics.

Polytonic orthography (from Ancient Greek πολύς (polýs) 'much, many' and τόνος (tónos) 'accent') is the standard system for Ancient Greek and Medieval Greek and includes:

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Ancient Greek phonology in the context of Harmonia

In Greek mythology, Harmonia (/hɑːrˈmniə/; Ancient Greek: Ἁρμονία /harmoˈnia/, "harmony", "agreement") is the goddess of harmony and concord. Her Greek opposite is Eris and her Roman counterpart is Concordia. Harmonia is most well-known for her marriage to Cadmus and the many misfortunes that haunted her descendants, particularly those related to the fabled Necklace of Harmonia.

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Ancient Greek phonology in the context of /y/

The close front rounded vowel, or high front rounded vowel, is a type of vowel sound, used in some spoken languages. The symbol in the International Phonetic Alphabet that represents this sound is ⟨y⟩. Across many languages, it is most commonly represented orthographically as ü (in German, Turkish, Estonian and Hungarian) or ⟨y⟩ (in Danish, Norwegian, Swedish, Finnish and Albanian) but also as ⟨u⟩ (in French and Dutch and the Kernewek Kemmyn standard of Cornish); ⟨iu⟩/⟨yu⟩ (in the romanization of various Asian languages); ⟨уь⟩ (in Cyrillic-based writing systems such as that for Chechen); or ⟨ү⟩ (in Cyrillic-based writing systems such as that for Tatar).

Short /y/ and long /yː/ occurred in pre-Modern Greek. In the Attic and Ionic dialects of Ancient Greek, front [y yː] developed by fronting from back /u uː/ around the 6th to 7th century BC. A little later, the diphthong /yi/ when not before another vowel monophthongized and merged with long /yː/. In Koine Greek, the diphthong /oi/ changed to [yː], likely through the intermediate stages [øi] and [øː]. Through vowel shortening in Koine Greek, long /yː/ merged with short /y/. Later, /y/ unrounded to [i], yielding the pronunciation of Modern Greek. For more information, see the articles on Ancient Greek and Koine Greek phonology.

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