Amphora in the context of "Package handle"

Pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum), it has exerted a disproportionately large influence on our understanding of Greek society. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout the Mediterranean, such as the Etruscans in Italy. There were a multitude of specific regional varieties, such as the South Italian ancient Greek pottery.

Throughout these places, various types and shapes of vases were used. Not all were purely utilitarian; large Geometric amphorae were used as grave markers, kraters in Apulia served as tomb offerings and Panathenaic Amphorae seem to have been looked on partly as objets d'art, as were later terracotta figurines. Some were highly decorative and meant for elite consumption and domestic beautification as much as serving a storage or other function, such as the krater with its usual use in diluting wine.

In Greek mythology, Tartarus (/ˈtɑːrtərəs/; Ancient Greek: Τάρταρος, romanized: Tártaros) is the deep abyss that is used as a dungeon of torment and suffering for the wicked and as the prison for the Titans. Tartarus is the place where, according to Plato's Gorgias (c. 400 BC), souls are judged after death and where the wicked received divine punishment. Tartarus appears in early Greek cosmology, such as in Hesiod's Theogony, where the personified Tartarus is described as one of the earliest beings to exist, alongside Chaos and Gaia (Earth).

The Attic talent (a talent of the Attic standard), also known as the Athenian talent or Greek talent (Greek: τάλαντον, talanton), is an ancient unit of weight equal to about 26 kilograms (57 lb), as well as a unit of value equal to this amount of pure silver. A talent was originally intended to be the mass of water required to fill an amphora, about one cubic foot (28 L).

Pottery, due to its relative durability, comprises a large part of the archaeological record of [[ancient Greece]. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout the Mediterranean, such as the Etruscans in Italy. There were a multitude of specific regional varieties, such as the South Italian ancient Greek pottery.

Throughout these places, various types and shapes of vases were used. Not all were purely utilitarian; large Geometric amphorae were used as grave markers, kraters in Apulia served as tomb offerings and Panathenaic Amphorae seem to have been looked on partly as objets d'art, as were later terracotta figurines. Some were highly decorative and meant for elite consumption and domestic beautification as much as serving a storage or other function, such as the krater with its usual use in diluting wine.

The Protogeometric style (or Proto-Geometric) is a style of Ancient Greek pottery led by Athens and produced, in Attica and Central Greece, between roughly 1025 and 900 BCE, during the Greek Dark Ages. It was succeeded by the Early Geometric period.

Earlier studies considered the beginning of this style around 1050 BCE.

Panathenaic amphorae were the amphorae, large ceramic vessels, that contained the olive oil given as a prize in the Panathenaic Games. Some were ten imperial gallons (12 US gal; 45 L) and 60–70 cm (24–28 in) high. This oil came from the sacred grove of Athena at Akademia. The amphorae which held it had the distinctive form of tight handles, narrow neck and feet, and they were decorated with consistent symbols, in a standard form using the black figure technique, and continued to be so, long after the black figure style had fallen out of fashion. Some Panathenaic amphorae depicted Athena Promachos, goddess of war, advancing between columns brandishing a spear and wearing the aegis, and next to her the inscription τῶν Ἀθήνηθεν ἄθλων "(one) of the prizes from Athens". On the back of the vase was a representation of the event for which it was an award. Sometimes roosters are depicted perched on top of the columns. The significance of the roosters remains a mystery. Later amphorae also had that year's archon's name written on it making finds of those vases archaeologically important.

The vases were commissioned by the state from the leading pottery workshops of the day in large numbers. Their canonical shape was set by 530 BC, but the earliest known example is the Burgon vase (British Museum, B130), which depicts Athena's owl nestling on the neck of the vase and on the reverse is a synoris team. This may mean that the vase predates the festival's reorganization in 566 since it is not an athletic event. The cock column is first seen on a panathenaic by Exekias (Karlsruhe 65.45). By the early fourth century the inclusion of the archon's name appears on these vases, the earliest almost intact one being Asteios 373/2 BC. (Oxford, 1911.257). There is a fragment that bears the name Hippodamas of 375/4 BC, however, which may also be a panathenaic, and Beazley suggests there may be a preceding one, Pythokles of 392/1.

Monte Testaccio (Italian pronunciation: [ˈmonte teˈstattʃo]) or Monte Testaceo, also known as Monte dei Cocci, is an artificial mound in Rome composed almost entirely of testae (Italian: cocci), fragments of broken ancient Roman pottery, nearly all discarded amphorae dating from the time of the Roman Empire, some of which were labelled with tituli picti. It is one of the largest spoil heaps found anywhere in the ancient world, covering an area of 2 hectares (4.9 acres) at its base and with a volume of approximately 580,000 cubic metres (760,000 cu yd), containing the remains of an estimated 53 million amphorae. It has a circumference of nearly a kilometre (0.6 mi) and stands 35 metres (115 ft) high, though it was probably considerably higher in ancient times. It stands a short distance away from the east bank of the River Tiber, near the Horrea Galbae where the state-controlled reserve of olive oil was stored in the late 2nd century AD. The mound later had both religious and military significance.