Agni in the context of "Asura (Hinduism)"

In Hinduism, Yajna or Yagna (Sanskrit: यज्ञ, lit. 'act of devotion, worship, offering in fire', IAST: yajña) also known as Hawan, is a ritual done in front of a sacred fire, often with mantras. Yajna has been a Vedic tradition, described in a layer of Vedic literature called Brahmanas, as well as Yajurveda. The tradition has evolved from offering oblations and libations into sacred fire to symbolic offerings in the presence of sacred fire (Agni).

Yajna rituals-related texts have been called the Karma-kanda (ritual works) portion of the Vedic literature, in contrast to the Jnana-kanda (knowledge) portion found in the Vedic Upanishads. The proper completion of Yajna-like rituals was the focus of Mimansa school of Hindu philosophy. Yajna have continued to play a central role in a Hindu's rites of passage, such as weddings. Modern major Hindu temple ceremonies, Hindu community celebrations, or monastic initiations may also include Vedic Yajna rites, or alternatively be based on Agamic rituals.

Asuras (Sanskrit: असुर) are a class of beings in Indian religions. They are described as power-seeking beings related to the more benevolent Devas (also known as Suras) in Hinduism. In its Buddhist context, the word is translated as "titan," "demigod," or "antigod".

According to Hindu texts, the asuras are in constant fear of the devas. Asuras are described in Indian texts as powerful superhuman demigods with good or bad qualities. In early Vedic literature, the good Asuras are called Adityas and are led by Varuna, while the malevolent ones are called Danavas and are led by Vritra. In the earliest layer of Vedic texts, Agni, Indra and other gods are also called Asuras, in the sense of their being "lords" of their respective domains, knowledge and abilities. In later Vedic and post-Vedic texts, the benevolent gods are called Devas, while malevolent Asuras compete against these Devas and are considered "enemy of the gods".

Prakriti (Sanskrit: प्रकृति IAST: Prakṛti) is "the original or natural form or condition of anything, original or primary substance". It is a key concept in Hinduism, formulated by the Samkhya school, where it does not refer merely to matter or nature, but includes all cognitive, moral, psychological, emotional, sensorial and physical aspects of reality. Prakriti has three different innate qualities (guṇas), whose equilibrium is the basis of all empirical reality, which is in the form of the pancha bhutas (five basic elements) – Akasha, Vayu, Agni, Jala, and Prithvi. Prakriti contrasts with Puruṣa, which is pure awareness and metaphysical consciousness. The term is also found in the texts of other Indian religions such as Jainism and Buddhism.

Kartikeya (IAST: Kārttikeya), also known as Skanda, Subrahmanya, Shanmukha or Muruga, is the Hindu god of war. He is generally described as the son of the deities Shiva and Parvati and the brother of Ganesha.

Kartikeya has been an important deity in the Indian subcontinent since ancient times. Mentions of Skanda in the Sanskrit literature data back to fifth century BCE and the mythology relating to Kartikeya became widespread in North India around the second century BCE. Archaeological evidence from the first century CE and earlier shows an association of his iconography with Agni, the Hindu god of fire, indicating that Kartikeya was a significant deity in early Hinduism. Kaumaram is the Hindu denomination that primarily venerates Kartikeya. Apart from significant Kaumaram worship and temples in South India, he is worshipped as Mahasena and Kumara in North and East India. Muruga is a tutelary deity mentioned in Tamil Sangam literature, of the Kurinji region. As per scholars of religion, the Tamil deity of Muruga coalesced with the Vedic deity of Skanda Kartikeya over time. He is considered as the patron deity of Tamil language and literary works such as Tirumurukāṟṟuppaṭai by Nakkīraṉãr and Tiruppukal by Arunagirinathar are devoted to Muruga.

Ushas (Vedic Sanskrit: उषस्, IAST: Uṣás, nominative singular उषास्) is a Vedic goddess of dawn in Hinduism. She repeatedly appears in the Rigvedic hymns, states David Kinsley, where she is "consistently identified with dawn, revealing herself with the daily coming of light to the world, driving away oppressive darkness, chasing away evil demons, rousing all life, setting all things in motion, sending everyone off to do their duties". She is the life of all living creatures, the impeller of action and breath, the foe of chaos and confusion, the auspicious arouser of cosmic and moral order called the Ṛta in Hinduism.

Ushas is the most exalted goddess in the Rig Veda, but not as important or central as the three male Vedic deities Agni, Soma, and Indra. She is on par with other major male Vedic deities. She is portrayed as a beautifully adorned young woman riding in a golden chariot or a hundred chariots, drawn by golden red horses or cows, on her path across the sky, making way for the Vedic sun god Surya, who is referred either as her husband or her son. Some of the most beautiful hymns in the Vedas are dedicated to her. Her sister is "Nisha" or Ratri, the deity of night.

This is a list of deities in fire worship.