Agastya in the context of Puranas

The Sangam literature (Tamil: சங்க இலக்கியம், caṅka ilakkiyam), historically known as 'the poetry of the noble ones' (Tamil: சான்றோர் செய்யுள், Sāṉdṟōr Seyyuḷ), connotes the early classical Tamil literature and is the earliest known literature of South India. The Tamil tradition links it to legendary literary gatherings around Madurai in the ancient Pandya kingdom. It is generally accepted by most scholars that the historical Sangam literature era, also known as the Sangam period, spanned from c. 100 BCE to 250 CE, on the basis of linguistic, epigraphic, archaeological, numismatic and historical data; though some scholars give a broader range of 300 BCE to 300 CE.

The Eighteen Greater Texts (Patiṉeṇmēlkaṇakku), along with the Tamil grammar work Tolkappiyam, are collectively considered as Sangam literature. These texts are classified into the Ettuttokai (Eight Anthologies) and Pattupattu (Ten Idylls). They encompass both Akam (interior) themes, focusing on personal emotions and love, and Puram (exterior) themes, emphasizing heroism, ethics, and societal values. Notable works include Akananuru (400 love poems), Purananuru (400 heroic poems), Kurunthogai (short love poems), and Natrinai (poems set in five landscapes). The Pattuppāṭṭu highlights specific regions and rulers, with works like Malaipadukadam and Perumpanarrupadai serving as guides to wealth and prosperity.

The Tamil Sangams (Tamil: சங்கம் caṅkam, Old Tamil 𑀘𑀗𑁆𑀓𑀫𑁆, from Sanskrit saṅgha) were three legendary gatherings of Tamil scholars and poets that, according to traditional Tamil accounts, occurred in the remote past. Scholars believe that these assemblies were originally known as kooṭam or "gathering," which was also a name for Madurai. Three assemblies are described. The legend has it that the first two were held in cities since "taken by the sea", the first being called Kapatapuram, and the third was held in the present-day city of Madurai.

Tamil literature includes a collection of literary works that have come from a tradition spanning more than two thousand years. The oldest extant works show signs of maturity indicating an even longer period of evolution. Contributors to the Tamil literature are mainly from Tamil people from south India, including the land now comprising Tamil Nadu, Kerala, Eelam Tamils from Sri Lanka, as well as the Tamil diaspora.

The history of Tamil literature follows the history of Tamil Nadu, closely following the social, economical, political and cultural trends of various periods. The early Sangam literature, dated before 300 BCE, contain anthologies of various poets dealing with many aspects of life, including love, war, social values and religion. This was followed by the early epics and moral literature, authored by Vaishnavite, Shaivite, Ājīvika, Jain and Buddhist authors and poets lasting up to the 5th century CE. From the 6th to 12th century CE, the Tamil devotional poems written by Alvars (sages of Vaishnavism) and Nayanmars (sages of Shaivism) and, heralded the great Bhakti movement which later engulfed the entire Indian subcontinent. During the medieval era some of the grandest of Tamil literary classics like Kambaramayanam and Periya Puranam were authored and many poets were patronized by the imperial Chola and Pandya empires. The later medieval period saw many assorted minor literary works and also contributions by a few Muslim and European authors.

Urvashi (Sanskrit: उर्वशी, IAST: Urvaśī) is the most prominent apsara mentioned in the Hindu scriptures like the Vedas, the epics Ramayana and Mahabharata, as well as the Puranas. She is regarded as the most beautiful of all the apsaras, and an expert dancer.

Urvashi has been featured in many mythological events. She emerged out of the thigh of sage Narayana and occupies a special place in the court of Indra, the king of the gods and ruler of svarga. She is famous for her marriage with Pururavas, the first king of the legendary Chandravansha, whom she later abandoned. She also plays a significant part in the birth of Vashishtha and Agastya, two of the most revered sages in Hinduism. Urvashi's story has been an inspiration for various arts, performances and literature. The poet Kalidasa (fl. 4th -5th century CE) has adapted Urvashi and Pururavas as the main characters in his play Vikramorvashiyam.

Varuna (/ˈvɜːrʊnə, ˈvɑːrə-/; Sanskrit: वरुण, IAST: Váruṇa) is a Hindu god. He is one of the earliest deities in the pantheon, whose role underwent a significant transformation from the Vedic to the Puranic periods. In the early Vedic era, Varuna is seen as the god-sovereign, ruling the sky and embodying divine authority. He is also mentioned as the king of asuras, who gained the status of a deva, serving as the chief of the Adityas, a group of celestial deities. He maintains truth and ṛta, the cosmic and moral order, and was invoked as an omniscient ethical judge, with the stars symbolizing his watchful eyes or spies. Frequently paired with Mitra, Varuna represents the magical and speculative aspects of sovereignty, overseeing the relationship between gods and humans.

The transition from the Vedic to later periods saw Varuna's domain begin to shift from the firmament to waters. He became associated with celestial waters, marking the initial phase of his transformation. By the time of the Itihasa-Purana, Varuna had transformed into the lord of all waters, ruling over oceans, rivers, streams, and lakes. Depicted as residing in a magnificent underwater palace, akin to Poseidon in Greek mythology, he is attended by river goddesses like Ganga and Yamuna. Varuna’s earlier supremacy diminished, and he was relegated to a lesser role as a dikpala, or guardian of the western direction. He is depicted as a youthful man, mounted on Makara (crocodile-like creature) and holding a Pasha (noose, rope loop) and a pitcher in his hands. He is depicted as having multiple wives and children, the most notable of the latter being the sages Vasishtha and Agastya.

Meghanada (Sanskrit: मेघनाद, lit. 'roar of the clouds', IAST: Meghanāda), also referred to by his epithet Indrajit or Indrajeet (Sanskrit: इन्द्रजित्, lit. 'conqueror of Indra'), according to Hindu texts, was the eldest son of Ravana and the crown prince of Lanka, who conquered Indraloka (Heaven). He is regarded as one of the greatest warriors in Hindu texts. He is a major character mentioned in the Indian epic Ramayana. Meghanada is the central character in Bengali epic poem Meghnad Badh Kavya. He played an active role in the great war between Rama and Ravana. He acquired many kinds of celestial weapons from his Guru Shukra. His most prominent feat is having defeated the devas in heaven. Using the Brahmastra, Indrajit killed 670 million vanaras in a single day; nearly exterminating the entirety of the vanara race. No warrior had ever achieved this statistical feat before in the Ramayana. He is the only warrior in the entire Ramayana to defeat both Rama and Lakshmana twice while they were both armed by making them unconscious in a battle with the help of astras and sorcery (once by using "Nagapashastra" and another time by using Brahmastra) and finally got killed by Lakshmana. He was said to be a more powerful and superior warrior than his father Ravana by Brahma and Agastya.

Lopamudra, also known as Kaveri, Kaushitaki and Varaprada, was a philosopher according to ancient Vedic Indian literature. She was the wife of the sage Agastya who is believed to have lived in the Rigveda period (1950 BC-1100 BC) as many hymns have been attributed as her contribution to this Veda. She was not only the consort of Agastya but a Rishiki in her own right, as she was the well known Rishiki who visualized the "Hadi Panchadasi" mantra of the Srikul Shakta tradition of Hinduism. She was one of the prominent Brahmavadinis.

There are three versions of Lopamudra's legend; one is in the Rigveda Hymns; the second is in the epic Mahabharata (Vanaparva: Tirtha-yatra Parva), where there is an elaborate version with a mention that Agastya Rishi did penance at Gangadwara (Haridwar), with the help of his wife, Lopamudra (the princess of Vidarbha). According to this legend, Lopamudra was created by sage Agastya with the most graceful parts of animals such as eyes of the deer etc. The third version is Giridhara Ramayana.

The Siddhar (Tamil (romanized) cittar; from Sanskrit siddha) in Tamil tradition is a perfected individual who has attained spiritual powers called siddhi.

Historically, Siddhar also refers to the people who were early-age wandering adepts that dominated ancient Tamil teaching and philosophy. They were knowledgeable in science, technology, astronomy, literature, fine arts, music, drama, and dance and provided solutions to common people's illnesses and advice for their future. Some of their ideologies are considered to have originated during the First Sangam period.

Agattiyam (Tamil: அகத்தியம் ), also spelled as Akattiyam, according to Tamil tradition, was the earliest book on Tamil grammar. It is a non-extant text, traditionally believed to have been compiled and taught in the First Sangam, (circa 300 BCE) by Agattiyar (Agastya) to twelve students. Agastya is one of the seven revered rishi of Vedic literature, mentioned in the Rigveda. A few surviving verses of Akattiyam are said to be quoted in medieval commentaries.

Agastya, in medieval commentaries of Tamil Hindu scholars, is variously credited with either creating the Tamil language or learning it from the god Shiva. In contrast, according to medieval era Tamil Buddhist scholars, the sage learned Tamil from Avalokita. These legends are mentioned in Akitti Jataka and in Tamil Buddhist epics. There is no direct mention of the sage's name, or Agattiyam text, in Tolkappiyam or the bardic poetry of the Sangam literature.

The Vidarbha kingdom in the Sanskrit epic Mahabharata is among the many kingdoms ruled by Yadu kings (Bhoja Yadavas).It was situated in the region still known as Vidarbha in what is now Maharashtra in central India.

Damayanti, the wife of Nala was the princess of Vidarbha. Similarly Rukmini, the eldest wife of Vasudeva Krishna was from Vidarbha. Sage Agastya's wife Lopamudra, also was a princess from the country of Vidarbha as mentioned in the Mahabharata. Indumati, the Grandmother of Lord Rama and mother of King Dasharatha was also a princess of Vidarbha kingdom. Kundinapuri was its capital, which is identified as Kaundinyapur in the eastern Maharashtra. Rukmini's brother Rukmi founded another kingdom with capital Bhojakata, close to Vidarbha proper. During the Kurukshetra War, when all other kingdoms participated in the battle, Vidarbha under Rukmi stayed neutral, because his army was rejected by both Pandavas and Kauravas who were the two parties engaged in the war. It is not clear if any other king from Vidarbha participated in the war. There is a mention at MBh 6:51, that a Vidarbha army sided with Kauravas under the generalissimo Bhishma.