Afro–Trinidadians and Tobagonians in the context of "Calypso music"

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👉 Afro–Trinidadians and Tobagonians in the context of Calypso music

Calypso is a style of Caribbean music that originated in Trinidad and Tobago from Afro-Trinidadians during the early- to mid-19th century and spread to the rest of the Caribbean Antilles by the mid-20th century. Its rhythms can be traced back to West African Kaiso and the arrival of French planters and their slaves from the French Antilles in the 18th century.

It is characterized by highly rhythmic and harmonic vocals, and was historically most often sung in a French creole and led by a griot. As calypso developed, the role of the griot became known as a chantuelle and eventually, calypsonian. As English replaced "patois" (Antillean) as the dominant language, calypso migrated into English, and in so doing it attracted more attention from the government. It allowed the masses to challenge the actions of the unelected Governor and Legislative Council, and the elected town councils of Port of Spain and San Fernando. Calypso continued to play an important role in political expression.

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Afro–Trinidadians and Tobagonians in the context of Soca music

Soca music, or the "soul of calypso", is a genre of music that originated in Trinidad and Tobago in the 1970s. It is considered an offshoot of calypso, with influences from Afro-Trinidadian and Indo-Trinidadian rhythms. It was created by Ras Shorty I (or Lord Shorty) in an effort to revive traditional calypso, the popularity of which had been declining amongst younger generations in Trinidad due to the rise in popularity of reggae from Jamaica and soul and funk from the United States. From the 1980s onward, soca has developed into a range of new styles.

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