In the philosophy of art, an interpretation is an explanation of the meaning of a work of art. An aesthetic interpretation expresses a particular emotional or experiential understanding most often used in reference to a poem or piece of literature, and may also apply to a work of visual art or performance.
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👉 Aesthetic interpretation in the context of Low-key photography
Low-key photography is a genre of photography consisting of shooting dark-colored scenes by lowering or dimming the "key" or front light illuminating the scene (low-key lighting), and emphasizing natural or artificial light only on specific areas in the frame. This photographic style is usually used to create a mysterious atmosphere, that only suggests various shapes, often graphic, letting the viewer experience the photograph through subjective interpretation and often implies painting objects or the human body with black non-toxic dyes or pigments.
Renaissance and Baroque, represented by different painting styles including sfumato and chiaroscuro used by artists like Leonardo da Vinci and Rubens), tenebroso (it. dark, mysterious) used by artists such as Caravaggio, Rembrandt, Jusepe de Ribera among others, produced paintings in which black was predominant on the canvas and the light often come from only one source to achieve dramatic scenes.
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Aesthetic interpretation in the context of Artistic symbol
In works of art, literature, and narrative, a symbol is a concrete element like an object, character, image, situation, or action that suggests or hints at abstract, deeper, or non-literal meanings or ideas. The use of symbols artistically is symbolism. In literature, such as novels, plays, and poems, symbolism goes beyond just the literal written words on a page, since writing itself is also inherently a system of symbols.
Artistic symbols may be intentionally built into a work by its creator, which in the case of narratives can make symbolism a deliberate narrative device. However, it also may be decided upon by the audience or by a consensus of scholars through their interpretation of the work. Various synonyms exist for this type of symbol, based on specific genre, artistic medium, or domain: visual symbol, literary symbol, poetic symbol, etc.
Aesthetic interpretation in the context of Pietà (Michelangelo)
The Pietà (Madonna della Pietà, Italian: [maˈdɔnna della pjeˈta]; '[Our Lady of] Pity'; 1498–1499) is a Carrara marble sculpture of Jesus and Mary at Mount Golgotha representing the "Sixth Sorrow" of the Virgin Mary by Michelangelo Buonarroti, in Saint Peter's Basilica, Vatican City, for which it was made. It is a key work of Italian Renaissance sculpture and often taken as the start of the High Renaissance.
The sculpture captures the moment when Jesus, taken down from the cross, is given to his mother Mary. Mary looks younger than Jesus; art historians believe Michelangelo was inspired by a passage in Dante Alighieri's Divine Comedy: "O virgin mother, daughter of your Son [...] your merit so ennobled human nature that its divine Creator did not hesitate to become its creature" (Paradiso, Canto XXXIII). Michelangelo's aesthetic interpretation of the Pietà is unprecedented in Italian sculpture because it balances early forms of naturalism with the Renaissance ideals of classical beauty.