Actaeon in the context of "Dioxippe"

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⭐ Core Definition: Actaeon

In Greek mythology, Actaeon (/ækˈtən/; Ancient Greek: Ἀκταίων Aktaiōn) was the son of the priestly herdsman Aristaeus in Boeotia, and a famous Theban hero. Through his mother Autonoe he was a member of the ruling House of Cadmus. Like Achilles in a later generation, he was trained by the centaur Chiron.

He succumbed to the fatal wrath of Artemis (later his myth became attached to tales of Artemis' Roman counterpart Diana), but the surviving details of his transgression vary: "the only certainty is in what Aktaion suffered, his pathos, and what Artemis did: the hunter became the hunted; he was transformed into a stag, and his raging hounds, struck with a 'wolf's frenzy' (Lyssa), tore him apart as they would a stag."

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Actaeon in the context of Actaeus

In Greek mythology, Actaeus (/ækˈtəs/; Ancient Greek: Ἀκταῖος, lit.'coast-man'), also called Actaeon, was the first king of Attica, according to Pausanias.

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Actaeon in the context of Diana and Actaeon (Titian)

Diana and Actaeon is a large painting by the Italian Renaissance painter Titian, finished in 1556–1559, and is considered amongst Titian's greatest works. It portrays the moment in which the hunter Actaeon comes across the goddess Diana and her nymphs as they are bathing. Diana is furious, and will turn Actaeon into a stag, who is then pursued and killed by his own hounds, a scene Titian later painted in his The Death of Actaeon (National Gallery).

The story is typically located in woodland with very few structures aside from small works like walls and fountains. Titian adjusts this traditional setting by placing his characters in the arched stone ruins of a forest temple. Diana is the pale woman second from the right. She is wearing a crown with a crescent moon on it and is being covered by the dark skinned woman at the extreme right who may be her servant. The nymphs display a variety of reactions, and a variety of nude poses.

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Actaeon in the context of Leucon

In Greek mythology, the name Leucon (/ˈljkɒn/; Ancient Greek: Λεύκων) may refer to:

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Actaeon in the context of Lynceus

In Greek mythology, Lynceus (/ˈlɪnsəs, -sjs/; Ancient Greek: Λυγκεύς, romanizedLunkeús, lit.'lynx-like') may refer to the following personages:

Also, Lynceus is a crater on Janus (moon of Saturn), named after Lynceus of Messenia in the legend of Castor and Pollux.

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Actaeon in the context of Peisander (mythology)

In Greek mythology, Peisander or Pisander (/pˈsændər, ˈpˌsændər/; Ancient Greek: Πείσανδρος Peisandros) may refer to the following characters:

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Actaeon in the context of Agrius

Agrius (/ˈæɡriəs/; Ancient Greek: Ἄγριος means "wild") in Greek mythology, is a name that may refer to:

The city of Agrinio, the largest city in Aetolia, took its name from Agrius.

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Actaeon in the context of Argus (Greek myth)

In Greek mythology, Argus or Argos (/ˈɑːrɡəs/; Ancient Greek: Ἄργος Argos) may refer to the following personages

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Actaeon in the context of The Death of Actaeon

The Death of Actaeon is a late work by the Italian Renaissance painter Titian, painted in oil on canvas from about 1559 to his death in 1576 and now in the National Gallery in London. It is very probably one of the two paintings the artist stated he had started and hoped to finish (one of which he calls "Actaeon mauled by hounds") in a letter to their commissioner Philip II of Spain during June 1559. However, most of Titian's work on this painting possibly dates to the late 1560s, but with touches from the 1570s. Titian seems never to have resolved it to his satisfaction, and the painting apparently remained in his studio until his death in 1576. There has been considerable debate as to whether it is finished or not, as with other very late Titians, such as the Flaying of Marsyas, which unlike this has a signature, perhaps an indication of completion.

It is a sequel of Titian's work Diana and Actaeon showing the story's tragic conclusion, which approximately follows the Roman poet Ovid's account in the Metamorphoses: after Actaeon surprised the goddess Diana bathing naked in the woods, she transformed him into a stag and he was attacked and killed by his own hounds.

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Actaeon in the context of Cithaeron

Cithaeron or Kithairon (Κιθαιρών, -ῶνος) is a mountain and mountain range about sixteen kilometres (ten miles) long in Central Greece. The range is the physical boundary between Boeotia region in the north and Attica region in the south. It is mainly composed of limestone and rises to 1,409 metres (4,623 ft). The north-east side of the range is formed by the mountain Pastra.

The range was the scene of many events in Greek mythology and was especially sacred to Dionysus. In Euripides' Bacchae, Dionysus carries out his dances and rites with his bacchants, his priestesses, on Cithaeron. Oedipus was exposed on the mountain, while Actaeon and Pentheus were both dismembered on its slopes. It was also the place where Heracles or Alcathous hunted and killed the Lion of Cithaeron.

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