Achaemenian in the context of "Lord of the animals"

⭐ In the context of Achaemenian cylinder seals, the 'Master of Animals' motif is most accurately understood as representing…

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⭐ Core Definition: Achaemenian

The Achaemenid Empire (/əˈkmənɪd/ ə-KEE-mə-nid; Old Persian: 𐎧𐏁𐏂, Xšāça, lit. 'The Empire' or 'The Kingdom') was an ancient Iranian empire founded by Cyrus the Great of the Achaemenid dynasty in 550 BC. At peak, its territorial extent was roughly 5.5 million square kilometres (2.1 million square miles), making it the largest empire of its time. Based in the Iranian plateau, it stretched from the Balkans and Egypt in the west to modern day Pakistan in the east, including Anatolia, Cyprus, Mesopotamia, the Levant, parts of Eastern Arabia, and large parts of Central Asia.

By the 7th century BC, the region of Persis, located in the southwestern part of the Iranian plateau, had been settled by Persians. From Persis, Cyrus rose and defeated Media, Lydia, and the Neo-Babylonian Empire, thus marking the establishment of a new imperial polity in the ancient Near East. While its conquests were largely successful in most regions, the Achaemenid Empire's attempts to expand into Greece proved extremely difficult over the course of decades of wars and multiple kings, ultimately resulting in its defeat in the Greek mainland.

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👉 Achaemenian in the context of Lord of the animals

The Master of Animals, Lord of Animals, or Mistress of the Animals is a motif in ancient art showing a human between and grasping two confronted animals. The motif is very widespread in the art of Mesopotamia. The figure may be female or male, it may be a column or a symbol, the animals may be realistic or fantastical, and the human figure may have animal elements such as horns, an animal upper body, an animal lower body, legs, or cloven feet. Although what the motif represented to the cultures that created the works probably varies greatly, unless shown with specific divine attributes, when male the figure is typically described as a hero by interpreters.

The motif is so widespread and visually effective that many depictions probably were conceived as decoration with only a vague meaning attached to them. The Master of Animals is the "favorite motif of Achaemenian official seals", but the figures in these cases should be understood as the king.

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