Alhambra in the context of "Spanish art"

The Nasrid dynasty (Arabic: بنو نصر banū Naṣr or بنو الأحمر banū al-Aḥmar; Spanish: Nazarí) was an Arab dynasty that ruled the Emirate of Granada from 1232 to 1492. It was the last Muslim dynasty in the Iberian Peninsula. Twenty-three sultans ruled Granada from the founding of the dynasty in 1232 by Muhammad I until 1492, when Muhammad XII surrendered all lands to Isabella I of Castile. Today, the most visible evidence of the Nasrid dynasty is the Alhambra palace complex built under their reign.

Islamic art is a part of Islamic culture and encompasses the visual arts produced since the 7th century CE by people who lived within territories inhabited or ruled by Muslim populations. Referring to characteristic traditions across a wide range of lands, periods, and genres, Islamic art is a concept used first by Western art historians in the late 19th century. Public Islamic art is traditionally non-representational, except for the widespread use of plant forms, usually in varieties of the spiralling arabesque. These are often combined with Islamic calligraphy, geometric patterns in styles that are typically found in a wide variety of media, from small objects in ceramic or metalwork to large decorative schemes in tiling on the outside and inside of large buildings, including mosques. Other forms of Islamic art include Islamic miniature painting, artefacts like Islamic glass or pottery, and textile arts, such as carpets and embroidery.

The early developments of Islamic art were influenced by Roman art, Early Christian art (particularly Byzantine art), and Sassanian art, with later influences from Central Asian nomadic traditions. Chinese art had a significant influence on Islamic painting, pottery, and textiles. From its beginnings, Islamic art has been based on the written version of the Quran and other seminal religious works, which is reflected by the important role of calligraphy, representing the word as the medium of divine revelation.

Stucco decoration in Islamic architecture refers to carved or molded stucco and plaster. The terms "stucco" and "plaster" are used almost interchangeably in this context to denote most types of stucco or plaster decoration with slightly varying compositions. This decoration was mainly used to cover walls and surfaces and the main motifs were those predominant in Islamic art: geometric, arabesque (or vegetal), and calligraphic, as well as three-dimensional muqarnas. Plaster of gypsum composition was extremely important in Islamic architectural decoration as the relatively dry climate throughout much of the Islamic world made it easy to use this cheap and versatile material in a variety of spaces.

Stucco decoration was already used in ancient times in the region of Iran and the Greco-Roman Mediterranean. In Islamic architecture, stucco decoration appeared during the Umayyad period (late 7th–8th centuries) and underwent further innovations and generalization during the 9th century under the Abbasids in Iraq, at which point it spread further across the Islamic world and was incorporated into regional architectural styles. Examples of historic carved stucco decoration are found in Egypt, Iran, Afghanistan, and India, among other areas. It was commonly used in "Moorish" or western Islamic architecture in the Iberian Peninsula (Al-Andalus) and parts of North Africa (the Maghreb), since at least the Taifa and Almoravid periods (11th–12th centuries). In the Iberian Peninsula it reached a creative pinnacle in Moorish architecture during the Nasrid dynasty (1238–1492), who built the Alhambra. Mudejar architecture also made broad use of such decoration. The Spanish term yesería is sometimes used in the context of Islamic and Mudéjar architecture in Spain.

The United Nations Educational, Scientific and Cultural Organization (UNESCO) World Heritage Sites are places of importance to cultural or natural heritage as described in the UNESCO World Heritage Convention, established in 1972. Cultural heritage consists of monuments (such as architectural works, monumental sculptures, or inscriptions), groups of buildings, and sites (including archaeological sites). Natural features (consisting of physical and biological formations), geological and physiographical formations (including habitats of threatened species of animals and plants), and natural sites which are important from the point of view of science, conservation or natural beauty, are defined as natural heritage. Spain ratified the convention on May 4, 1982, making its historical sites eligible for inclusion on the list.

Sites in Spain were first inscribed on the list at the 8th Session of the World Heritage Committee, held in Buenos Aires, Argentina in 1984. At that session, five sites were added: the Cathedral of Our Lady of the Assumption, Córdoba; The Alhambra and the Generalife, Granada; Burgos Cathedral; Monastery and Site of the Escorial, Madrid; and Park Güell, Palau Güell and Casa Milà, in Barcelona. Five sites were added in 1985, and another four in 1986. Apart from 1984, 1985, and 1986 (Spain's first three years as a member), 2000 saw the most new sites inscribed, with five that year. As of 2024, Spain has 50 total sites inscribed on the list, which is the fifth largest number of sites per country, only behind Italy (60), China (59), Germany (54), and France (53). Of these 50 sites, 44 are cultural, 4 are natural, and 2 are mixed (meeting both cultural and natural criteria), as determined by the organization's selection criteria.

Muqarnas (Arabic: مقرنص), also known in Iberian architecture as Mocárabe (from Arabic: مقربص, romanized: muqarbaṣ), is a form of three-dimensional decoration in Islamic architecture in which rows or tiers of niche-like elements are projected over others below. It is an archetypal form of Islamic architecture, integral to the vernacular of Islamic buildings, and typically featured in domes and vaults, as well as iwans, entrance portals, or other niches. It is sometimes referred to as "honeycomb vaulting" or "stalactite vaulting".

The muqarnas structure originated from the squinch. Its purpose is to create a smooth, decorative zone of transition in an otherwise bare, structural space. This structure gives the ability to distinguish between the main parts of a building and serves as a transition from the walls of a square or rectangular room to a round dome or vault above it. Muqarnas could also form entire vaults and domes. From below, these compositions can create an elaborate visual effect based on the interplay of light and shadow across the surfaces sculpted into three-dimensional patterns.

The Granada War was a series of military campaigns between 1482 and 1492 during the reign of the Catholic Monarchs, Isabella I of Castile and Ferdinand II of Aragon, against the Nasrid dynasty's Emirate of Granada. It ended with the defeat of Granada and its annexation by Castile, ending the last remnant of Islamic rule on the Iberian peninsula.

The ten-year war was not a continuous effort but a series of seasonal campaigns launched in spring and broken off in winter. The Granadans were crippled by internal conflict and civil war, while the Christians were generally unified. The Granadans were also bled economically by the tribute they had to pay Castile to avoid being attacked and conquered. The war saw the effective use of artillery by the Christians to rapidly conquer towns that would otherwise have required long sieges. On 2 January 1492, Muhammad XII of Granada (King Boabdil) surrendered the Emirate of Granada, the city of Granada, and the Alhambra palace to the Castilian forces.

Washington Irving (April 3, 1783 – November 28, 1859) was an American short-story writer, essayist, biographer, historian, and diplomat of the early 19th century. He wrote the short stories "Rip Van Winkle" (1819) and "The Legend of Sleepy Hollow" (1820), both of which appear in his collection The Sketch Book of Geoffrey Crayon, Gent. His historical works include biographies of Oliver Goldsmith, Muhammad, and George Washington, as well as several histories of 15th-century Spain that deal with subjects such as the Alhambra, Christopher Columbus, and the Moors. Irving served as the American ambassador to Spain in the 1840s.

Irving was born and raised in Manhattan to a merchant family. He made his literary debut in 1802 with a series of observational letters to the Morning Chronicle, written under the pseudonym Jonathan Oldstyle. He temporarily moved to England for the family business in 1815, where he achieved fame with the publication of The Sketch Book of Geoffrey Crayon, Gent. which was serialized from 1819 to 1820. He continued to publish regularly throughout his life, and he completed a five-volume biography of George Washington just eight months before his death at age 76 in Tarrytown, New York.