Acoustical engineering in the context of "Loudspeakers"

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⭐ Core Definition: Acoustical engineering

Acoustical engineering (also known as acoustic engineering) is the branch of engineering dealing with sound and vibration. It includes the application of acoustics, the science of sound and vibration, in technology. Acoustical engineers are typically concerned with the design, analysis and control of sound.

One goal of acoustical engineering can be the reduction of unwanted noise, which is referred to as noise control. Unwanted noise can have significant impacts on animal and human health and well-being, reduce attainment by students in schools, and cause hearing loss. Noise control principles are implemented into technology and design in a variety of ways, including control by redesigning sound sources, the design of noise barriers, sound absorbers, suppressors, and buffer zones, and the use of hearing protection (earmuffs or earplugs).

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Acoustical engineering in the context of Acoustics

Acoustics is a branch of physics that deals with the study of mechanical waves in gases, liquids, and solids including topics such as vibration, sound, ultrasound and infrasound. A scientist who works in the field of acoustics is an acoustician while someone working in the field of acoustics technology may be called an acoustical engineer. The application of acoustics is present in almost all aspects of modern society with the most obvious being the audio and noise control industries.

Hearing is one of the most crucial means of survival in the animal world and speech is one of the most distinctive characteristics of human development and culture. Accordingly, the science of acoustics spreads across many facets of human society—music, medicine, architecture, industrial production, warfare and more. Likewise, animal species such as songbirds and frogs use sound and hearing as a key element of mating rituals or for marking territories. Art, craft, science and technology have provoked one another to advance the whole, as in many other fields of knowledge. Robert Bruce Lindsay's "Wheel of Acoustics" is a well-accepted overview of the various fields in acoustics.

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Acoustical engineering in the context of Loudspeaker

A loudspeaker (commonly referred to as a speaker or, more fully, a speaker system) is a combination of one or more speaker drivers, an enclosure, and electrical connections (possibly including a crossover network). The speaker driver is an electroacoustic transducer that converts an electrical audio signal into a corresponding sound.

The driver is a linear motor connected to a diaphragm, which transmits the motor's movement to produce sound by moving air. An audio signal, typically originating from a microphone, recording, or radio broadcast, is electronically amplified to a power level sufficient to drive the motor, reproducing the sound corresponding to the original unamplified signal. This process functions as the inverse of a microphone. In fact, the dynamic speaker driver—the most common type—shares the same basic configuration as a dynamic microphone, which operates in reverse as a generator.

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Acoustical engineering in the context of Vibration

In mechanics, vibration (from Latin vibrāre 'to shake') is oscillatory motion about an equilibrium point. Vibration may be deterministic if the oscillations can be characterised precisely (e.g. the periodic motion of a pendulum), or random if the oscillations can only be analysed statistically (e.g. the movement of a tire on a gravel road).

Vibration can be desirable: for example, the motion of a tuning fork, the reed in a woodwind instrument or harmonica, a mobile phone, or the cone of a loudspeaker.In many cases, however, vibration is undesirable, wasting energy and creating unwanted sound. For example, the vibrational motions of engines, electric motors, or any mechanical device in operation are typically unwanted. Such vibrations could be caused by imbalances in the rotating parts, uneven friction, or the meshing of gear teeth. Careful designs usually minimize unwanted vibrations.

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Acoustical engineering in the context of Speaker driver

An electrodynamic speaker driver, often called simply a speaker driver when the type is implicit, is an individual transducer that converts an electrical audio signal to sound waves. While the term is sometimes used interchangeably with the term speaker (loudspeaker), it is usually applied to specialized transducers that reproduce only a portion of the audible frequency range, or to the one or more drivers within a loudspeaker cabinet (or simply "speaker".). For high fidelity reproduction of sound, multiple loudspeakers are often mounted in the same enclosure, each reproducing a different part of the audible frequency range. In this case the individual speakers are referred to as drivers and the entire unit is called a loudspeaker. Drivers made for reproducing high audio frequencies are called tweeters, those for middle frequencies are called mid-range drivers (much less commonly called squawkers), and those for low frequencies are called woofers, while those for very low bass range are subwoofers. Less common types of drivers are supertweeters and rotary woofers.

The electroacoustic mechanism most widely used in speakers to convert the electric current to sound waves is the dynamic or electrodynamic driver, invented in 1925 by Edward W. Kellogg and Chester W. Rice, which creates sound with a coil of wire called a voice coil suspended between the poles of a magnet. There are others that are far less widely used: electrostatic drivers, piezoelectric drivers, planar magnetic drivers, Heil air motion drivers, and ionic drivers, among other speaker designs.

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Acoustical engineering in the context of Søren Absalon Larsen

Søren Absalon Larsen (April 5, 1871 – January 2, 1957) was a Danish physicist who worked in the field of electroacoustics and is best known for giving his name to the Larsen effect.

Absalon Larsen was originally MSc. Philosophy and taught theology, then he began to study physics. He subsequently joined to assist Professor Peter Kristian Prytz in the organization of a new exercise course in electronics for mechanical engineers. He was employed at the Polytechnic college, first as a lecturer, later as a professor of electrical engineering. From 1937 he was chairman of the electrical engineering group under the Danish Academy of Technical Sciences.

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Acoustical engineering in the context of White noise

In signal processing, white noise is a random signal having equal intensity at different frequencies, giving it a constant power spectral density. The term is used with this or similar meanings in many scientific and technical disciplines, including physics, acoustical engineering, telecommunications, and statistical forecasting. White noise refers to a statistical model for signals and signal sources, not to any specific signal. White noise draws its name from white light, although light that appears white generally does not have a flat power spectral density over the visible band.

In discrete time, white noise is a discrete signal whose samples are regarded as a sequence of serially uncorrelated random variables with a mean of zero and a finite variance; a single realization of white noise is a random shock. In some contexts, it is also required that the samples be independent and have identical probability distribution (in other words independent and identically distributed random variables are the simplest representation of white noise). In particular, if each sample has a normal distribution with zero mean, the signal is said to be additive white Gaussian noise.

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Acoustical engineering in the context of Architectural acoustics

Architectural acoustics (also known as building acoustics) is the science and engineering of achieving a good sound within a building and is a branch of acoustical engineering. The first application of modern scientific methods to architectural acoustics was carried out by the American physicist Wallace Sabine in the Fogg Museum lecture room. He applied his newfound knowledge to the design of Symphony Hall, Boston.

Architectural acoustics can be about achieving good speech intelligibility in a theatre, restaurant or railway station, enhancing the quality of music in a concert hall or recording studio, or suppressing noise to make offices and homes more productive and pleasant places to work and live in. Architectural acoustic design is usually done by acoustic consultants.

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