Action film in the context of "Indiana Jones and the Dial of Destiny"

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⭐ Core Definition: Action film

The action film is a film genre that predominantly features chase sequences, fights, shootouts, explosions, and stunt work. The specifics of what constitutes an action film has been in scholarly debate since the 1980s. While some scholars such as David Bordwell suggested they were films that favor spectacle to storytelling, others such as Geoff King stated they allow the scenes of spectacle to be attuned to storytelling. Action films are often hybrid with other genres, mixing into various forms such as comedies, science fiction films, and horror films.

While the term "action film" or "action adventure film" has been used as early as the 1910s, the contemporary definition usually refers to a film that came with the arrival of New Hollywood and the rise of anti-heroes appearing in American films of the late 1960s and 1970s drawing from war films, crime films and Westerns. These genres were followed by what is referred to as the "classical period" in the 1980s. This was followed by the post-classical era where American action films were influenced by Hong Kong action cinema and the growing using of computer generated imagery in film. Following the September 11 attacks, a return to the early forms of the genre appeared in the wake of Kill Bill and The Expendables films.

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Action film in the context of Troy (film)

Troy is a 2004 epic historical action film directed by Wolfgang Petersen and written by David Benioff. Produced by units in Malta, Mexico and Britain's Shepperton Studios, the film features an ensemble cast led by Brad Pitt, Eric Bana, Sean Bean, Diane Kruger, Brian Cox, Brendan Gleeson, Rose Byrne, Saffron Burrows and Orlando Bloom. It is loosely based on Homer's Iliad in its narration of the entire story of the decade-long Trojan War—condensed into little more than a couple of weeks, rather than just the quarrel between Achilles and Agamemnon in the ninth year. Achilles leads his Myrmidons along with the rest of the Greek army invading the historical city of Troy, defended by Hector's Trojan army. The end of the film (the sack of Troy) is not taken from the Iliad, but rather from Quintus Smyrnaeus's Posthomerica, as the Iliad concludes with Hector's death and funeral.

Troy made over $497 million worldwide, making it the 60th highest-grossing film at the time of its release and Petersen's highest-grossing film. However, it received mixed reviews, with critics praising its entertainment value and the performances of Pitt and Bana while criticizing its story, which was deemed unfaithful to the Iliad. It received a nomination for Best Costume Design at the 77th Academy Awards and was the eighth highest-grossing film of 2004.

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Action film in the context of Adventure film

The adventure film is a broad genre of film. Some early genre studies found it no different than the Western film or argued that adventure could encompass all Hollywood genres. Commonality was found among historians Brian Taves and Ian Cameron in that the genre required a setting that was both remote in time and space to the film audience and that it contained a positive hero who tries to make right in their world. Some critics such as Taves limit the genre to naturalistic settings, while Yvonne Tasker found that would limit films such as Raiders of the Lost Ark (1981) from the genre. Tasker found that most films in the genre featured narratives located within a fantasy world of exoticized setting, which are often driven by quests for characters seeking mythical objects or treasure hunting. The genre is closely associated with the action film, and is sometimes used interchangeably or in tandem with that genre.

The setting and visuals are key elements of adventure films. This ranged from early technical showcases such as The Lost World (1925) and King Kong (1933). These films set up exotic locations as both beautiful and dangerous. This would be a continuing trend for Hollywood adventure films. The other major Hollywood style was the historical adventure typified by early films in the style of The Black Pirate (1926) and The Mark of Zorro (1920) which feature less intense violence. Historical adventure was a popular Hollywood staple until the mid-1950s. While the historical adventure film would be parodied or presented as highly camp, special effects-driven adventure films began to dominate the market towards the late 1970s, with films such as Star Wars (1977) and Raiders of the Lost Ark (1981). This trend continued into the 21st century.

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Action film in the context of The Great Train Robbery (1903 film)

The Great Train Robbery is a 1903 American silent Western action film made by Edwin S. Porter for the Edison Manufacturing Company. It follows a gang of outlaws who hold up and rob a steam train at a station in the American West, flee across mountainous terrain, and are finally defeated by a posse of locals. The short film draws on many sources, including a robust existing tradition of Western films, recent European innovations in film technique, the play of the same name by Scott Marble, the popularity of train-themed films, and possibly real-life incidents involving outlaws such as Butch Cassidy.

Porter supervised and photographed the film in New York and New Jersey in November 1903; the Edison studio began selling it to vaudeville houses and other venues in the following month. The cast included Justus D. Barnes and G. M. Anderson, who may have also helped with planning and staging. Porter's storytelling approach, though not particularly innovative or unusual for 1903, allowed him to include many popular techniques of the time, including scenes staged in wide shots, a matte effect, and an attempt to indicate simultaneous action across multiple scenes. Camera pans, location shooting, and moments of violent action helped give The Great Train Robbery a sense of rough-edged immediacy. A special close-up shot, which was unconnected to the story and could either begin or end the film depending on the projectionist's whim, showed Barnes, as the outlaw leader, firing his gun directly into the camera.

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Action film in the context of Justus D. Barnes

Justus D. Barnes (October 2, 1862 – February 6, 1946), named George Barnes in some sources, was an American stage and film actor. He is best known for his role in the 1903 silent short The Great Train Robbery, which the American Film Institute and many film historians and critics recognize as the production that first established both the Western and action genres, setting a new "narrative standard" in the motion picture industry. Kim Newman says it is "probably the first Western film with a storyline".

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Action film in the context of Duel (1971 film)

Duel is a 1971 American road action thriller film directed by Steven Spielberg in his feature film debut. It centers on a traveling salesman David Mann (Dennis Weaver) driving his car through rural California to meet a client. However, he finds himself chased and terrorized by the mostly unseen driver of a semi-truck. The screenplay by Richard Matheson adapts his own short story of the same name, published in the April 1971 issue of Playboy, and based on an encounter on November 22, 1963, when a trucker dangerously cut him off on a California freeway.

Produced by Universal Television as a television film, Duel originally aired as a part of the ABC Movie of the Week series on November 13, 1971. It later received an international theatrical release by Universal Pictures in an extended version featuring scenes shot after the film's original TV broadcast. The film received positive reviews from critics, with Spielberg's direction being singled out for praise. It has since been recognized as an influential cult classic and one of the greatest television films ever made.

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Action film in the context of Rudyard Kipling's Jungle Book

Jungle Book or Rudyard Kipling's Jungle Book is a 1942 independent Technicolor action-adventure film by the Korda brothers, loosely adapted from Rudyard Kipling's The Jungle Book (1894). The story centers on Mowgli, a feral young man who is kidnapped by villagers who are cruel to the jungle animals as they attempt to steal a dead king's cursed treasure. The film was directed by Zoltán Korda and produced by his brother Alexander, with the art direction by their younger brother Vincent. The screenplay was written by Laurence Stallings. The film stars Indian-born actor Sabu as Mowgli. Although the film is in the public domain, the master 35mm elements are with ITV Studios Global Entertainment. An official video release is currently available via The Criterion Collection.

The cinematography was by Lee Garmes and W. Howard Greene and the music was by Miklós Rózsa. Because of World War II, the Korda brothers moved their filmmaking to Hollywood in 1940, and Jungle Book is one of the films they produced during that Hollywood period. The film was a commercial success at the box office.

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Action film in the context of Rambo III

Rambo III is a 1988 American action film starring Sylvester Stallone as Vietnam War veteran John Rambo. Directed by Peter MacDonald, the script was co-written by Stallone and Sheldon Lettich. It is a sequel to Rambo: First Blood Part II (1985) and the third installment in the Rambo film series. Richard Crenna reprises his role as Colonel Sam Trautman.

The film depicts fictional events during the Soviet–Afghan War. In the film, Rambo sets out on a dangerous journey to the Democratic Republic of Afghanistan in order to rescue his former commander and his longtime best friend, Col. Trautman, from the hands of an extremely powerful and ruthless Soviet Army colonel who is bent on killing both Trautman and Rambo, while helping a local band of Afghan rebels fight against Soviet forces threatening to destroy their village.

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Action film in the context of Air Force One (film)

Air Force One is a 1997 American political action thriller film directed and co-produced by Wolfgang Petersen and written by Andrew W. Marlowe. Starring Harrison Ford, Gary Oldman, Glenn Close, Wendy Crewson, Xander Berkeley, William H. Macy, Dean Stockwell, Paul Guilfoyle and Jürgen Prochnow, the film follows Air Force One being hijacked by a group of terrorists who demand the release of their country's imprisoned dictator and the president's attempt to rescue everyone on board by retaking his plane.

The film was a box office success and received mostly positive critical reviews. It became the fifth highest-grossing film of 1997, earning $315.2 million worldwide. It also received two Academy Award nominations for Best Sound and Best Film Editing, losing both awards to Titanic.

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Action film in the context of Poseidon (film)

Poseidon is a 2006 American action disaster film directed and co-produced by Wolfgang Petersen. It is the third film adaptation of Paul Gallico's 1969 novel The Poseidon Adventure, and a loose remake of the 1972 film. It stars Kurt Russell, Josh Lucas, and Richard Dreyfuss, with Emmy Rossum, Jacinda Barrett, Mike Vogel, Mía Maestro, Jimmy Bennett, and Andre Braugher in supporting roles.

It was produced by Virtual Studios and distributed by Warner Bros. Pictures. It had a simultaneous release in IMAX format. It was released on May 12, 2006, and it was criticized for its lackluster script but was praised for its visuals and was nominated at the 79th Academy Awards for Best Visual Effects. It grossed $181.7 million worldwide on a budget of $160 million; however, after the costs of promotion and distribution, Warner Bros. lost $70–80 million on the film, making it a box-office bomb as a result.

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