1500 in the context of "15th century"

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⭐ 1500 in the context of 1500

Year 1500 (MD) was a leap year starting on Wednesday in the Julian calendar. It was the last year of the 15th century. The year 1500 was not a leap year in the proleptic Gregorian calendar.

The year 1500 was seen as being especially important by many Christians in Europe, who thought it would bring the beginning of the end of the world. Their belief was based on the phrase "half-time after the time", when the apocalypse was due to occur, which appears in the Book of Revelation and was seen as referring to 1500. This time was also just after the Old World's discovery of the Americas in 1492, and therefore was influenced greatly by the New World.

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👉 1500 in the context of 15th century

The 15th century was the century which spans the Julian calendar dates from 1 January 1401 (represented by the Roman numerals MCDI) to 31 December 1500 (MD).

In Europe, the 15th century includes parts of the Late Middle Ages, the Early Renaissance, and the early modern period. Many technological, social and cultural developments of the 15th century can in retrospect be seen as heralding the "European miracle" of the following centuries. The architectural perspective, and the modern fields which are known today as banking and accounting were founded in Italy.

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1500 in the context of Apocalypse (Dürer)

The Apocalypse, properly Apocalypse with Pictures (Latin: Apocalipsis cum figuris; German: Die heimliche Offenbaru[n]g ioh[an]nis), is a 1498 printed book by Albrecht Dürer containing fifteen woodcuts accompanied by text. The book depicts scenes from the Book of Revelation, and rapidly brought Dürer fame across Europe. These woodcuts likely drew on theological advice, particularly from Johannes Pirckheimer, the father of Dürer's friend Willibald Pirckheimer.

Work on the book started during Dürer's first trip to Italy (1494–95), It was published in both Latin and German at Nuremberg in 1498, at a time when much of secular Europe feared an invasion of the Ottoman Empire and Christian Europe anticipated a possible Last Judgment in the year 1500. Dürer was the publisher and seller of this series, and became the first artist to publish a book and create a copyright. Considering the 15 woodcuts, The Four Horsemen of the Apocalypse (c. 1497–98), referring to Revelation 6:1–8, is often viewed as the most famous piece. The overall layout of the cycle has the illustrations on the recto (right) and the text on the following verso (left). This would suggest the importance of illustration over text.

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