Album era in the context of "LP album"

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⭐ Core Definition: Album era

The album era (sometimes, album-rock era) was a period in popular music, usually defined as the mid-1960s through the middle of the 2000s decade, in which the album—a collection of songs issued on physical media—was the dominant form of recorded music expression and consumption. It was driven primarily by three storage formats: the 33⅓ rpm long-playing record (LP), the cassette tape, and the compact disc (CD). Rock musicians from the United States and the United Kingdom were often at the forefront of the era. The term "album era" is also used to refer to the marketing and aesthetic period surrounding a recording artist's release of an album.

Long-playing record albums, first released in 1948, offered the ability to sell larger amounts of music than singles. The album era arrived in earnest in the mid-1960s, when the Beatles began to release artistically ambitious and top-selling LPs. The industry embraced albums to immense success, and burgeoning rock criticism validated their cultural value. By the 1970s, the LP had emerged as a fundamental artistic unit and a widely popular item with young people. Some were concept albums, especially by progressive musicians in rock and soul.

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Album era in the context of Popular music

Popular music is music with wide appeal that is typically distributed to large audiences through the music industry. These forms and styles can be enjoyed and performed by people with little or no musical training. As a kind of popular art, it stands in contrast to art music. Art music was historically disseminated through the performances of written music, although since the beginning of the recording industry, it is also disseminated through recordings. Traditional music forms such as early blues songs or hymns were passed along orally, or to smaller, local audiences.

The original application of the term is to music of the 1880s Tin Pan Alley period in the United States. Although popular music sometimes is known as "pop music", the two terms are not interchangeable. Popular music is a generic term for a wide variety of genres of music that appeal to the tastes of a large segment of the population, whereas pop music usually refers to a specific musical genre within popular music. Popular music songs and pieces typically have easily singable melodies. The song structure of popular music commonly involves repetition of sections, with the verse and chorus or refrain repeating throughout the song and the bridge providing a contrasting and transitional section within a piece. From the 1960s through the mid-2000s, albums collecting songs were the dominant form for recording and consuming English-language popular music, in a period known as the album era.

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Album era in the context of Album

An album is a collection of audio recordings (e.g., music) issued on a medium such as compact disc (CD), vinyl (record), audio tape (like 8-track or cassette), or digital. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records (78s) collected in a bound book resembling a photo album; this format evolved after 1948 into single vinyl long-playing (LP) records played at 33+13 rpm.

The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983, being gradually supplanted by the cassette tape throughout the 1970s and early 1980s; the popularity of the cassette reached its peak during the late 1980s before sharply declining during the 1990s. The cassette had largely disappeared by the first decade of the 2000s.

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Album era in the context of LP record

The LP (from long playing or long play) is an analog sound storage medium, specifically a phonograph record format characterized by: a speed of 33+13 rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk. Introduced by Columbia Records in 1948, it was soon adopted as a new standard by the entire US record industry and, apart from a few relatively minor refinements and the important later addition of stereophonic sound in 1957, it remained the standard format for record albums during a period in popular music known as the album era. LP was originally a trademark of Columbia and competed against the smaller 7-inch sized "45" or "single" format by RCA Victor, eventually ending up on top. Today in the vinyl revival era, a large majority of records are based on the LP format and hence the LP name continues to be in use today to refer to new records.

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Album era in the context of The Rolling Stones

The Rolling Stones are an English rock band formed in London in 1962. Active for over six decades, they are one of the most popular, influential, and enduring bands of the rock era. In the early 1960s, the band pioneered the gritty, rhythmically driven sound that came to define hard rock. Their first stable line-up consisted of vocalist Mick Jagger, guitarist Keith Richards, multi-instrumentalist Brian Jones, bassist Bill Wyman, and drummer Charlie Watts, after pianist Ian Stewart was side-lined by their manager Andrew Loog Oldham. During their early years, Jones was the primary leader. Oldham encouraged them to write their own songs. The Jagger–Richards partnership soon became the band's primary songwriting and creative force.

Rooted in blues and early rock and roll, the Rolling Stones started out playing cover versions and were at the forefront of the British Invasion in 1964, becoming identified with the youthful counterculture of the 1960s. They then found greater success with their own compositions: "(I Can't Get No) Satisfaction", "Get Off of My Cloud" (both 1965) and "Paint It Black" (1966) became international number-one hits. Aftermath (1966), their first album to be entirely of original material, is often considered to be the most important of their early albums. In 1967, they had the double-sided hit "Ruby Tuesday"/"Let's Spend the Night Together" and experimented with psychedelic rock on Their Satanic Majesties Request. By the end of the 1960s, they had returned to their rhythm and blues-based rock sound, with hit singles "Jumpin' Jack Flash" (1968) and "Honky Tonk Women" (1969), and albums Beggars Banquet (1968), featuring "Sympathy for the Devil" and "Street Fighting Man", and Let It Bleed (1969), featuring "You Can't Always Get What You Want" and "Gimme Shelter".

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