A. C. Graham in the context of "Han Feizi"

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⭐ Core Definition: A. C. Graham

Angus Charles Graham, FBA (8 July 1919 – 26 March 1991) was a Welsh scholar and sinologist who was professor of classical Chinese at the School of Oriental and African Studies, University of London.

He was born in Penarth, Glamorgan, Wales to Charles Harold and Mabelle Graham, the elder of two children. His father was originally a coal merchant who moved to Malaya to start a rubber plantation, and died in 1928 of malaria. Graham attended Ellesmore College, Shropshire, 1932–1937, and went on to read Theology at Corpus Christi College, Oxford (graduating in 1940), and Chinese at the School of Oriental and African Studies (SOAS), University of London (graduating in 1949). In 1950 he was appointed lecturer in Classical Chinese at SOAS, promoted to professor in 1971, and to professor emeritus after his retirement in 1984. He lived in Borehamwood.

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👉 A. C. Graham in the context of Han Feizi

The Han Feizi (simplified Chinese: 韩非子; traditional Chinese: 韓非子; pinyin: Hánfēizi; lit. 'Book of Master Han Fei') is an ancient Chinese text attributed to the Legalist political philosopher Han Fei. It comprises a selection of essays in the Legalist tradition, elucidating theories of state power, and synthesizing the methodologies of his predecessors. Its 55 chapters, most of which date to the Warring States period mid-3rd century BCE, are the only such text to survive fully intact. The Han Feizi is believed to contain the first commentaries on the Dao De Jing. Traditionally associated with the Qin dynasty, succeeding emperors and reformers were still influenced by Shen Buhai and the Han Feizi, with Shang Yang's current again coming to prominence in the time of Emperor Wu.

Often considered the "culminating" or "greatest" Legalist texts, Han Fei was dubbed by A. C. Graham amongst as the "great synthesizer" of 'Legalism'". Sun Tzu's The Art of War incorporates both a Daoist philosophy of inaction and impartiality, and a 'Legalist' system of punishment and rewards, recalling Han Fei's use of the concepts of power and technique.

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