Afro-Cubans (Spanish: Afrocubano) or Black Cubans are citizens of Cuba who have ancestry from any of the Black racial groups of Africa. The term Afro-Cuban can also refer to historical or cultural elements in Cuba associated with this community, and the combining of native African and other cultural elements found in Cuban society, such as race, religion, music, language, the arts and class culture.
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👉 Afro-Cubans in the context of Bubi people
The Bubi people (also known as Bobe, Voove, Ewota and Bantu Bubi) are a Bantu ethnic group indigenous to Bioko Island, Equatorial Guinea. Once the majority group in the region, the population experienced a sharp decline due to war and disease during Portuguese expeditions. By the end of Spanish colonial rule in the mid 20th century, and after substantial intermarriage with newly introduced populations, such as Afro-Cubans, Krio people, Portuguese people and Spaniards, the Bubi people, again, experienced a great decline in number. Seventy-five percent perished due to tribal/clan rooted political genocide during a civil war that led to Spanish Guinea's independence from Spain. This, too, sparked mass exodus from their homeland with most of the exiles and refugees immigrating into Spain. The indigenous Bubi of Bioko Island have since co-existed with non-indigenous Krio Fernandinos; and members of the Fang ethnic group, who have immigrated in large numbers from Río Muni. Once numbering approximately 3 million, the Bubi currently number around 100,000 worldwide.
The Bubi people, both living in Equatorial Guinea and exiled abroad, have long held little political power and economic stake in their native land. However, appointed government officials, such as the former Prime Minister Miguel Abia Biteo Boricó and several other members of the current Equatorial Guinea government, are of ethnic Bubi descent.
In this Dossier
Afro-Cubans in the context of Women in Cuba
Women in Cuba have the same constitutional rights as men in the economic, political, cultural and social fields, as well as in the family. Cuba is regarded as a regional front-runner in women's rights. According to Article 44 of the Cuban Constitution, "The state guarantees women the same opportunities and possibilities as men in order to achieve woman’s full participation in the development of the country." As of 2023, women hold 55.7% of the parliamentary seats in the Cuban National Assembly.
Many women in Cuba come from different racial backgrounds including Afro-Cuban women. Along with Afro-Cuban women, women in Cuba, formerly a marginalized group, were able to gain higher educational levels and equal advancements in their respective careers. The 1975 Family Code was designed to allow Cuban women to share the household duties fairly with their spouses. Job opportunities were available in the cities and as a result, many Cuban women left the countryside to work and live in the cities. However, because of the increased number of Cuban women studying and working, the national birth rate has declined. Despite the fact that desegregation was enforced in Cuba, there are still some issues in regards to fair housing in Cuba.
Afro-Cubans in the context of Conga
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from the Congo. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, in which each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock.
The origins of the conga drum can be traced back to West and Central Africa, especially regions now known as Congo, Nigeria, and Angola. The modern version of the conga was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to be the yuka and makuta (of Bantu origin) and the bembé drums (of Yoruba origin). In Cuba and Latin America, congas are primarily played as hand drums. In Trinidadian calypso and soca, congas are sometimes struck with mallets, while in the Congos, they are often struck with one hand and one mallet.
Afro-Cubans in the context of Bongo drums
Bongos (Spanish: bongó) are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. The pair consists of the larger hembra (lit. 'female') and the smaller macho (lit. 'male'), which are joined by a wooden bridge. They are played with both hands and usually held between the legs, although in some cases, as in classical music, they may be played with sticks or mounted on stands.
Bongos are mainly employed in the rhythm section of son cubano and salsa ensembles, often alongside other drums such as the larger congas and the stick-struck timbales. In these groups, the bongo player is known as bongosero and often plays a continuous eight-stroke pattern called martillo (lit. 'hammer') as well as more rhythmically free parts, providing improvisatory flourishes and rhythmic counterpoint.