Symposium (Xenophon) in the context of "Symposium"

⭐ In the context of Ancient Greek banquets, Xenophon’s *Symposium* is considered a literary representation of what specific element that followed the meal?

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⭐ Core Definition: Symposium (Xenophon)

The Symposium (Ancient Greek: Συμπόσιον) is a Socratic dialogue written by Xenophon in the late 360s B.C. In it, Socrates and a few of his companions attend a symposium (a dinner party at which Greek aristocrats could enjoy entertainment and discussion) hosted by Kallias for the young man Autolykos. Xenophon claims that he was present at the symposium, although this is disputed because he would have been too young to attend. The dramatic date for the Symposium is 422 B.C.

Entertainment at the dinner is provided by the Syracusan and his three performers. Their feats of skill thrill the attendants and serve as points of conversation throughout the dialogue. Much of the discussion centers on what each guest is most proud of. All their answers are playful or paradoxical: Socrates, for one, prides himself on his knowledge of the art of match-making.

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👉 Symposium (Xenophon) in the context of Symposium

In Ancient Greece, the symposium (Ancient Greek: συμπόσιον, sympósion, from συμπίνειν, sympínein, 'to drink together') was the part of a banquet that took place after the meal, when drinking for pleasure was accompanied by music, dancing, recitals, or conversation. Literary works that describe or take place at a symposium include two Socratic dialogues, Plato's Symposium and Xenophon's Symposium, as well as a number of Greek poems, such as the elegies of Theognis of Megara. Symposia are depicted in Greek and Etruscan art that shows similar scenes.

In modern usage, it has come to mean an academic conference or meeting, such as a scientific conference. The Latin equivalent of a Greek symposium in Roman society is convivium.

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Symposium (Xenophon) in the context of Achilles and Patroclus

The relationship between Achilles and Patroclus is a key element of the stories associated with the Trojan War. In the Iliad, Homer describes a deep, meaningful relationship between Achilles and Patroclus, where Achilles is tender toward Patroclus, but callous and arrogant toward others. Its exact nature—whether homosexual, a non-sexual deep friendship, or something else entirely—has been a subject of dispute in both the Classical period and modern times.

Homer, in the original epic, never explicitly casts the two as lovers, but they were frequently interpreted and depicted as lovers in the later archaic and classical periods of Greek literature, particularly in the works of Aeschylus, Aeschines and Plato. Xenophon's Symposium established a key counterargument, asserting the relationship was not sexual, but instead a platonic perfect friendship. Ancient writers referenced both sides, and additionally debated whether and how the relationship fit into the scheme of pederasty in ancient Greece. Medieval scholars largely characterized the relationship as a platonic friendship, sometimes even suppressing certain aspects of Achilles' actions that may be interpreted as homoerotic. Since the 1800s, contemporary critics have returned to the debate of the Iliad's portrayal of the relationship. Some classicists and queer studies scholars argue that it was homosexual, homoerotic, or latently homosexual, with the Iliad describing these elements implicitly. Some historians and classicists disagree, stating that there is no textual evidence for a sexual relationship, and that repressed homosexuality here is unfalsifiable.

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Symposium (Xenophon) in the context of Callias III

Callias (Greek: Kαλλίας, known as Callias III to distinguish him from his grandfather and great-great-grandfather) was an ancient Athenian aristocrat and political figure. He was the son of Hipponicus and an unnamed woman (she later married Pericles), an Alcmaeonid and the third member of one of the most distinguished Athenian families to bear the name of Callias. He was regarded as infamous for his extravagance and profligacy.

He apparently inherited his family's fortune in 424 BC. In 371 BC, he was one of the Athenian envoys sent to Sparta to negotiate peace. He is said to have spent his family's enormous wealth on sophists, flatterers, and women, and to have died in poverty. He is a character in several Socratic dialogues: Plato's Protagoras and Xenophon's Symposium are set at his house, and he featured in Aeschines of Sphettus's lost Aspasia.

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Symposium (Xenophon) in the context of Autolycus of Athens

Autolycus (Ancient Greek: Αὐτόλυκος; fl. 5th century BC), son of Lykon, was a young Athenian athlete of singular beauty and the lover of Callias. It is in honour of a victory gained by him in the pentathlon at the Panathenaic Games that Callias gives the banquet for him described by Xenophon in his Symposium.

After the defeat of Athens in the Peloponnesian Wars at the hands of Lysander, Autolycus defeated the Spartan-appointed governor Callibius by "tripping up his heels and throwing him to the ground". Callibius in turn hit Autolycus with his staff upon which Callibius was scolded by Lysander who told him that he "didn't know how to govern free men". Puppets of Lysander and the Spartans killed Autolycus soon after to appease Callibius.

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Symposium (Xenophon) in the context of Ganymede (mythology)

In Greek mythology, Ganymede (/ˈɡænɪmd/ GAN-im-eed) or Ganymedes (/ˌɡænɪˈmdz/ GAN-im-EE-deez; Ancient Greek: Γανυμήδης, romanizedGanymēdēs) is a divine hero whose homeland was Troy. Homer describes Ganymede as the most handsome of mortals and tells the story of how he was abducted by the gods to serve as Zeus's cup-bearer in Olympus. The Latin form of the name was Catamitus (and also "Ganymedes"), from which the English word catamite is derived. The earliest forms of the myth have no erotic content, but by the 5th century BCE it was believed that Zeus had a sexual passion for him. Socrates says that Zeus was in love with Ganymede, called "desire" in Plato's Phaedrus; but in Xenophon's Symposium, Socrates argues Zeus loved him for his mind and their relationship was not sexual. By the early modern period, the event was termed a "rape" with little distinction from equivalent female abductees like Io, Europa, or Callisto.

According to Dictys Cretensis, Ganymede was instead abducted by the Cretans.

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