Academy Award for Best Film Editing in the context of "The Towering Inferno"

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⭐ Core Definition: Academy Award for Best Film Editing

The Academy Award for Best Film Editing is one of the annual awards of the Academy of Motion Picture Arts and Sciences (AMPAS). Nominations for this award are closely correlated with the Academy Award for Best Picture. For 33 consecutive years, 1981 to 2013, every Best Picture winner had also been nominated for the Film Editing Oscar, and about two thirds of the Best Picture winners have also won for Film Editing. Only the principal, "above the line" editor(s) as listed in the film's credits are named on the award; additional editors, supervising editors, etc. are not currently eligible.

The nominations for this Academy Award are determined by a ballot of the voting members of the Editing Branch of the academy; there were 220 members of the Editing Branch in 2012. The members may vote for up to five of the eligible films in the order of their preference; the five films with the largest vote totals are selected as nominees. The Academy Award itself is selected from the nominated films by a subsequent ballot of all active and life members of the academy. This process is essentially the reverse of that of the British Academy of Film and Television Arts (BAFTA); nominations for the BAFTA Award for Best Editing are done by a general ballot of academy voters, and the winner is selected by members of the editing chapter.

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👉 Academy Award for Best Film Editing in the context of The Towering Inferno

The Towering Inferno is a 1974 American disaster film directed by John Guillermin and produced by Irwin Allen, featuring an ensemble cast led by Paul Newman and Steve McQueen. It was adapted by Stirling Silliphant from the novels The Tower by Richard Martin Stern and The Glass Inferno by Thomas N. Scortia and Frank M. Robinson. In addition to McQueen and Newman, the cast includes William Holden, Faye Dunaway, Fred Astaire, Susan Blakely, Richard Chamberlain, O. J. Simpson, Robert Vaughn, Robert Wagner, Susan Flannery, Gregory Sierra, Dabney Coleman and Jennifer Jones in her final role.

The Towering Inferno premiered on December 16, 1974. The film received generally positive reviews from critics, and earned around $203.3 million, making it the highest-grossing film of 1974. It was nominated for eight Academy Awards, including Best Picture, winning three: Best Song, Best Cinematography and Best Editing.

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Academy Award for Best Film Editing in the context of Mary Poppins (film)

Mary Poppins is a 1964 American live-action animated musical fantasy comedy film directed by Robert Stevenson and produced by Walt Disney, with songs written and composed by the Sherman Brothers. The screenplay is by Bill Walsh and Don DaGradi, based on P. L. Travers's book series Mary Poppins. The film, which combines live-action and animation, stars Julie Andrews, in her feature film debut, as Mary Poppins, who visits a dysfunctional family in London and employs her unique brand of lifestyle to improve the family's dynamic. Dick Van Dyke, David Tomlinson, and Glynis Johns are featured in supporting roles. The film was shot entirely at the Walt Disney Studios in Burbank, California, using painted London background scenes.

Mary Poppins was released on August 27, 1964, to universal critical acclaim and commercial success, earning $44 million in theatrical rentals in its original run. It became the highest-grossing film of 1964 in the United States, and at the time of its release became Disney's highest-grossing film. During its theatrical lifetime, it grossed over $103 million worldwide. It received a total of thirteen Academy Award nominations—a record for any film released by Walt Disney Studios—including Best Picture, and won five: Best Actress for Andrews, Best Film Editing, Best Original Music Score, Best Visual Effects, and Best Original Song for "Chim Chim Cher-ee". In 2013, it was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant."

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Academy Award for Best Film Editing in the context of Air Force One (film)

Air Force One is a 1997 American political action thriller film directed and co-produced by Wolfgang Petersen and written by Andrew W. Marlowe. Starring Harrison Ford, Gary Oldman, Glenn Close, Wendy Crewson, Xander Berkeley, William H. Macy, Dean Stockwell, Paul Guilfoyle and Jürgen Prochnow, the film follows Air Force One being hijacked by a group of terrorists who demand the release of their country's imprisoned dictator and the president's attempt to rescue everyone on board by retaking his plane.

The film was a box office success and received mostly positive critical reviews. It became the fifth highest-grossing film of 1997, earning $315.2 million worldwide. It also received two Academy Award nominations for Best Sound and Best Film Editing, losing both awards to Titanic.

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Academy Award for Best Film Editing in the context of Black Hawk Down (film)

Black Hawk Down is a 2001 war film directed and produced by Ridley Scott, and co-produced by Jerry Bruckheimer, from a screenplay by Ken Nolan. It is based on the 1999 eponymous non-fiction book by journalist Mark Bowden, about the crew of a Black Hawk helicopter that was shot down during the Battle of Mogadishu. The film features a large ensemble cast, including Josh Hartnett, Ewan McGregor, Eric Bana, Tom Sizemore, William Fichtner, Jason Isaacs, Sam Shepard, Jeremy Piven, Ioan Gruffudd, Ewen Bremner, Hugh Dancy, and Tom Hardy in his first film role. Orlando Bloom, Ty Burrell, and Nikolaj Coster-Waldau also have minor roles.

Black Hawk Down was produced by Columbia Pictures, Revolution Studios, Jerry Bruckheimer Films and Scott Free Productions and distributed by Sony Pictures Releasing, and had a limited release on December 28, 2001, and went into the public on January 18, 2002. The film received positive reviews from film critics, although it was criticized for inaccuracies. The film performed modestly well at the box office, grossing $173 million worldwide against a production budget of $92 million. Black Hawk Down won two Academy Awards for Best Film Editing and Best Sound at the 74th Academy Awards. In 2006, an extended cut of the film was released on DVD. The cut contains an additional eight minutes of footage, increasing the running time to 152 minutes. This extended cut was released on Blu-ray and in 4K on May 7, 2019.

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Academy Award for Best Film Editing in the context of Munich (2005 film)

Munich is a 2005 epic historical drama film produced and directed by Steven Spielberg, co-written by Tony Kushner and Eric Roth. It is based on the 1984 book Vengeance by George Jonas, an account of Mossad assassinations following the Munich massacre.

Munich was released by Universal Pictures in the United States and Canada and internationally by DreamWorks Pictures on December 23, 2005, and received five Oscar nominations: Best Picture, Best Director, Best Adapted Screenplay, Best Editing, and Best Score. The film made $131 million worldwide but just $47 million in the United States, making it one of Spielberg's lowest-grossing films domestically. In 2017, the film was named the 16th "Best Film of the 21st Century So Far" by The New York Times.

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Academy Award for Best Film Editing in the context of Alfonso Cuarón

Alfonso Cuarón Orozco (US: /kwɑːˈrn/ kwar-OHN; Spanish: [alˈfonso kwaˈɾon] ; born 28 November 1961) is a Mexican filmmaker. His accolades include four Academy Awards, three Golden Globe Awards seven BAFTA Awards and one Golden Lion.

Cuarón made his feature film debut with the romantic comedy Sólo con tu pareja (1991), and directed the film adaptations A Little Princess (1995), and Great Expectations (1998). His breakthrough came with the coming-of-age film Y tu mamá también (2001) which earned him a nomination for the Academy Award for Best Original Screenplay and won him the Venice Film Festival Award for Best Screenplay. He gained greater prominence for directing the fantasy film Harry Potter and the Prisoner of Azkaban (2004), the dystopian drama Children of Men (2006), the science fiction drama Gravity (2013), and the semi-autobiographical drama Roma (2018). The latter two won him Academy Awards for Best Director. He also won Best Film Editing for Gravity and Best Cinematography for Roma.

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Academy Award for Best Film Editing in the context of James Cameron

James Francis Cameron (born August 16, 1954) is a Canadian filmmaker and deep-sea explorer. A major figure in the post-New Hollywood era, his films combine cutting-edge film technology with classical filmmaking techniques and have grossed over $9 billion worldwide, making him the second-highest-grossing film director of all time. Cameron has received numerous accolades, including three Academy Awards, two Primetime Emmy Awards, and four Golden Globe Awards, as well as nominations for six British Academy Film Awards.

Born and raised in Ontario, Cameron moved to California aged 17 and enrolled at Fullerton Community College. Beginning his career with the short film Xenogenesis (1978), he first gained recognition for writing and directing the science fiction action film The Terminator (1984). He had further success with Aliens (1986), The Abyss (1989), Terminator 2: Judgment Day (1991), and True Lies (1994), as well as the Avatar franchise (2009–present). He directed, wrote, co-produced, and co-edited the historical romance epic Titanic (1997), winning Academy Awards for Best Picture, Best Director, and Best Film Editing.

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Academy Award for Best Film Editing in the context of The Player (1992 film)

The Player is a 1992 American satirical black comedy mystery film directed by Robert Altman and written by Michael Tolkin, based on his 1988 novel. The film stars Tim Robbins, Greta Scacchi, Fred Ward, Whoopi Goldberg, Peter Gallagher, Brion James and Cynthia Stevenson, and is the story of a Hollywood film studio executive who kills an aspiring screenwriter he believes is sending him death threats.

The Player has many film references and Hollywood in-jokes, with 65 celebrities making cameo appearances in the film. Altman once stated that the film "is a very mild satire," offending no one. The film received three nominations at the 65th Academy Awards: Best Director, Best Adapted Screenplay and Best Editing. The film also won two Golden Globes, Best Motion Picture – Comedy or Musical and Best Actor – Comedy or Musical for Robbins.

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