Stucco decoration in Islamic architecture in the context of "Alhambra"

The culture of Morocco is a blend of Arab, Berber, Andalusi cultures, with Mediterranean, Hebraic and African influences. It represents and is shaped by a convergence of influences throughout history. This sphere may include, among others, the fields of personal or collective behaviors, language, customs, knowledge, beliefs, arts, legislation, gastronomy, music, poetry, architecture, etc. While Morocco started to be stably predominantly Sunni Muslim starting from 9th–10th century AD, during the Almoravid period, a very significant Andalusi culture was imported, contributing to the shaping of Moroccan culture. Another major influx of Andalusi culture was brought by Andalusis with them following their expulsion from Al-Andalus to North Africa after the Reconquista. In antiquity, starting from the second century A.D and up to the seventh, a rural Donatist Christianity was present, along an urban still-in-the-making Roman Catholicism. All of the cultural super strata tend to rely on a multi-millennial aboriginal Berber substratum still present and dating back to prehistoric times.

The linguistic landscape of Morocco is complex. It generally tends to be horizontally diverse and vertically stratified. It is though possible to broadly classify it into two main components: Arab and Berber. It is hardly possible to speculate about the origin of Berber languages as it is traced back to low antiquity and prehistoric times. The Semitic influence, on the contrary, can be fairly documented by archaeological evidence. It came in two waves: Canaanite, in its Punic, Carthaginian and Hebrew historic varieties, from the ninth century B.C and up to high antiquity, and Arabic, during the low Middle Ages, starting from the seventh century A.D. The two Semitic languages being close, both in syntax and vocabulary it is hard to tell them apart as to who influenced more the structure of the modern Moroccan Arabic dialect. The Arab conquerors having certainly encountered large romanized urban Punic population as they advanced. In any case, the linguistic and cultural identity of Morocco, just as its geography would predict, is the result of the encounter of three main circles: Arab, Berber, and Western Mediterranean European.

Moroccan architecture reflects Morocco's diverse geography and long history, marked by successive waves of settlers through both migration and military conquest. This architectural heritage includes ancient Roman sites, historic Islamic architecture, local vernacular architecture, 20th-century French colonial architecture, and modern architecture.

Much of Morocco's traditional architecture is marked by the style that developed during the Islamic period, from the 7th century onward. This architecture was part of a wider tradition of "Moorish" or western Islamic architecture, which characterized both the Maghreb (Morocco, Algeria, and Tunisia) and al-Andalus (Muslim Spain and Portugal). It blended influences from Amazigh (Berber) culture in North Africa, pre-Islamic Spain (Roman, Byzantine, and Visigothic), and contemporary artistic currents in the Islamic Middle East to elaborate a unique style over centuries with recognizable features such as the horseshoe arch, riad gardens, and elaborate geometric and arabesque motifs in wood, carved stucco, and zellij tilework.