Analog recording is a category of techniques used for the recording of analog signals. This enables later playback of the recorded analog audio.
Analog audio recording began with mechanical systems such as the phonautograph and phonograph. Later, electronic techniques such as wire and tape recording were developed.
The Microcassette (often written generically as microcassette) is an analog audio cassette storage format, introduced by Olympus in 1969.
It has the same width of magnetic tape as the Compact Cassette but in a cassette roughly one quarter the size. By using thinner tape and half or a quarter the tape speed, microcassettes can offer comparable recording time to the compact cassette but in a smaller package.
A videocassette recorder (VCR) or video recorder is an electromechanical device that records analog audio and analog video from broadcast television or other AV sources and can play back the recording after rewinding. The use of a VCR to record a television program to play back at a more convenient time is commonly referred to as time shifting. VCRs can also play back prerecorded tapes, which were widely available for purchase and rental starting in the 80s and 90s, most popularly in the VHS videocassette format. Blank tapes were sold to make recordings.
VCRs declined in popularity during the 2000s and in 2016, Funai Electric, the last remaining manufacturer, ceased production.
The cassette tape, also called Compact Cassette, audio cassette, or simply tape or cassette, is an analog magnetic tape recording format for audio recording and playback. Invented by Lou Ottens and his team at the Dutch company Philips, the Compact Cassette was introduced in August 1963.
Cassette tapes come in two forms, either containing content as a prerecorded cassette (Musicassette), or as a fully recordable "blank" cassette. Both forms have two sides and are reversible by the user. Although other tape cassette formats have also existed—for example the Microcassette—the generic term cassette tape is normally used to refer to the Compact Cassette because of its ubiquity.
In music, tape loops are loops of magnetic tape used to create repetitive, rhythmic musical patterns or dense layers of sound when played on a tape recorder. Originating in the 1940s with the work of Pierre Schaeffer, they were used among contemporary composers of 1950s and 1960s, such as Éliane Radigue, Steve Reich, Terry Riley, and Karlheinz Stockhausen, who used them to create phase patterns, rhythms, textures, and timbres. Popular music authors of 1960s and 1970s, particularly in psychedelic, progressive and ambient genres, used tape loops to accompany their music with innovative sound effects. In the 1980s, analog audio and tape loops with it gave way to digital audio and application of computers to generate and process sound.