Ancient Egyptian afterlife beliefs in the context of "Papyrus of Ani"

Isis was a major goddess in ancient Egyptian religion whose worship spread throughout the Greco-Roman world. Isis was first mentioned in the Old Kingdom (c. 2686 – c. 2181 BCE) as one of the main characters of the Osiris myth, in which she resurrects her slain brother and husband, the divine king Osiris, and produces and protects his heir, Horus. She was believed to help the dead enter the afterlife as she had helped Osiris, and she was considered the divine mother of the pharaoh, who was likened to Horus. Her maternal aid was invoked in healing spells to benefit ordinary people. Originally, she played a limited role in royal rituals and temple rites, although she was more prominent in funerary practices and magical texts. She was usually portrayed in art as a human woman wearing a throne-like hieroglyph on her head. During the New Kingdom (c. 1550 – c. 1070 BCE), as she took on traits that originally belonged to Hathor, the preeminent goddess of earlier times, Isis was portrayed wearing Hathor's headdress: a sun disk between the horns of a cow.

In the first millennium BCE, Osiris and Isis became the most widely worshipped Egyptian deities, and Isis absorbed traits from many other goddesses. Rulers in Egypt and its southern neighbor Nubia built temples dedicated primarily to Isis, and her temple at Philae was a religious center for Egyptians and Nubians alike. Her reputed magical power was greater than that of all other gods, and she was said to govern the natural world and wield power over fate itself.

The Osiris myth is the most elaborate and influential story in ancient Egyptian mythology. It concerns the murder of the god Osiris, a primeval king of Egypt, and its consequences. Osiris's murderer, his brother Set, usurps his throne. Meanwhile, Osiris's wife Isis restores her husband's body, allowing him to posthumously conceive their son, Horus. The remainder of the story focuses on Horus, the product of the union of Isis and Osiris, who is at first a vulnerable child protected by his mother and then becomes Set's rival for the throne. Their often violent conflict ends with Horus's triumph, which restores maat (cosmic and social order) to Egypt after Set's unrighteous reign and completes the process of Osiris's resurrection.

The myth, with its complex symbolism, is integral to ancient Egyptian conceptions of kingship and succession, conflict between order and disorder, and especially death and the afterlife. It also expresses the essential character of each of the four deities at its center, and many elements of their worship in ancient Egyptian religion were derived from the myth.

The ancient Egyptians had an elaborate set of funerary practices that they believed were necessary to ensure their immortality after death. These rituals included mummifying the body, casting magic spells, and burials with specific grave goods thought to be needed in the afterlife.

The ancient burial process evolved over time as old customs were discarded and new ones adopted, but several important elements of the process persisted. Although specific details changed over time, the preparation of the body, the magic rituals, and grave goods were all essential parts of a proper Egyptian funeral.

Hathor (Ancient Egyptian: ḥwt-ḥr, lit. 'House of Horus', Ancient Greek: Ἁθώρ Hathōr, Coptic: ϩⲁⲑⲱⲣ, Meroitic: 𐦠𐦴𐦫𐦢‎ Atari) was a major goddess in ancient Egyptian religion who played a wide variety of roles. As a sky deity, she was the mother or consort of the sky god Horus and the sun god Ra, both of whom were connected with kingship, and thus she was the symbolic mother of their earthly representatives, the pharaohs. She was one of several goddesses who acted as the Eye of Ra, Ra's feminine counterpart, and in this form, she had a vengeful aspect that protected him from his enemies. Her beneficent side represented beauty, music, dance, joy, love, sexuality, and maternal care, and she acted as the consort of several male deities and the mother of their sons. These two aspects of the goddess exemplified the Egyptian conception of femininity. Hathor crossed boundaries between worlds, helping deceased souls in the transition to the afterlife.

Hathor was often depicted as a cow, symbolizing her maternal and celestial aspect, although her most common form was a woman wearing a headdress of cow horns and a sun disk. She could also be represented as a lioness, a cobra, or a sycomore tree.

Ancient Egyptian art refers to art produced in ancient Egypt between the 6th millennium BC and the 4th century AD, spanning from Prehistoric Egypt until the Christianization of Roman Egypt. It includes paintings, sculptures, drawings on papyrus, faience, jewelry, ivories, architecture, and other art media. It was a conservative tradition whose style changed very little over time. Much of the surviving examples comes from tombs and monuments, giving insight into the ancient Egyptian afterlife beliefs.

The ancient Egyptian language had no word for "art". Artworks served an essentially functional purpose that was bound with religion and ideology. To render a subject in art was to grant it permanence; thus, ancient Egyptian art portrayed an idealized and unrealistic version of the world. There was no significant tradition of individual artistic expression since art served a wider and cosmic purpose of maintaining order (Ma'at).

The mask of Tutankhamun is a gold funerary mask that belonged to Tutankhamun, who reigned over the New Kingdom of Egypt from 1332 BC to 1323 BC, during the Eighteenth Dynasty. After being buried with Tutankhamun's mummy for over 3,000 years, it was found in 1925 following the discovery of Tutankhamun's tomb three years earlier by the British archaeologist Howard Carter at the Valley of the Kings. It is on public display at the Grand Egyptian Museum in Cairo.

Bearing the likeness of Tutankhamun in the form of Osiris, the Egyptian god of the afterlife, the mask is 54 centimetres (21.3 in) tall, weighs over 10 kilograms (22 lb) or 321.5 troy ounces, and is decorated with semi-precious stones. A spell from the Book of the Dead is inscribed in Egyptian hieroglyphs on its shoulders. In 2015, it was restored after its 2.5-kilogram (5.5 lb) plaited beard fell off and was hastily glued back on by museum workers.

Canopic jars are funerary vessels that were used by the ancient Egyptians to house embalmed organs that were removed during the mummification process. They also served to store and preserve the viscera of their soul for the afterlife.

Use of the jars dates back to the Old Kingdom and continued until the Late Period and the Ptolemaic Period, after which time the viscera were simply wrapped and placed with the body.