Aesthetic value in the context of "Gemstones"

⭐ In the context of gemstones, aesthetic value is considered a factor that can influence the use of minerals despite what inherent physical property?

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⭐ Core Definition: Aesthetic value

Aesthetics is a visual branch of philosophy that studies beauty, taste, and related phenomena. In a broad sense, it includes the philosophy of art, which examines the nature of art, artistic creativity, the meanings of artworks, and audience appreciation.

Aesthetic properties are features that influence the appeal of objects. They include aesthetic values, which express positive or negative qualities, like the contrast between beauty and ugliness. Philosophers debate whether aesthetic properties have objective existence or depend on the subjective experiences of observers. According to a common view, aesthetic experiences are associated with disinterested pleasure detached from practical concerns. Taste is a subjective sensitivity to aesthetic qualities, and differences in taste can lead to disagreements about aesthetic judgments.

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👉 Aesthetic value in the context of Gemstones

A gemstone (also called a fine gem, jewel, precious stone, semiprecious stone, or simply gem) is a piece of mineral crystal which, when cut or polished, is used to make jewelry or other adornments. Certain rocks (such as lapis lazuli, opal, and obsidian) and occasionally organic materials that are not minerals (such as amber, jet, and pearl) may also be used for jewelry and are therefore often considered to be gemstones as well. Most gemstones are hard, but some softer minerals such as brazilianite may be used in jewelry because of their color or luster or other physical properties that have aesthetic value. However, generally speaking, soft minerals are not typically used as gemstones by virtue of their brittleness and lack of durability.

Found all over the world, the industry of coloured gemstones (i.e. anything other than diamonds) is currently estimated at US$1.55 billion as of 2023 and is projected to steadily increase to a value of $4.46 billion by 2033.

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Aesthetic value in the context of Creative work

A creative work is a manifestation of creative effort in the world through a creative process involving one or more individuals. The term includes fine artwork (sculpture, paintings, drawing, sketching, performance art), dance, writing (literature), filmmaking, and musical composition. Creative works require a creative mindset and are not typically rendered in an arbitrary fashion, although works may demonstrate (i.e., have in common) a degree of arbitrariness, such that it is improbable that two people would independently create the same work.

At its base, creative work involves two main steps – having an idea, and then turning that idea into a substantive form or process. Typically, the creative process results in work that has some aesthetic value, identified as a creative expression. Naturally, this expression generally invokes external stimuli (e.g., influences and experiences) which a person draws on because they view the source as creative or inspirational; the degree to which this is reflected may be used in determinations of the derivativeness of the created work. Alternatively, the creator may draw on imagination, and their references may be clouded even to them, for the nature of imagination is as yet not fully understood philosophically, and the level of necessary self-examination of an artist's internal processing is a challenge for even those most self-aware of their minds and mental processes.

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Aesthetic value in the context of La Scapigliata

La Scapigliata (Italian for 'The Lady with Dishevelled Hair') is an unfinished painting generally attributed to the Italian High Renaissance artist Leonardo da Vinci, and dated c. 1506–1508. Painted in oil, umber, and white lead pigments on a small poplar wood panel, its attribution remains controversial, with several experts attributing the work to a pupil of Leonardo. The painting has been admired for its captivating beauty, mysterious demeanor, and mastery of sfumato.

There is no real consensus on the subject, date, history, or purpose of the painting. It shows an unidentified woman gazing downward while her hair fills the frame behind her. Many theories regarding the subject have been proposed: that it is a sketch for an uncompleted painting of Saint Anne; a study for the London version of the Virgin of the Rocks or Leonardo's lost painting of Leda and the Swan; or a painting left deliberately unfinished for its aesthetic value.

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